Ajouter une intrigue dans votre langueA couple is drawn into a game show with a whooping winning prize. However the game turns into more than a survival for them with no escape.A couple is drawn into a game show with a whooping winning prize. However the game turns into more than a survival for them with no escape.A couple is drawn into a game show with a whooping winning prize. However the game turns into more than a survival for them with no escape.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Siya Agasthi
- (as Tena Desae)
- Masked man
- (as Nishant)
Avis à la une
To begin with, in the first hour you think this movie's concept to be an entertaining thriller one, for eg: luck. The concept is similar to sach ka saamna in which the couple on a vacation need to answer correctly all the questions in order to win a considerable amount of price money...Then begins a journey of thrill, betrayal and a game of life and death through hilarious series of tasks followed one after the other...
As far as acting is concerned, Rajeev and Tena have done a descent job , but we miss the typical Paresh Rawal in the movie...
The entire joyride i.e. the game named as table no.21 is just a bit lame and would have been made much better and more interesting...Just as you think that its a boring movie, comes the climax ....which according to me rubs off all the defects of the movie....The climax ( would not reveal the suspense) steals the show and ends up revealing and passing a strong message. At the end, we realize that the entire game-show has some meaning it...
I know that this movie wouldn't do great on the box office.....for for me that doesn't matter and I recommend you to watch this movie in theaters......for me its 7/10....
This film came to movie screens without any fanfare yesterday, with no hugely well-known names apart from that of character actor and noted scene-stealer Paresh Rawal. I was unfamiliar with Rajeev Khandelwal's work until now, but he's earning a name for himself doing unusual, offbeat films, and Tena Desae (weird spelling, but no matter – I suppose her name is Tina Desai) debuted last year as Dev Patel's love interest in "The Best Exotic Marigold Hotel".
A young couple experiencing hard times wins a weeklong stay in picturesque Fiji. On their last night there, they're invited to dinner at a fancy resort. They are seated at Table No. 21, and welcomed with chilled Dom Perignon by the owner. He tells them that apart from the ultra-swanky resort, he runs a web-based game show that boasts eight million computer geek fans. The game sounds easy enough: answer eight questions with just "Yes" or "No", carry out eight tasks linked to the questions, and walk away with 10 million Fijian dollars, which equals Indian rupees 21 crores. Ah, yes, that No. 21 again! One simple rule not to be forgotten: If you lie, you die. Would they be interested in being that night's contestants?
The broke couple cannot believe their good fortune. Within a couple of questions and tasks, it becomes clear that their mysterious host knows a lot about them. Each "Yes" or "No" answer becomes tougher as he forces them into truly sinister terrain. Suddenly the idyllic Fiji landscape takes on threatening hues.
It would be unwise to ruin a taut, truly innovative thriller with more details. The title of the film gains significance when one considers Article 21 of the Constitution of India, which guarantees the protection of life and personal liberty. No person shall be deprived of his life or personal liberty, except according to procedure established by law.
It's impressive that such a small film has top-notch production values, a classy look, and best of all, thoughtful writing (Sheershak Anand, Abhijit Deshpande, Shantanu Ray Chibber, and Aditya Datt) and excellent performances. Veteran Paresh Rawal creates a multi-layered character one is unlikely to forget. You cannot take your eyes off him as his inscrutable, Machiavellian host turns the screws on the unfortunate game-show participants, while the hapless husband and wife do a fine job of winning our sympathy as their lives unravel before us.
Director Aditya Datt, whose three prior films went unnoticed, deserves kudos for helming this one with a sure, steady hand. Ravi Walia's slick camera work makes the most of the scenic Fiji locations that become more and more foreboding with the film's darkening mood. Editor Devendra Murdeshwar contributes much to the pace and texture of the film, which will stay with you long after the end credits have rolled. This timely film has enormous crossover potential, but because few know it is playing, it might not get the audiences it deserves.
Here's hoping 2013 will be filled with such imaginative, well-made fare.
But this time Aditya Dutt Delivers his career best with Table No.21.
The movie gets into the run right from the start without wasting any time and gets even fast paced after Paresh Rawal's Entry.
Best thing about the movie is its not too stretched and its a great watch. gripping to be true.
Performance wise both Paresh Rawal and Rajeev deliver in their style as expected. Tena has overacted a bit in start 15 minutes though.
Not to forget the actor who played Akram in the movie, his expressions just make you feel about the situation gone through.
Direction is hats off with the links fitting very well.
On the whole, Table No. 21 is for those who look forward for thrilling stuff.
Not to be missed.
9/10
TABLE NO. 21 is a commendable movie-going experience. If you are an extremely choosy moviegoer who watches select first-rate films a year, make sure TABLE NO. 21 is included on your listing. Strongly recommended!
Highly Recommended
Le saviez-vous
- AnecdotesWhilst through the film Rajeev Khandelwal and Tina Desai are assumed to be victims of Paresh Rawal's "tests", the climax of the film safely concludes they were the actual villains of the movie all the while.
- GaffesWhen Khan gives the task of manipulating to Vivaan, during that sequence the level of juice in Vivaan's glass changes from full to half then back to full again.
- Citations
Mr. Khan: I could've killed you this easily on the first day itself. But then you would've never understood the pain my child went through.
Vivaan Agasthi: I never realised, sir, that our joke...
Mr. Khan: Joke? What joke? Toying around with a naive boy and stripping him of his honour, his character you call a joke? Disrobing my child in front of everyone and mortifying him, you call that a joke? Toying with someone's innocence. You call that being a man? I sent a sweet jolly boy. You just sent a bag of bones. You just sent a body. He's just a lifeless body. He's just a lifeless body, Mr. Vivaan, he's not my son. Tell me where my son is.
- Crédits fousBefore the credit roll, snippets of real-life ragging occurrences, media tales, messages by ragging victims and numbers of registered cases are displayed for over a minute.
- ConnexionsReferenced in Amar Akbar Anthony (2015)
Meilleurs choix
- How long is Table No. 21?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 46 720 $US
- Week-end de sortie aux États-Unis et au Canada
- 31 658 $US
- 6 janv. 2013
- Montant brut mondial
- 77 621 $US
- Durée1 heure 48 minutes
- Couleur