Shérif Jackson

"The Lord does not believe in actions without consequences." The New Mexico territory in the late 1800's is full of danger. When Sarah, a young wife (Jones) encounters the local preacher (Isaacs) and a sheriff (Harris) who isn't totally sane. When she refuses the preacher's advances her life is forever changed. Now with the help of the sheriff she sets out for revenge, and you know what they say about a woman scorned. I am a huge Ed Harris fan and I like westerns but lately the genre has been in a huge nose dive so I wasn't sure what to expect from this. This is easily one of the better ones that have come out lately but it is still a little slow moving. 90% of the reason this is good is the cast. Harris is good in everything, Isaacs is the most disturbing preacher since Michael Parks played one in Red State. The gem of the movie though is January Jones. For once she isn't just the eye candy of the movie, she actually has a needed part and the fact that it is her that loses it and goes on a killing spree makes it that much more interesting. If you are a western fan this is one to watch. Don't expect something like Open Range though, this is more like Appaloosa or 3:10 To Yuma or for you real movie fiends out there, if you liked Seraphim Falls you will like this. Overall, started off slow but really picked up and by the end you are glad you watched it. One of the better westerns in the last few years. I give it a B.

This movie might not be like the usual old school westerns but I surely enjoyed it. As an atheist I already hated the priest/prophet Josiah from the first minute I saw him. And him being a racist as well he was the perfect character to hate. Jason Isaacs puts down a good performance playing the villain prophet. Ed Harris as the lunatic sheriff Jackson is also great in his role. And so is January Jones as Sarah Ramírez, the former prostitute that goes on a killing spree as revenge. I thought the whole cast did a good job. The story was well written, started slowly but build up to a climax. Certainly one of the better westerns I have seen lately.

Ed Harris is having a great time and the viewer shares that enjoyment in this fantastic western. For those who long for a return of "Deadwood" this film should ease your withdrawals for a short time. The cast is uniformly excellent, the cinematography is wonderful and the writing is great. The only shortcoming, for those who like their westerns with a dose of spaghetti, is the soundtrack music. Bloody, violent and lots of fun. Ed Harris deserves much praise. The bleakness of the landscape is quite realistic. You can almost taste the dust and dirt in the air. Much of the secondary cast is also made up of very talented actors. A must watch for fans of true westerns.

This dull yet extremely violent mythological western takes us to a middle-of-nowhere version of 1880s New Mexico: space and locale aren't very clearly established. Out in the desert, a pompous cleric-- who more than that is power-hungry and totally mad and evil -- whose local followers call him "Prophet Josiah" (busy and versatile English actor Jason Isaacs) comes upon two young men camping on what he says is his (and therefore God's) land. They are roasting a sheep, which he also says is his. Though they say they're connected to the governor of the state, he stabs one to death and shoots the other as he attempts to flee. This is how things go in this movie, interlaced with scenes of forced sex and verbal provocation. Like all the killings that are to follow, these are shocking, but leave us unmoved. This film is stylish, but pointless.

Later a similar fate befalls a Mexican-born farmer, Miguel Ramírez (Eduardo Noriega) whom Josiah, a thoroughgoing racist, also does not like, and therefore kills. Miguel's reformed prostitute wife Sarah (January Jones) comes looking for her husband, and eventually will realize Josiah's guilt but will kill not only eventually him, but a venial voyeur shopkeeper and various minions of Josiah. All this has been complicated early on by the arrival of the provocative, canny, also rather mad Sheriff Jackson (Ed Harris with long white locks and a long pale blue coat with plaid clown paints). In the end, there is a series of killings by Sarah mostly, with a traditional shootout, but not much suspense. Might it be that New Zealander Andrew McKenzie, whose story is the starting point, was under the sway of Cormac McCarthy's novels? The adapted screenplay is by the Marin County, California twins, Logan and Noah Miller, who worked with Ed Harris before on their debut film Touching Home, but Logan is listed as the sole director this time around.

Ed Harris has fun with his role, enjoying Prophet Josiah's good food and then stabbing his nice mahogany dining room table with his own big murderous knife to illustrate his suspicion that Josiah has killed the two young men; and every so often doing a sprightly dance that is quite nutty and belies the age suggested by his grizzled beard and silvery locks. January Jones, Don Draper's prim, then adulterous, wife in the Sixties advertising TV series Mad Men, brings a certain cool dignity to her role, but she seems too pure to have been a whore, and her wrath hath not enough fury in it.

In France where this was presented under the title Shériff Jackson, the theatrical release was "Forbidden to under 12 years." Figaroscope, whose critic liked it a lot (it got an overall Allociné press rating of 3.0), said it "refers as much to Tarantino as to Peckinpah." Actually despite some mildly ornate dialogue this lacks any of the verbal excitement or wit of Tarantino, the terror and suspense of Peckinpah, or the apocalyptic grandeur of Cormac McCarthy. Furthermore the individual scenes don't seem to link together very well and hence not much narrative drive develops. The abrupt ending makes little sense, and leaves one unsatisfied. Some moments are exploitative or vulgar. Prophet Josiah uses women sexually right and left; some scenes suggest the filmmakers are thinking of There Will Be Blood. In fact there are many influences, none integrated fully.

Sweetwater, 95 mins., debuted at Sundance Jan. 2013 and in the summer was released on DVD in the UK and Japan. Theatrical release in the US and France 9 Oct. and the US 11 Oct. It has done less well with US than French critics: Metacritic rating: 38. Todd McCarthy's assessment (no relation to Cormac) for Hollywood Reporter: "The Old West is portrayed as a venal loony bin in Sweetwater, a handsomely designed, occasionally funny but ultimately empty female vengeance yarn." Bill Graham's lead on twitch also rings true: "Sweetwater isn't easy to enjoy. For such a spare and tight film, there seems to be a lot of dead air. " He attributes that to a failure to integrate separate narrative lines. Screened for this review at UGC Odéon, Paris.

The plot: A psychotic preacher goes too far when he begins indiscriminately murdering innocent people. A manic sheriff and gun-toting ex-prostitute team up to stop him and his followers.

I liked this film, but it's really quite shallow. If you can enjoy a minimalist, high-concept revenge thriller, this is actually pretty enjoyable. Just don't look for anything more than violent action scenes, despicable villains, and violent anti-heroes who would make Clint Eastwood proud.

As I expected, Ed Harris is the highlight of this film. His crazy sheriff is unpredictable, darkly humorous, and fun. The little bits of back story that we were fed make him intriguing, but it's a bit unfortunate that they never capitalized on any of it. I thought that maybe there'd be plot twists and complicated alliances, like a Sergio Leone film, but I guess this isn't that kind of film. No, it's basically a beat-em-up video game where the hero kills all the villain's henchmen and then does a boss fight.

There are quite a few postmodern touches to the film that may annoy old-school Western fans. For one thing, this a modern revenge thriller that's been transposed into a Western setting. As such, I don't think this was really meant to appeal to fans of classic Westerns. Instead, it's going for the Quentin Tarantino crowd, though it could have used more style and quotable dialog. For a poor man's QT film, this is not bad, but I'd recommend the real thing instead.