Dans un monde où personne ne parle, une femme pieuse traque une jeune femme qui s'est échappée de sa prison. Recapturé par ses impitoyables dirigeants, Azrael doit être sacrifié pour apaiser... Tout lireDans un monde où personne ne parle, une femme pieuse traque une jeune femme qui s'est échappée de sa prison. Recapturé par ses impitoyables dirigeants, Azrael doit être sacrifié pour apaiser un mal ancien.Dans un monde où personne ne parle, une femme pieuse traque une jeune femme qui s'est échappée de sa prison. Recapturé par ses impitoyables dirigeants, Azrael doit être sacrifié pour apaiser un mal ancien.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Sebastian Bull
- Isaac
- (as Sebastian Bull Sarning)
Ekke Märten Hekles
- Mid-Ground Burnt Person
- (as Ekke Hekles)
Avis à la une
Azrael starts with an intriguing premise: a post-apocalyptic setting where a woman, played by the talented Samara Weaving, is hunted by a cult. It seems like a horror film with potential, especially with Weaving, who's known for her solid roles in the genre. However, despite the promising setup, the movie stumbles in several areas.
The decision to have almost no dialogue is bold, reminiscent of films like A Quiet Place or Bird Box, but unlike those, Azrael fails to use this strategy to create the same level of tension or immersion. With only three lines spoken throughout the film, the narrative struggles to find clear direction, leaving many questions unanswered.
The biggest issue is the film's indecision about its genre. It tries to be a bit of everything: supernatural, slasher, psychological horror, and even a survival thriller. This mix of genres, rather than enriching the story, ends up diluting it, resulting in a film that lacks a clear path and fails to establish its own identity.
Still, there are a few positives worth noting. The chase scenes are well done and manage to build some adrenaline, though they fall short of reaching their full potential. The religious atmosphere in certain parts is also intriguing, but unfortunately, it's not explored as deeply as it could have been.
Samara Weaving, often associated with horror, delivers a decent performance, but it's far from memorable. Compared to her role in Ready or Not, which will soon have a sequel, Weaving feels underused in Azrael, as if the film doesn't give her the space to truly shine.
Overall, Azrael has good ideas, but it lacks the cohesion and depth needed to truly stand out. It's a film that entertains but doesn't leave a lasting impression, getting lost in its attempt to be everything at once.
The decision to have almost no dialogue is bold, reminiscent of films like A Quiet Place or Bird Box, but unlike those, Azrael fails to use this strategy to create the same level of tension or immersion. With only three lines spoken throughout the film, the narrative struggles to find clear direction, leaving many questions unanswered.
The biggest issue is the film's indecision about its genre. It tries to be a bit of everything: supernatural, slasher, psychological horror, and even a survival thriller. This mix of genres, rather than enriching the story, ends up diluting it, resulting in a film that lacks a clear path and fails to establish its own identity.
Still, there are a few positives worth noting. The chase scenes are well done and manage to build some adrenaline, though they fall short of reaching their full potential. The religious atmosphere in certain parts is also intriguing, but unfortunately, it's not explored as deeply as it could have been.
Samara Weaving, often associated with horror, delivers a decent performance, but it's far from memorable. Compared to her role in Ready or Not, which will soon have a sequel, Weaving feels underused in Azrael, as if the film doesn't give her the space to truly shine.
Overall, Azrael has good ideas, but it lacks the cohesion and depth needed to truly stand out. It's a film that entertains but doesn't leave a lasting impression, getting lost in its attempt to be everything at once.
I would like to describe how frustrating it is to watch a film like this but ... there are no words.
It's some post appocalyptic scenario (maybe) and there are people in the woods who seem to (maybe) worship some force of evil, embodied by zombie-like demons that lurk in the woods.
People run around in the woods and there are some fights between the maybe good and maybe bad guys until eventually it draws to a somewhat unambiguous ending.
There are some awesome gore effects and the movie is expertly made but why they wanted to go the silent route is bizarre. It is tedious and you just don't care about any of the no-name characters and the things they don't say.
I'm sure some will rave about this movie but for me it did not work.
It's some post appocalyptic scenario (maybe) and there are people in the woods who seem to (maybe) worship some force of evil, embodied by zombie-like demons that lurk in the woods.
People run around in the woods and there are some fights between the maybe good and maybe bad guys until eventually it draws to a somewhat unambiguous ending.
There are some awesome gore effects and the movie is expertly made but why they wanted to go the silent route is bizarre. It is tedious and you just don't care about any of the no-name characters and the things they don't say.
I'm sure some will rave about this movie but for me it did not work.
And it leaves a lot up to the imagination. These things do the film no favors. Nothing is explained and that is fine. I guess. But it also keeps the viewer at arm's length. How I am supposed to care about the lead when she is just in one after another of the same situation. Yeah, we get it: she's scrappy.
It was also hard to stay abreast of who was who without names, dialog, etc. I can't even tell you if there was an "us" or a "them".
The movie just seemed there. And it tried to justify its there-ness with the mostly non-verbal contrivance at its core. But while the silence in A Quiet Place has its reasons, I just don't get it here.
It was also hard to stay abreast of who was who without names, dialog, etc. I can't even tell you if there was an "us" or a "them".
The movie just seemed there. And it tried to justify its there-ness with the mostly non-verbal contrivance at its core. But while the silence in A Quiet Place has its reasons, I just don't get it here.
This is a well put together movie. The production, sound and lighting are all pretty strong. The acting, despite a word not being uttered, is good. Samara weaving was excellent as the determined and gritty lead. I'm keen to see her in action with actual lines.
The dialogue free story moves at a fair pace without ever truly grabbing you by the balls. It's occasionally gory/bloody and unnerving but is never jumpy or particularly frightening.
There are small breadcrumbs of clues smattered around about the post rapture apocalyptic world the movie is set in - but there's a lot left up to your own interpretation and many won't get past that.
I'm still most confused how such a fine looking truck decked out with all the mod cons pops up out of nowhere. Especially driven by a relatively normal guy (that actually speaks)!?
A better, more polished effort than many I've watched on shudder but no classic by any means.
The dialogue free story moves at a fair pace without ever truly grabbing you by the balls. It's occasionally gory/bloody and unnerving but is never jumpy or particularly frightening.
There are small breadcrumbs of clues smattered around about the post rapture apocalyptic world the movie is set in - but there's a lot left up to your own interpretation and many won't get past that.
I'm still most confused how such a fine looking truck decked out with all the mod cons pops up out of nowhere. Especially driven by a relatively normal guy (that actually speaks)!?
A better, more polished effort than many I've watched on shudder but no classic by any means.
I got what the film was going for by the end of the film but, seriously, would've been a lot less frustrating had the film actually told us a bit about what was happening before they decided to hit is over the head with it.
The only thing told from the beginning is that everyone is mute, because of the apocalypse and their sins of speech or something like that. That's all you get. Other than that, it's up to the audience to piece together the, once you figure it out, incredibly simple storyline. And it is just that, a simple film. Nothing note-worthy here. Just some decently staged gory moments, and some decent acting. The ending is incredibly predicable, to the point of you knowing what's going to happen long before you get there. It's pretty run of the mill horror here.
Overall, I couldn't recommend spending money on it. It was watchable and kept my interest, but if I had paid for it, I would've been pretty disappointed. It'll be on Shudder for free in no time, just wait for it til then.
2 relious cults out of 5.
The only thing told from the beginning is that everyone is mute, because of the apocalypse and their sins of speech or something like that. That's all you get. Other than that, it's up to the audience to piece together the, once you figure it out, incredibly simple storyline. And it is just that, a simple film. Nothing note-worthy here. Just some decently staged gory moments, and some decent acting. The ending is incredibly predicable, to the point of you knowing what's going to happen long before you get there. It's pretty run of the mill horror here.
Overall, I couldn't recommend spending money on it. It was watchable and kept my interest, but if I had paid for it, I would've been pretty disappointed. It'll be on Shudder for free in no time, just wait for it til then.
2 relious cults out of 5.
Le saviez-vous
- AnecdotesNot a single word of dialogue is spoken until the 36 min mark
- GaffesAll members of the cult which Azrael is from bear scars on their throats, heavily implying that they've removed or damaged their larynges (voice boxes), however, Azrael and other cult members often make grunts, gasps, or whisper-like noises which would be physically impossible without a larynx.
- ConnexionsReferenced in Film Junk Podcast: Episode 966: Terrifier 3 (2024)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Azrael: Angel of Death
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 433 861 $US
- Week-end de sortie aux États-Unis et au Canada
- 282 719 $US
- 29 sept. 2024
- Montant brut mondial
- 666 611 $US
- Durée1 heure 26 minutes
- Couleur
- Rapport de forme
- 2.39:1
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