La Mort portait la blouse

The killer nurse, Cullen, like Dr. Death, Duntsch, was enabled by a medical system more concerned with profit than upholding morality. Just as Duntsch did, Cullen was passed down from one hospital to another like a sexually transmitted disease to continue his appetite for killing patients. The two murderers were apprehended and convicted ten years apart, so it is apparent that the medical system did not learn their lesson.

The documentary could have delved more into Cullen's early life. Tape recordings of the man himself described a boy who was petrified by the loss of safety resulting from the death of his mother, his only protector. No clue was given as to what or whom he feared. But this terror became the seed out of which grew a sociopathic killer.

Cullen claimed that he could not bear witnessing the suffering of the patients and therefore killed them out of mercy. Yet these patients were on the mend and not terminally ill when he brought forward their demise. It was never about the patients and everything to do with his own inner anguish. He projected his suffering onto them and symbolically vanquished it by ending their lives.

An interesting documentary, however there is far too much focus on how this main nurse who ended up helping capture this killer felt so sorry for him and kept saying what a great nurse this he was. Like she couldn't stop long enough to look at reality instead of bouncing back to what she thought was reality. She even has the nerve to put the responsibility on her 11-year-old daughter of whether or not she should help the investigation! Not a bad watch though, put together well by Netflix. What does strike me though, if I may say so, is that we never hear anything bad about hospitals even though they allowed this person, and others not really unlike him - this is not the first such story -- yet the Catholic Church is practically known for harboring the few pedophiles that eventually came to light. How ironic that people are so willing to vilify the church but not the hospital yet this crime was exceedingly worse than what the church did. Just food for thought.

The story is interesting. And it is imperative that people understand that we now have another "blue wall of silence" covering up corruption and illegal behavior by the institutions. We had the police blue wall of silence and now we have the medical one too. As it is true in the US as it is definitely true in the UK and that leads me to believe it is EVERYWHERE.

That being said this 1:30h documentary could've been done in 45min. I mean keeping all the info mentioned which some reviewers even complained the info wasn't enough. But this thing is soooooo slow, with several intervals of repetitive music, several empty scenes, and how they move the picture on a drawn timeline while slowing down on every date so u can read it and keeps going back 20 years. Every single time the timeline is shown it's done in the same manner. Going over every date of employment u think ok they're talking about this era. Nope keep waiting.

Even limited series documentaries aren't that slow. The only documentary I watched that was worse than this was the Dennis nilsen one where the whole thing is the view of a tape recorder and narration. Not even background scenes or photos or maps or anything. Extremely lazy. Like watching paint dry. Literally.

These directors and editors need to understand that stretching scenes to get the docu to last longer than hour is easily noticeable by the viewer and it puts ppl off and lowers the rating. But I think all that happens after they all get paid so who cares right? Smh.

Netflix, shortly after releasing "the Good Nurse", featuring Eddie Redmayne and Jessica Chastain, put forth a documentary about the same events. The documentary follows Charles Cullen, an ICU nurse, who jumps hospitals every time he gets into trouble and finds most of his work in intensive care units, which handle patients with severe or life-threatening illnesses or injuries.

Cullen is mostly described by his coworkers as smart but corky, and a bit weird however overall a good nurse. He has a certain panacea for pharmaceuticals particularly remembering the name use of the medicines even for the rare ones.

After graduating with a nursing degree in 1986, Cullen started working for St Barnabas Medical Center in Livingston. He went on a killing spree from 1986 until his arrest in December 2003. He repeatedly claimed that he wanted to end patients' lives to end their suffering, nonetheless, he killed patients who were getting better and sometimes as young as 21 years old.

Over the years he confessed to killing 40 people. Although when considering the time frame of roughly about 16 years of nursing and the relative ease of killing his patients, he is assumed to kill more than 400 people.

Truth may be stranger than fiction, but in the case of this documentary, it's an improvement. Serial killers have been a compelling subject for dramatization since Hitchcock's "Psycho," at least in American popular culture. But the fascination dates back to Jack the Ripper, and even farther back to the Middle Ages. This year it's Netflix's recent portrayal of the "good nurse" killer, a dismal excuse for biographical adaptation. It might have been worthwhile if it had offered new insight into horrible events, portrayed compelling emotions, or delved into human nature. The result could have been interesting, even entertaining, like a thriller. This documentary accomplishes all of this with no convoluted plot and contrived performances. The actual killer, Charles Cullen, is a far more chilling and impenetrable human being than the one portrayed by Eddie Redmayne. Cullen's matter-of-fact delivery as he explains the motivations that lead him to kill patients and his almost childlike self-possession are unnerving. Redmayne is a good actor, but his choice of intonation and nearly comatose performance failed to capture these real qualities. With straight-forward story telling and genuine emotion, this film imparts unimaginable horrors all the more frightening because they are so credible.