Ajouter une intrigue dans votre langueA Polish man who returns home after the death of his father unearths a secret about the now-deceased Jewish residents of his village.A Polish man who returns home after the death of his father unearths a secret about the now-deceased Jewish residents of his village.A Polish man who returns home after the death of his father unearths a secret about the now-deceased Jewish residents of his village.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 6 nominations au total
Avis à la une
My review about this movie...it's not a thriller. It's a puzzle. It's an in-depth thought provoking movie that every person alive needs to see. Santayana wrote (in The Life of Reason, 1905) "Those who cannot remember the past are condemned to repeat it." I had no idea this happened in many cities and villages throughout Europe and beyond. IF these stories are not told, even on the simplest terms, our children and future generations are condemned to repeat it. The movie may be a slow go but it is a well acted and well written movie with a haunting soundtrack.
God help the souls who choose to forget the past. We have a very real evil living among us and this could certainly happen again, at any moment.
"Aftermath," directed by Wladyslaw Pasikowski, is another example of a new generation of Polish writers and artists coming to terms with a dark past. The film begins with the return of a man to his hometown after 20 years of living in Chicago. Something is clearly amiss. His brother has inexplicably begun unearthing Jewish gravestones that were used as paving blocks after the war. The neighbors are unaccountably hostile. The buried secrets concern the wartime fate of the local Jews who, contrary to official history, were not deported by the Nazi occupiers but massacred in a single day by their Gentile neighbors. Released in Poland in 2012, "Aftermath" reignited the controversy that surrounded the publication in 2000 of the book "Neighbors" by Jan T. Gross, a searing account of the covered-up slaughter in Jedwabne, a once half-Jewish village in northeastern Poland where hundreds of Jews, including children, were murdered in a savage pogrom in 1941.
In "Afternmath," Poles, accustomed to seeing themselves as victims during World War II, are confronted with an incident in which their countrymen had been victimizers. Nationalists were incensed. Others found this revelation evidence of a nation coming to terms with its disturbing past. Pasikowski saw the subject as material for a movie. "The film isn't an adaptation of the book, which is documented and factual, but the film did grow out of it, since it was the source of my knowledge and shame," he has said. "Aftermath," which is set around 2001, at the time of the Jedwabne debate (to which the film never explicitly refers) in the same rural region of northeast Poland, and draws not only on the book "Neighbors" but also the 1996 documentary "Shtetl," made by Marian Marzynski to create not a documentary but an impassioned plea for truth no matter how ugly.
Obsessed with the idea of rescuing the remnants of Jewish life, Pasikowski's protagonist, Jozef Kalina (Maciej Stuhr), is subjected to intense hostility. Jozef is ostracized by his neighbors. His wife, unable to withstand the pressure, leaves for Chicago. His older brother, Franciszek (Ireneusz Czop), who departed Poland on the eve of the 1981 declaration of martial law, returns to investigate and finds himself unwillingly drawn into his brother's mission, excavating the past with increasingly violent and ultimately devastating results.
About the movie: excellent cast, excellent story build up and absolutely worth your time. Even for those not interested in the historical part. While the story unfolds there is a intense sense of claustrophobia as the small town has to let go of generations old secrets. Daring script and great pacing.
No comment. you just have to see this movie, no matter what you think. With Kind Regards, B. Radziszewski
Layered with numerous subplots about brother-brother relationship, the role of the church, the morals of the people, the dreariness of rural living in Poland-the main peeling of the onion unfolds in the last few minutes and the results are spellbinding.
The twists and turns kept me engrossed and I found the acting so good that I had to remind myself that this was not a documentary. Having said that we were reminded by a poster that this is based on actual events, indeed that made it even more provocative and upsetting.
It's the kind of movie that will have you thinking about it for along time.
Le saviez-vous
- Citations
Franciszek Kalina: So, what made you do it?
Józef Kalina: Beats me. So many things aren't right, but we live with them anyway because there's nothing you can do about it. But I think that some things are more wrong than others. It's like, you see a guy lying drunk in the street, you walk on by, 'cause you think, "He's drunk," and you got your own problems and all. But when it's a child lying there, you just can't walk by. Understand?
Franciszek Kalina: Go on.
Józef Kalina: The Germans destroyed that cemetery. I can't help that, I wasn't even born then. They paved the road with gravestones, now that's very wrong, but I didn't know about that either. It was only when folks started talking about covering up that old road with asphalt that I thought, "No way." At first I hoped the county would do something, but then I saw people driving up and down the road, all happy that it's nice and even.
Franciszek Kalina: I understand all that, but why you? We never had anything to do with the Yids.
Józef Kalina: Beats me, I'm telling you I don't know why. It made me feel bad. I kept thinking, "This is wrong." What if someone tore up our parents' headstone and put it by the church door so folks wouldn't get their feet muddy?
Franciszek Kalina: Joziu, but these are total strangers. They're not even our people. Not to mention they've been dead 100 years. Your family's alive. Why should they suffer because of some Jewish foolery?
Józef Kalina: I know it's wrong, but I had to do it.
Franciszek Kalina: Jews in Chicago, I know what they're like... What was that about the church?
Józef Kalina: I found out that they laid some of the stones around the well.
Franciszek Kalina: Józek, don't even think about it.
Józef Kalina: Why not? The parish priest doesn't mind. He said I could take them away. That young priest's not too happy about it, but there's nothing he can do. The parish priest is on my side.
Franciszek Kalina: Just don't do it.
Józef Kalina: It's wrong, don't you see?
Franciszek Kalina: It'll end in tears, I'm telling you. What about those lumberjacks, huh? Think they beat you up for no reason?
Józef Kalina: Come on, that was about soccer. They wanted to know who I root for.
Franciszek Kalina: So you went and said Maccabi Tel Aviv.
Józef Kalina: They were drunk and looking for a fight is all.
Franciszek Kalina: [gets up from the table and holds Józef's face in his hands] Why should you, of all people, care about their dead?
Józef Kalina: Well, you know, there's no one left to look after them.
- Bandes originalesPowrót do domu
Written by Jan Duszynski
Meilleurs choix
- How long is Aftermath?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Aftermath
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 696 330 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1