High Potential

So far I am liking this show. It has kind of Mrs. Monk feel. My big gripe is I do not know why every teenage female has to be written like this in every movie and TV show nowadays. I am calling it now (after only 2 episodes) that she will storm out and do something she is not to do that will put her or someone else in danger. This is a trope I am sick of at this point. Can nobody just write a teenage girl that isn't a rude selfish stereotype. This is more annoying than the manic pixie girl from the 00's. I have 5 sisters and they all have different attitudes and demeanor. This just feels like cheap drama creation. Sorry rant over. I do recommend checking out the show and hope it stays strong and intriguing.

*Read season finale update below *

Being unfamiliar with most of Kaitlin Olson's work I watched this feeling it would pass some time, while having low expectations.

Surprise on me.

Olson is definitely the star and the centerpiece. If she doesn't nail her performance the series has no chance. She's excellent. Unfortunately it's not sustained. The plot device getting her hired isn't revisited in episodes 4 or 5. The other actors do NOT hold up their end. But the writing is what ultimately derails this show. Bad writing. Real bad. Incredibly bad. The babbling nonsensical solutions to the last two cases was terrible.

The concept, gifted and damaged individual possessing a knack for solving crimes, has been done before. And the series reminded me of Natasha Lyonne's similar series (Poker Face). There is also a bit of a similarity to "Elsbeth", a series about an attorney on the spectrum who solves murders. Both series lean heavily on the female leads, and inject character driven humor.

This is an ensemble show, like Elsbeth, with support from Daniel Sunjata and Javica Leslie and Judy Reyes, whereas Poker Face is about a nomadic gifted individual on the run.

The first two episodes were enjoyable.

Then came the next two episodes.

As often happens with a first year in a series, episode 3 is a clunker. Olson comes off as shrill and unnecessarily disrespectful. Sunjata vacillated between beginning to like Olson and being completely unimpressed. There are other disjointed character issues in that episode, and a very convoluted plot.

The hope that this was a one off and just a matter of the writers, actors and directors settling in with a new series was blown up by the cringe-worthy bad fourth episode.

I may check back at the end of the season to see if the writing improves, but for now, I'm on to other things.

*season finale update* So, this series only received a 13 episode order because it was a Fall release series.

The season ended in a major, multi-layered cliff hanger. Can't get upset about that because many series do that, especially over on the streaming networks.

In episode 13 Morgan (Olson) is given more latitude by her PD colleagues, but still wearing clothes that look like she's working in Vice as a hooker. Her family life is still conveniently held together by her ex who babysits on the fly, sometimes for days apparently. Does he not have a job?

The cranky, obnoxious teen girl has calmed down a lot, and seems more supportive of her single mom.

We discover(?) that her partner (Sunjata) is gay. Why the late desire to skew this character in this direction? Feels weird.

Her other bullpen teammates feel more self-assured.

Her work boss seems unchanged from the earlier episodes, and an early love interest comes back into her life, and an odd character who seems to know what happened to her husband figures largely in this episode.

The mystery, almost murder, is better than the capers in episodes 3 & 4, but feels very much like a three part story I remember from The Mentalist.

Nevertheless, definitely smoother (if not more sophisticated) than the early bad episodes. I'll tune in for season two.

Why does Hollywood use the same old formula whenever they start a series where a genius has insights with evidence that others miss? They can't be normal with high intelligence. They need to have some odd condition that makes them quirky in some manner. Unless it's an updated Sherlock Holmes then he's just plain a jerk to most people he comes into contact with. The genius here is pretty so naturally she being a genius with three children is going to fashion herself so she looks like a street walker. Her mind is like an encyclopedia, but apparently her real expertise is in all things related to what a domestic cleaning lady knows. None of that is necessary. She has a famil to create enough actual back story without making her an oddball. Start letting her dress nice without looking like a lot lizard down at the truck stop. Watching her solve things is the real attraction after all..

At first I thought this was going to be a comedy along the lines of Psych! Or an absurd comedy like Always Sunny. I mean, the only characters I've ever seen Kaitlin Olson play are trashy women with a very caustic sense of humor. If that's what you like about her, don't worry, she definitely brings both of those qualities to this role. But she somehow does it in a mature way.

Although the first episode is all I've seen so far, it does appear to be a series similar to the aforementioned Psych! And it's fraternal twin, The Mentalist. It features Olson playing a character with an extremely high IQ who also suffers from a type of OCD, where she obsesses about things that are out of place. She also has a very fine sense of observation, and she uses these quirks to assist the local police in solving crimes.

This isn't a drama detective show, but it's not a comedy played for laughs either. It's a light action crime show like ABC's The Rookie and even gives me vibes of FX's brilliant Rescue Me series from the early 2000s.

The first episode was enjoyable and I hope the show continues along the same lines, with just enough dark humor to make it enjoyable, but without turning into a joke.

Examining her TV resume away from Always Sunny, and topping her role on The Mick, Olson glides onto screen in a not-so shot-for-shot remake of this French procedural, but she's definitely on vibes with it.

Throughout the episode you can tell Olson was attracted to this project by the way it portrays a struggling, body-empowered, capable woman. Comedy is stitched in through her delivery, much the same as the tongue in cheek of its French take.

What this series does better though is keep you captivated by a seasoned cast led by Judy Reyes, whose stern eyes and soft voice invite the audience to develop a sense of empathy towards the players her character cares to collect around her to seek justice.

The first episode was well done, though editing could use some work. The series would be lifted by more scenes between Reyes and Olson.