L'amour malgré tout

This movie is okay now, but it would be great if they don't make it about writers. They could change the occupation to a more realistic one for the kind of characters they have. I mean please don't demean the profession. The base story about relationships of the family was good. But why did they have to show a 19 year old publishing her first book so easily?

According to them, if you write journals then you would be a great writer. If you are suffering then just go and click click on your keyboard and you are ready with a story that will get "The Stephen King" to call you. HaHa.

As I make the festival rounds every year I search for that elusive "sweet little American indie." I don't come across them very often, certainly not often enough, but when that moment happens there's a little pitter-patter in my heart as I know I'm witnessing what could be the launching pad for hot new talent -- writers, directors, actors -- who will go on to produce exciting, creative work in the years to come. I found that here in "Writers."

First-time writer/director Josh Boone has crafted an exquisite film which successfully combines several themes that few are able to tackle successfully. Like David Gordon Green's "Snow Angels," my #1 Top Pick of 2007 and one of my favorite indies of the past decade, we see three couples struggling to cope with the primordial human connection -- the innocence and fear of first love, the seesaw of a mature relationship, and the pain of an estranged couple. Ironically (or perhaps not), "Writers" is privileged to have enlisted Green's longtime Director of Photography Tim Orr. But this is a much lighter picture than "Snow Angels," making it especially accessible to young people and families.

Greg Kinnear is William Borgens, the classic what-have-you-done-for-me-lately author who hasn't had a hit in ages but refuses to allow anyone to sense his self-pity. His wife Erica, played by Jennifer Connelly, is the quintessential partner cast aside at the expense of William's inattention and indiscretion. Their teenage children Samantha and Rusty, portrayed by Lily Collins and Nat Wolff, are discovering their own offbeat paths into the wacky world they've inherited. High school student Rusty, in particular, is a struggling writer himself who is beginning to experience the first frightening pangs of adolescent desire. Dad isn't the best role model, after all, but this is a father-son relationship that has promise if either or both can get their acts together. Samantha is in college and headstrong in the ways of a young woman determined to control her life and career at the expense of entering the dating scene and submitting to the wants of a man. Enter Lou (Logan Lerman), the earnest intellectual who'll stop at nothing to win her over.

From top to bottom -- Kinnear, Connelly, Collins, Wolff, Lerman -- "Writers" is perfectly cast. All inhabit their roles as if they created them. In fact, to some extent, that's true as the dialogue's authenticity is at least partly rooted in Boone's generosity in allowing the actors to improvise some of their material (a technique favored by the aforementioned David Gordon Green, as well). Wolff, in particular, takes advantage of this opportunity to add a good deal of the narrative's comic relief with his ad-libbed lines. Interestingly, he did the same in last year's Toronto hit "Peace, Love, & Misunderstanding," in which he played virtually the same character -- a naive youth, physically inexperienced, gently and innocently exploring his potential with the tender yet intimidating opposite sex. Lerman, 19 at the time of filming, played a 15-year-old in his other world premiere selection at this same festival, "The Perks of Being a Wallflower." In "Writers," he goes in the opposite direction as a 21-year-old who couldn't be more different from Perks' Charlie. In that film, his role is similar to Wolff's as the vulnerable virgin. Here, he's a self-assured, bright college student who is destined to charm Samantha off her feet. The fact that he can convincingly portray both these characters in two pictures at the same festival is testament to his talent and versatility. As his would-be suitor, young Lily Collins is an able foil to Lerman's advances and wins over the audience with her sharp wit.

The adults who anchor the film deserve far more credit than they're given. Jennifer Connelly, who won an Academy Award opposite Russell Crowe in 2001's "A Beautiful Mind," is a beautiful soul inside and out as the wounded spouse who still has a place in her heart for a potentially loving husband. He still holds a torch for her, as well, an intensely personal plot device that could easily lack credulity in the hands of lesser professionals. Oscar-nominated Kinnear proves once again why he is one of the industry's go-to guys. Few actors handle comedy and drama equally well, and he has no problem convincing the audience as a tormented has-been. He may be down on his luck but retains the earnestness that brought him fame and a loving family not that long ago. He's poised for a comeback and it's a role tailor-made for Kinnear.

The film is technically well-balanced between slick Hollywood production values and a relaxed indie look. Bright lighting belies the turmoil beneath the surface. The quaint beach house setting used in many of the scenes is awash with a color palette of earth tones and rustic furnishings, a counterculture milieu befitting this family of intellectuals. Mike Mogis and Nate Wolcott's score is combined with a soundtrack of indie music featuring Conor Oberst of Bright Eyes, whose attraction to the material led him to write original music for the movie.

Tim Orr is truly a master cinematographer. His signature style is the ability to capture beauty in nature and everyday objects -- a dripping gutter here, a playground swing there -- and photography that is comforting, enveloping the actors in a warm glow that matches their affections. Nobody does it better. Boone was truly fortunate to have Orr on board.

"Writers" is overflowing with the authenticity of real life. You'll laugh, you'll cry -- often in the same scene -- and, most of all, you'll empathize with at least one of the characters. There isn't one of us who hasn't experienced the feelings and emotions exhibited by the members of this richly complex family. That's key to this ensemble that features many of our best and brightest young independent film actors. For what I expect a "sweet little American indie" to accomplish, "Writers" is simply perfection.

I will be short and sweet (kind of like the film was) and won't go into a summary as the rest of the well-written and accurate summaries have been thus far. I thought this film was really good. The casting was great, as was the plot and story line. It was a touching story, where despite the indiscretions of a married couple, you had them rooting for each other to find their way back to each other and to bring their family together.

The movie went fast and even though you hoped for a happy ending, you weren't quite sure how it was going to turn out. I won't spoil it, but the ride to the end was worth it. It is a cute, summer drama that is worth checking out.

Bill Borgens (Greg Kinnear) is an acclaimed author who still pines for his ex-wife Erica (Jennifer Connelly) who left him for another man. He has casual sex with Tricia (Kristen Bell). He pushes his kids to write. His daughter Samantha (Lily Collins) is publishing a book. She insists on avoiding true love until Louis (Logan Lerman) won't let her be. His son Rusty (Nat Wolff) falls for Kate (Liana Liberato) who has a drug problem and a boyfriend problem.

Everybody has their own storyline. Writer/director Josh Boone needs to decide what the movie should concentrate on. It's obvious that the mother is the key to the whole movie. Everybody should concentrate on that like a laser. With the mother being a central point, Connelly doesn't have enough screen time.

Lily Collins' story feels manufactured. The dialogue feels fake. I know it's fiction but it feels very writery. Her relationship with her mother lacks authenticity and Logan Lerman's mother is too symmetrical.

The father's story lacks heat. It does get to a good place but the Kristen Bell part doesn't have any tension. Their relationship has no danger and has no stakes. He is better alone waiting for his ex-wife. At least that has poetry. Instead of Bell's character, the story should develop more with his ex-wife's new husband.

The son's story has a couple of good scenes. It's essentially a coming-of-age story that could exist in any number of movies. While I love some of his turns, it has no direct connections to the mother. If this movie is about him, it would make some sense but this feels like a distraction.

Overall the movie feels too made-up. There are some good parts and some good scenes. I'm glad Josh Boone made a friend with Stephen King. He's obvious a fan and he's got a couple of movies from King material coming up.

The fact that such a likable collection of actors and actresses is assembled should indicate this movie is worth a watch.

Although the story isn't ground breaking it's not irritating and doesn't lose steam. It's a story about a writer (Kinnear) and his family and their romantic and family relationships.

The daughter is played by Lily Collins who is very pretty and acts well. The still very beautiful Jennifer Connelly looks like she could be her mother in real life with their dark hair and thick eyebrows - good casting. Wish she would act more these days. Greg Kinnear is quite writer like with his beard but he looks a little too scruffy. Nat Wolff as the son is a bit dorky looking for such an attractive family. Liana Liberato is a bit irritating as the druggie girlfriend though. Patrick Schwarzenegger has a small role as a jerk boyfriend of Liana. Logan Lerman play's Lily's sweet boyfriend.

Everyone is kind of nice and sweet even when they aren't being nice and it's refreshing to see a movie with nice people and a watchable cast.