Un avocat se retrouve dépassé alors qu'il est impliqué dans un trafic de drogue.Un avocat se retrouve dépassé alors qu'il est impliqué dans un trafic de drogue.Un avocat se retrouve dépassé alors qu'il est impliqué dans un trafic de drogue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 3 nominations au total
Cesar Aguirre
- Truck Driver #1
- (as César Aguirre)
Daniel Holguín
- Truck Driver #2
- (as Daniel Holguin)
Avis à la une
The Counselor is one of the most bizarre movies I've ever seen. Ever since it came out I was intrigued how it got very mixed reviews when it had such an amazing cast and crew. But now I know. I'll start with the positives because there actually is plenty to like in this movie. The acting first and foremost is phenomenal, particularly Fassbender and Bardem. It's the only reason you care about anything that's happening. The directing is slick and stylish, and there are a few scenes that are actually brilliant to see unfold. Some lines of dialogue are powerful. Cameron Diaz was good. I'm already running out of positive things to say so let's get right into it.
This movie is a hot mess. There are a hundred characters in this damn thing, it's over 2 hours long when it shouldn't have been, every scene could've been cut in half and the movie would've been all the better for it. It's hard to keep up with all the crap going on because it's so scatterbrained in its storytelling. And that's weird to say because Bardem's character tells some really captivating and hilarious stories. But the movie itself is so wordy and self-indulgent that even if you want to keep up with everything that's happening, there's no good reason to. It's an exercise in tedium after a while. It's like the writer said, "Let's see how many words I can squeeze into this scene before the audience has no idea what the f*ck it's about," and he did that for every damn scene. And again, there are glimmers of brilliance, hell the actual story is really interesting, but goddamn that just makes it all the more frustrating.
The plot can be boiled down to a lawyer getting himself in a bad situation with drug guys and how he tries to get out of it. It sounds like a focused plot, but the movie complicates it beyond comprehension. One minute I'm totally entranced by what's happening on screen, anxiously awaiting what's going to happen next, and then the movie will jump to a scene with random characters we've never seen before talking about nonsense, and they just keep talking and talking until I forget what I was entranced with in the first place. Seriously, if every scene in the movie was cut in half, it could be an excellent crime thriller. There are some truly brutal moments in the movie, and some thought-provoking ones, but they get stretched out and morphed to the point of bewilderment. Some of the lines in this movie are cringe-worthy. Like, did they really have to repeat what the other person said in five different ways? No? That's what I thought. And that's why this movie pisses me off.
The Counselor will definitely impress some people. If you can handle an absolute clusterf*ck of a movie with a few amazing scenes and superb acting then you'll probably enjoy it. But even that makes it sound better than it is, because the great scenes are so few and far between you're left thinking, "Why on earth did they go in this direction? They had something great here!" It's a baffling movie, really, and the more I think about it the more it upsets me because of how great it could've been. Its potential was so clear, it's like they tried to make it as convoluted and stupid as possible.
Worst of all, the movie takes itself dead seriously. It thinks it's so great, and again for the millionth time, IT COULD'VE BEEN. But no, The Counselor refuses to take other people into consideration. It's so in love with itself it gives no one else a reason to love it, let alone care. Watch at your own risk.
This movie is a hot mess. There are a hundred characters in this damn thing, it's over 2 hours long when it shouldn't have been, every scene could've been cut in half and the movie would've been all the better for it. It's hard to keep up with all the crap going on because it's so scatterbrained in its storytelling. And that's weird to say because Bardem's character tells some really captivating and hilarious stories. But the movie itself is so wordy and self-indulgent that even if you want to keep up with everything that's happening, there's no good reason to. It's an exercise in tedium after a while. It's like the writer said, "Let's see how many words I can squeeze into this scene before the audience has no idea what the f*ck it's about," and he did that for every damn scene. And again, there are glimmers of brilliance, hell the actual story is really interesting, but goddamn that just makes it all the more frustrating.
The plot can be boiled down to a lawyer getting himself in a bad situation with drug guys and how he tries to get out of it. It sounds like a focused plot, but the movie complicates it beyond comprehension. One minute I'm totally entranced by what's happening on screen, anxiously awaiting what's going to happen next, and then the movie will jump to a scene with random characters we've never seen before talking about nonsense, and they just keep talking and talking until I forget what I was entranced with in the first place. Seriously, if every scene in the movie was cut in half, it could be an excellent crime thriller. There are some truly brutal moments in the movie, and some thought-provoking ones, but they get stretched out and morphed to the point of bewilderment. Some of the lines in this movie are cringe-worthy. Like, did they really have to repeat what the other person said in five different ways? No? That's what I thought. And that's why this movie pisses me off.
The Counselor will definitely impress some people. If you can handle an absolute clusterf*ck of a movie with a few amazing scenes and superb acting then you'll probably enjoy it. But even that makes it sound better than it is, because the great scenes are so few and far between you're left thinking, "Why on earth did they go in this direction? They had something great here!" It's a baffling movie, really, and the more I think about it the more it upsets me because of how great it could've been. Its potential was so clear, it's like they tried to make it as convoluted and stupid as possible.
Worst of all, the movie takes itself dead seriously. It thinks it's so great, and again for the millionth time, IT COULD'VE BEEN. But no, The Counselor refuses to take other people into consideration. It's so in love with itself it gives no one else a reason to love it, let alone care. Watch at your own risk.
Normally, I fully appreciate bleak films with utterly despicable characters that leave you thinking rather than leaving the theater with a smile on your face, joyous to the fact that the hero saved the day yet again. Sorry, that's not my kind of story as overdone as it is. I prefer brutal realism where humanity is depicted in a much less phony manner. That's exactly what The Counselor promises as its characters take fairly regrettable paths- flawed people that make mistakes in a criminal environment. Some are more oblivious to it (or outright merciless), and some are much more humane in their methods. At first glance, it seems as if it's impossible for The Counselor to be proved a disappointment from the looks of its amazing cast (the likes of Michael Fassbender, Javier Bardem, Cameron Diaz, Brad Pitt, and Penelope Cruz), exceptional director with a credible resume, and a totally prestigious author signed on for his first screenplay. In addition, it appears to be a crime thriller, which definitely commences my adrenaline rush because it's personally my favorite genre.
Unfortunately, this film is a perfect example of "don't judge a book by its cover" (whether positively or negatively; people just love positivism so they usually associate the idiom with negativism). To simply put it, the story is a complete mess right from the start. We have our main character who goes by "Counselor" (played by one of my favorites, Michael Fassbender) confusingly dropped into this situation. How did he end up in this predicament? Why did he choose to pursue such a perilous and illicit path? Basically, the movie never explains anything. You're left in wonderment, attempting to figure out who is on whose side. Who wants to kill them exactly? Characters end up in random places, and the story never even bothers to explain how the two characters even know each other. The script just conveniently places two movie stars in one scene without an effectively developed context to service it. What follows are countless scenes where characters engage in conversation, vaguely discussing the circumstances.
The dialogue also feels vastly strange because the characters don't talk like actual people do in reality. Their speech sounds quite literary as they spout metaphor after metaphor, coupled with complex vocabulary. With that being said, I had no issue with it at first. In that, I mean I held no issue with the style of speech. What I did have an issue with was the way the characters spoke in a way that fully befuddled the viewers. It's like only the characters are in on it the entire way without the audience's understanding. In essence, it makes for an inconvenient and confusing experience.
Speaking of the cast, Javier Bardem was really the only one that stood out to me. Frankly, Cameron Diaz had me bewildered. She's supposed to be from Barbados with an accent- See, I wasn't even sure whether she was sporting an accent or not. At times, it felt like she had an accent going on, and then in other moments, she was speaking fluent and clear English; so I have no idea what was going on there. Even then, the film could've easily hidden all these flaws by presenting us with a thrilling and suspenseful plot, but it actually turned out to be incredibly uneventful. The scope didn't feel as exciting as it was supposed to be, and it definitely wasted an incredible amount of potential. So yes, I'm absolutely saddened; this was one of my most anticipated films of this year, if not my most anticipated, and it ended up falling embarrassingly flat.
There were a few disturbingly violent scenes that boosted the film's tone, for lack of a better term, literally, and reminded us of the excellence of No Country for Old Men. You're also met with an outrageous sex scene that's equally disturbing and sexy for some, and those scenes might be the only snippets of The Counselor remembered down the road. The ending was also not very reassuring, cutting to the credits unexpectedly shortly after another monotonous and ambiguous conversation. The only decent element of this movie was its soundtrack, but then again, its quality could've just been determined in comparison to the oddity and nuisance that the rest of the film consisted of. In sum, the best way to describe The Counselor is "brutally unsatisfying." I felt no sense of satisfaction by the time it drew to a close, and everything simply felt so meaningless and forgettable. There's no question that it left a bad taste in my mouth, and I sincerely hope that Ridley Scott ups his game sometime soon.
Unfortunately, this film is a perfect example of "don't judge a book by its cover" (whether positively or negatively; people just love positivism so they usually associate the idiom with negativism). To simply put it, the story is a complete mess right from the start. We have our main character who goes by "Counselor" (played by one of my favorites, Michael Fassbender) confusingly dropped into this situation. How did he end up in this predicament? Why did he choose to pursue such a perilous and illicit path? Basically, the movie never explains anything. You're left in wonderment, attempting to figure out who is on whose side. Who wants to kill them exactly? Characters end up in random places, and the story never even bothers to explain how the two characters even know each other. The script just conveniently places two movie stars in one scene without an effectively developed context to service it. What follows are countless scenes where characters engage in conversation, vaguely discussing the circumstances.
The dialogue also feels vastly strange because the characters don't talk like actual people do in reality. Their speech sounds quite literary as they spout metaphor after metaphor, coupled with complex vocabulary. With that being said, I had no issue with it at first. In that, I mean I held no issue with the style of speech. What I did have an issue with was the way the characters spoke in a way that fully befuddled the viewers. It's like only the characters are in on it the entire way without the audience's understanding. In essence, it makes for an inconvenient and confusing experience.
Speaking of the cast, Javier Bardem was really the only one that stood out to me. Frankly, Cameron Diaz had me bewildered. She's supposed to be from Barbados with an accent- See, I wasn't even sure whether she was sporting an accent or not. At times, it felt like she had an accent going on, and then in other moments, she was speaking fluent and clear English; so I have no idea what was going on there. Even then, the film could've easily hidden all these flaws by presenting us with a thrilling and suspenseful plot, but it actually turned out to be incredibly uneventful. The scope didn't feel as exciting as it was supposed to be, and it definitely wasted an incredible amount of potential. So yes, I'm absolutely saddened; this was one of my most anticipated films of this year, if not my most anticipated, and it ended up falling embarrassingly flat.
There were a few disturbingly violent scenes that boosted the film's tone, for lack of a better term, literally, and reminded us of the excellence of No Country for Old Men. You're also met with an outrageous sex scene that's equally disturbing and sexy for some, and those scenes might be the only snippets of The Counselor remembered down the road. The ending was also not very reassuring, cutting to the credits unexpectedly shortly after another monotonous and ambiguous conversation. The only decent element of this movie was its soundtrack, but then again, its quality could've just been determined in comparison to the oddity and nuisance that the rest of the film consisted of. In sum, the best way to describe The Counselor is "brutally unsatisfying." I felt no sense of satisfaction by the time it drew to a close, and everything simply felt so meaningless and forgettable. There's no question that it left a bad taste in my mouth, and I sincerely hope that Ridley Scott ups his game sometime soon.
The Counselor is the work of a fantastic director, an incredible writer and an A+ cast but sadly it just wasn't put together well enough to be an effective movie. It was written by the talented Cormac McCarthy, this is his screenplay debut and his lack of experience shows, he seems to forget that he is writing the script of a modern film and not a novel or a play. Many of the scenes are lengthy, one on one exchanges between two characters who speak in long extended monologues. The dialog itself is sharp, cryptic and original, I loved hearing the characters' philosophical banter about death, religion, sex, acceptance etc. The simple yet tragic story however is muffled by the heavy abstract dialog, which seems to be trying to be as far from expository as possible. It's hard to make out the details of what's actually happening and you constantly find yourself asking, what's the point? I did however enjoy the writing, it was dark and beautiful and I'd love to see McCarthy return to this style in another, perhaps more illustrative script.
The characters, who are portrayed by some of the most talented actors out there, are all ambiguous, intellectual, bad-asses. It's fun to see slick, eccentric characters like these, but there is no variety, everyone is simply a beautiful and sadistic human being and it becomes very boring to watch. Nobody is lovable, or realistic, or funny or imperfect. It is also impossible to become invested in the characters or the story line. Just a bunch of cool people wearing expensive sunglasses saying and doing cool things, which is enjoyable, but not for a solid two hours.
The cinematography is exceptional, each shot has the aesthetic quality of a well thought out photograph. There was clearly a lot of thought put into camera angles, and where characters and objects were placed within the frame. I was never bored admiring the exotic, luxurious locations captured with such skill.
All in all, the ambitious dialog, the beautiful cinematography and the very capable cast, coupled with a very intense soundtrack made for a film that successfully created a very dark, poignant tone. Unfortunately the story was unclear, despite being very basic. The characters did not contrast each other at all, and it was hard to give a damn about any of it. I'd recommend it to anyone interested in film since I did have a good time and I think there's a lot to take away from it. As a film maker, it's interesting to see a group of people who are all masters of their craft, sincerely try there best, and make something that is so completely ineffective.
The characters, who are portrayed by some of the most talented actors out there, are all ambiguous, intellectual, bad-asses. It's fun to see slick, eccentric characters like these, but there is no variety, everyone is simply a beautiful and sadistic human being and it becomes very boring to watch. Nobody is lovable, or realistic, or funny or imperfect. It is also impossible to become invested in the characters or the story line. Just a bunch of cool people wearing expensive sunglasses saying and doing cool things, which is enjoyable, but not for a solid two hours.
The cinematography is exceptional, each shot has the aesthetic quality of a well thought out photograph. There was clearly a lot of thought put into camera angles, and where characters and objects were placed within the frame. I was never bored admiring the exotic, luxurious locations captured with such skill.
All in all, the ambitious dialog, the beautiful cinematography and the very capable cast, coupled with a very intense soundtrack made for a film that successfully created a very dark, poignant tone. Unfortunately the story was unclear, despite being very basic. The characters did not contrast each other at all, and it was hard to give a damn about any of it. I'd recommend it to anyone interested in film since I did have a good time and I think there's a lot to take away from it. As a film maker, it's interesting to see a group of people who are all masters of their craft, sincerely try there best, and make something that is so completely ineffective.
I'm not sure what most people were expecting, but it's obvious the movie did not meet whatever that was. If you have so many big names in one movie, those expectations can get very heavy obviously. Still this movie is really good, just not on what some thought it promised them. I haven't seen the trailer yet, but I know those trailers can be deceiving as well as promoting something.
The movie has a very philosophical strain and can be watched a couple of times. There is also a sexual tone that some might find disturbing (especially the car window thing, you'll know when you watch it), but it's all about dominance. And it's about life choices and planting things that you will for better or worse reap ... not everyones cup of tea, but a very strong movie nevertheless.
The movie has a very philosophical strain and can be watched a couple of times. There is also a sexual tone that some might find disturbing (especially the car window thing, you'll know when you watch it), but it's all about dominance. And it's about life choices and planting things that you will for better or worse reap ... not everyones cup of tea, but a very strong movie nevertheless.
This film tells the story of a young lawyer who turns to drug trade to make a quick buck to finance the ring for his fiancée.
"The Counselor" has a stellar cast, and I have looked forward to watching it. However, I was already disappointed by the initial scene. It involves Penelope Cruz in bed with a man for a whole six minutes, and yet the director manages to make a sec scene that's boring. The film goes rapidly downhill, as the characters incessantly talk, continuously talk and forever talk. Watching this film is like listening to a lecture. Even though the film contains gruesome murders and gun battles, it's boring beyond belief and I can't wait for it to end. I can't believe that a crime thriller can be so boring.
"The Counselor" has a stellar cast, and I have looked forward to watching it. However, I was already disappointed by the initial scene. It involves Penelope Cruz in bed with a man for a whole six minutes, and yet the director manages to make a sec scene that's boring. The film goes rapidly downhill, as the characters incessantly talk, continuously talk and forever talk. Watching this film is like listening to a lecture. Even though the film contains gruesome murders and gun battles, it's boring beyond belief and I can't wait for it to end. I can't believe that a crime thriller can be so boring.
Le saviez-vous
- AnecdotesMichael Fassbender agreed to star in this as part of a two-picture deal. The next film would not be a sequel; instead the studio would fund his Assassin's Creed (2016) project.
- GaffesWhen the Counselor is in his car, on the phone with the Cartel lawyer, the mobile phone is upside down.
- Versions alternativesThe 'Unrated Extended Cut' is 20 minutes longer than the 'Theatrical Cut'(117 min.) and runs nearly 138 minutes. It features new scenes, extended scenes and a little alternative footage. Some scenes are extended substantially, for example the philosophical dialogue between the Counselor and the Diamond Dealer and between the Counselor and the Cartel Leader. In this version the Diamond Dealer is characterized as a Sephardic Jew from Spain with a tragic past involving a deceased woman. The Cartel Leader's extended monologue gains nearly apocalyptic qualities. The sex scene at the beginning is longer and contains stronger sexual activity from Laura. The sexually ambiguous relationship between Laura and Malkina is explored deeper in an additional scene. Reiner tells more anecdotes about his former girlfriends, friends and what he 'learned' about women. The dialogue scenes with Westray contain more details about the unpredictable dangers of the drug trade. The notorious death scene of Westray is extended and more graphic. The 'Unrated Extended Cut' contains in general more profanity and sexual references than the R-rated 'Theatrical Cut'.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #22.15 (2013)
- Bandes originalesTheory of Fudu (Diego Iglesias Mix)
Written and Arranged by Jonathan Miguez Vazquez
Performed by John Axiom
Courtesy of Liquid Grooves
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El abogado del crimen
- Lieux de tournage
- El Paso, Texas, États-Unis(Second Unit shots, some exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 973 715 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 842 930 $US
- 27 oct. 2013
- Montant brut mondial
- 71 009 334 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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