The Dark Horse

Spectacular. What can I say. I saw this film yesterday and I am still emotionally changed by it. Cliff Curtis' portrayal of the main character Genesis is incredible. Every facial movement, gaze and words contain such intent and delivery that it makes you imagine or see what is going on in his mind. The opening scene is stunning directing and DOP work and creates the mood for the entire film.

James Rolleston as Mana is excellent. Very powerful delivery and believable. Same can be said for Wayne Hapi who plays Mana's father Ariki. Kirk Torrance as Noble and the rest of the cast is great.

I also felt a close connection to this film because I grew up in a small town in Australia with people similar to the roles portrayed in this film so I can relate.

Great work, I will see again very soon and can't wait to own it when it is released.

I have grown weary of ratings over 8 recently and I want to let anyone reading this that I don't give out a 9 or 10 without thoughtful consideration. I developed this trepidation towards highly rated movies in the last few years in reaction to the incredible ratings that I have observed for Hollywood blockbusters in the last few years on review websites.

I go into films expecting to have my mind blown after seeing an 8 out of 10 rating, instead I'm am confronted with formulaic shtick. This film wholeheartedly deserves a 9 or 10 out of 10. It subtly puts across a plethora of social commentaries that will leave you thinking for days.

I am from New Zealand so found it very easy to identify with the characters but I am fairly confident it will come across to anyone from any background or nation. Cliff Curtis deserves to be on the international stage for his performance in this film.

Go and see it, you deserve it! To finally see an 8/9 out of 10 that is actually worthy of it. The group I saw this with was left quietly affected for hours. I suspect for days, I cannot confirm as I was only in this groups company for hours.

This went straight into my top 5 movies of all time. Powerful story, raw in places. It brought a real depth of emotion and connection to the viewer. Cliff Curtis is a tour De force in this film, the best role I have seen him in. The supporting cast, despite being largely unknown, add a richness to the film, and also an authenticity to the setting. The fact that it is a true story also adds to the film, and made me want to find out more about the lead character, Genesis Potini. Although there are elements of violence, and that can be harrowing, they are tempered by extraordinary scenes of tenderness, and of humor. While the story has a New Zealand setting, it is a film for all people, from all parts of the world. If you are going to see one film this year, this is it. A must see.

This film easily ranks as one of the 3-4 greatest films to come out of New Zealand for me.

NZ film has produced some powerful drama over the years, particularly films like Whale Rider, Once Were Warriors and The Piano. IMO, The Dark Horse stands shoulder-to-shoulder with all those and actually exceeds them in some regards.

It's not an easy watch at times, there were moments I felt myself almost having to turn away from the screen... The tension is pretty relentless during periods, and I actually felt exhausted by the end.

But there was also plenty of genuine laugh out loud humour littered throughout, which balanced it all out nicely.

And boy was I glad for the experience. I actually had moments of not wanting to laugh because I was worried it would start me crying...! It was pointless... I ended up doing plenty of both in the end.

An instant NZ classic. Bravo to the filmmakers.

Behind the beautiful cinematography, engaging and detailed performances, and deftly-paced editing is a master work of a screenplay. A wholly empathetic protagonist, with his wellbeing so delicately balanced, bombarded by obstacles. The stakes continue to rise, the subplots interweave seamlessly, with the whole story building to a perfectly weighted, moving, climax.

Once filmmakers could be just "good" or "interesting" and pull a crowd to the cinema to see their kitchen-sink dramas. The new Golden Age of television has put paid to that. We get great storytelling and interesting ideas pushing boundaries all the time, delivered on-call to our living rooms. if filmmakers are not making blockbusters, or special effect laden sensual experiences, then the stories must be wonderful and totally captivating to get a crowd in the car and front up with the ticket price. There's no place to hide...

This film is a great reminder of why there is still a place at the cinema for a low budget, domestic drama, they just need to be this good!