Proxy

At first thought, Proxy isn't a horror film because it doesn't concern elements we commonly associate with horror, such as serial killers, demons, and supernatural occurrences. However, it contains the horror elements some of us tragically face as human beings, such as rape, miscarriage, distrust, betrayal, and loneliness in such a way that makes for an experience thriving on fear and uncertainty. I love when films, independent or mainstream, go off on tangents and completely catch me off guard with their intelligence and craft.

We are first greeted with Esther Woodhouse (Alexia Rasmussen), a pregnant woman who, judging by the looks of her stomach, is very close to her due date, emerging from a clinic to only be savagely attacked by a random mugger. She suffers a miscarriage and is left physically deformed, and, due to obtaining the sperm from a sperm bank, has almost nobody to help her through her tragedy. On an off- the-cuff decision, Esther visits a support group for grieving parents, where she meets Melanie Michaels (Alexa Havins), who claims her husband and son were killed. Esther becomes close with Melanie, much to the dismay of Esther's jealous lover Anika Barön (Kristina Klebe).

This is all of the plot I'm willing to give away, for Proxy is one of those films where the line between basic plot summation and spoiler territory is so incredibly thin that another few words added to a sentence could spoil more of the movie experience. It doesn't matter, though, for I'm in the business of opinion and not synopsis. From the moment it kicks off, Proxy is potent and terrifying as a horror film, always engaging the viewer with elements of mystery and character insincerity and keeping them immersed by moving quite frequently and scarcely letting up. In addition, the performances, specifically Rasmussen and Havins, convey a detached and disconnected sense of reality that is almost necessary in a film where the audience is unsure of who is honest, as well as the characters themselves.

On top of that, there is a serious feeling of contempt and loathe that looms over the viewer with every scene, making this a deeper and more investing horror film than I initially imagined. The way the film plays with your emotions by taking numerous social tragedies and lumping together, not for shock, but for the sake of narrative potency and the near-personification of fear is just delightful. Director and co- writer Zack Parker (working alongside writing partner Kevin Donner) take their time to allow slowburn tension to develop, as Proxy occupies a liberally-used two hours, sometimes focusing on conversation, character interest, or events, depending on the current mood of the writers. At two hours, there is ample amount of time to spend on all these aspects, assuring we never get a thoughtful film that races by too quickly to even be analyzed.

Proxy's only issue is that not every performer can make the transition from disconnected to fiery and fuming with anger, most notably Joe Swanberg, one of my favorite directors, who has played low-key for so long perhaps his attempt at sudden rage just feels off-kilter for that reason. There is an understandable mixed reaction to Proxy for more than just its performances, but above all, like many films released under the IFC Midnight label, it's a nasty but thoroughly commendable piece of work illustrating fine- tuned components in a genre that so desperately needs not only some subversiveness but some age-old ideas done correctly rather than haphazardly.

Starring: Alexia Rasmussen, Alexa Havins, Kristina Klebe, and Joe Swanberg. Directed by: Zack Parker.

Some scenes are really well-crafted (the extreme slow motion scenes in particular are gorgeous) so there is definitely some talent behind the camera.

But, and that's a big but, the pace is at a snails speed at times and you really get the itchy trigger finger for the fast-forward remote button a lot.

I think had it been edited down to 90 minutes it could have been a fairly effective movie over all but as it is you really need to have a lot of patience with it, it's 2 hours long but it feels even longer.

And the second hour of the movie doesn't quite come together as well as I'm sure they intended, which is a shame because it does have a pretty cool plot which reminded me a bit of French horrors more so than American.

So yeah overall a strong 4 or a weak 5 from me.

This is an outstanding film, but it isn't for everyone.

It isn't a slasher-screamer-jump out of your seat flick. No no.

This film gained my shocked interest immediately, and to be frank it was held throughout the rest of the ride.

This is definitely not a film for anyone who has recently suffered a loss, in fact it should be viewed by the loss-experienced only when they have completely recovered and can look at anything. Preferably YEARS after they've fully recovered, because it will take you right back to the grimness of deep loss and the eternal question, why ?

For those who work in the field, or have seen others go through loss and grief, or have experienced counter-cultures on a personal basis, this film is an incredible insight into the workings of twisted minds, no matter be they rich, poor, in-between or socially minded misguideds who treat their clients like fodder.

Superbly acted, very well crafted and a sensible and life-like script and dialogue are to be rewarded with praise indeed.

Just be sure to be aware of your mental strength before you embark on a true roller-coaster ride that is definitely not by proxy....

I can't decide if the actor who plays Anika was terrible because of how poorly the character was written or if she is just a terrible actor. In either case, she turned what could have been a respectable, decent film into a lame Indy ruined by one bad performance.

If you're looking for a movie that gives you that feeling like you're not sure what you have been apart of, then take a moment to view here. As you sit alone in the dark talking aloud to the TV, you'll be asking yourself questions like: It's a horror? Oh, is it mystery? Maybe it's a psycho killer type thing? Or is it just weird? The ending, It couldn't of ended any other way! I liked it.

The main character really pulled me into the story. She is alone and pregnant, we don't know why. An introvert loner who's sadness seems obvious for all to see. When the first shocking seen hits you, it hits you twice as hard as you know this will send her down some weird pit of crazy despair that only someone on the edge can feel.

Then as the next few scenes of the movie unfold, you can sense that something else is happening and That's when I sat up as I wasn't sure what is happening or what will happen next. As you know, there are way too many movies where you know what happens next!

You have to like unconventional movies or you won't enjoy this strange little trip into weirdness.