Stage Fright

I liked that it reminded to those good old horror movies from the 90's and giving that kind of vibe. But also, the addition of the musical element wasn't bad because it made more fun. However, I still felt like they could've played more with the whole theater/play situation instead of shying away with crowd-full musicals. The deaths were good, and had some very real makeup effects, but as they prefer eased with the story, they kept getting tamer and less over the top. Overall the acting was good, and even though the story and the whole killer reveal wasn't very impressive, it still managed to involve me into the movie and just enjoy it. And finally, I liked how the ending evoked many other horror movies with the mirror scene, by giving it that sense of suspense and horror without feeling too cliché.

I can appreciate what they're trying to do here, namely, something a little different. One of the reasons I give M. Night Shyamalan more grace than most film fans is because of his willingness to take risks doing something unique. However, like several of Shyamalan's own films, this movie ends up just being a little silly, lacking heart.

I enjoyed this film, but I was always going to enjoy a musical slasher film starring Meatloaf. That combination alone was enough for me to wait for this eagerly for months.

But, this was a little disappointing, the songs were a bit tame, the killings were boring, and the end reveal of the killer was too obvious in the first part of the film that it was never going to be a surprise, not only was it clear who the killer was, you could guess the 'hidden' motive too.

That said, however, it's still a musical slasher film starring meatloaf... if you like the sound of that, then you can't go to far wrong here.

Today, we are five decades removed from the strong emergence of the slasher film as a staple sub-genre of horror in cinema. It's fair to assume that the pool of ideas had been running thin if one considers the abundance of remakes from classic franchises which already had more than a handful of sequels under their belts. Where does this leave us and the slasher film today, in 2014? It puts us in the theater, for a musical, in Stage Fright. Combining the behind the scenes process of what it takes to put on such a production within the narrative arc of the overarching movie which is also a musical, there are some clever dance and song numbers…that's really not what I was expecting to be complimenting this movie on before I watched it, but credit must be given where credit is due. Dancing and cleverness aside, this movie shines its brightest when it's at its darkest. A Kabuki mask-wearing hair metal-singing psycho is out to spoil the show, and in doing so he may very well be giving us a new slasher icon. The brilliance of this movie is how quickly and smoothly it brings the story between hilarity and tension, sometimes even merging the two. The musical aspects of the movie are excellently done. Each character or setting has a theme, which get intermingled and blended at appropriate times. Singing was really excellent where it needed to be, and intentionally sub-par or bad when called for as well. Best of all was the contrasting punch between the cheery musical score and the 80's power-chord heavy metal screaming that beefs up all the grisly gory shreddin' fun from our killer.

So that you know, there is a film out there about a summer camp for kids that's owned by Meat Loaf, with fully choreographed song and dance numbers – including lines like 'I'm gay, I'm gay but not in that way' - and a kabuki-masked, falsetto-screaming, guitar-squealing, knife-wielding slasher who hates musical theater and wants to kill the cast of a make-shift production of some-such copy-right-friendly version of 'Phantom of the Opera'. The gore was vivid, the laughs were steady, and I honestly don't think I need to report anything else to help you decide if this one is for you; it definitely has an audience and made for a very strange Late Night Picture Show.