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Les bruits de Recife

Titre original : O Som ao Redor
  • 2012
  • Tous publics
  • 2h 11min
NOTE IMDb
7,1/10
9,2 k
MA NOTE
Les bruits de Recife (2012)
Life in a middle-class neighborhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm.
Lire trailer2:03
2 Videos
42 photos
DrameThriller

Ajouter une intrigue dans votre langueThe lives of the residents of a Brazilian apartment building and the security guards who get the job guarding the surrounding streets.The lives of the residents of a Brazilian apartment building and the security guards who get the job guarding the surrounding streets.The lives of the residents of a Brazilian apartment building and the security guards who get the job guarding the surrounding streets.

  • Réalisation
    • Kleber Mendonça Filho
  • Scénario
    • Kleber Mendonça Filho
  • Casting principal
    • Ana Rita Gurgel
    • Caio Almeida
    • Maeve Jinkings
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    9,2 k
    MA NOTE
    • Réalisation
      • Kleber Mendonça Filho
    • Scénario
      • Kleber Mendonça Filho
    • Casting principal
      • Ana Rita Gurgel
      • Caio Almeida
      • Maeve Jinkings
    • 30avis d'utilisateurs
    • 257avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 39 victoires et 23 nominations au total

    Vidéos2

    Theatrical Version
    Trailer 2:03
    Theatrical Version
    Neighboring Sounds
    Trailer 2:01
    Neighboring Sounds
    Neighboring Sounds
    Trailer 2:01
    Neighboring Sounds

    Photos41

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 38
    Voir l'affiche

    Rôles principaux60

    Modifier
    Ana Rita Gurgel
    • Ana Lúcia
    Caio Almeida
    • Namorado
    Maeve Jinkings
    Maeve Jinkings
    • Bia
    Dida Maia
    • Marido
    Felipe Bandeira
    • Nelson
    Gustavo Jahn
    Gustavo Jahn
    • João
    Irma Brown
    • Sofia
    Mauricea Conceição
    • Mariá
    • (as Mauricéia Conceição)
    Graziela Santos da Rocha
    • Neta 1
    Gabriela Santos da Rocha
    • Neta 2
    Júlio Rodrugues
    • Vendedor de CD
    Rubens Santos
    • Adailton
    Bruno Negaum
    • Pacote
    Arthur Canavarro
    • Romualdo
    Allyson Arruda
    • Vendedor de CD 2
    Lula Terra
    • Tio Anco
    Rejane Régo
    • Mulher que visita Apartamento
    Malu Tavares
    • Menina que visita Apartamento
    • Réalisation
      • Kleber Mendonça Filho
    • Scénario
      • Kleber Mendonça Filho
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    7,19.2K
    1
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    7
    8
    9
    10

    Avis à la une

    cinematic_aficionado

    A daring debut

    In his daring debut, Kleber Mendonça Filho did not just made a film about Brazilian middle class suburbia but placed the audience right on that street.

    We take part on the daily lives of the residents, their aspirations and challenges as their characters are opened wide for us to study, judge and ponder upon.

    These seemingly ordinary lives that these people lead, experience some sort of change when a street security team is hired to protect them and whilst watching this the question regarding where this is going did pop into my head, it is an area where the new director showed some mastery by not allowing the putting together of the pieces of the puzzle to affect the narrative as we were led to its dramatic conclusion.

    An unusual but stimulating experience.
    10hfsegura-472-418455

    Beautiful Brazilian Movie

    This film deals with Brazilian social relations from a historical perspective and innovative focus. The first images show the Big House and the slave quarters on a sugar cane mill where historians say is the origin of Brazilian society. From there the director leads the XXI century to show the consequences in the present time in relations between the descendants of slaves and landowners and the middle and lower classes in the twentieth century neighborhood in the city of Recife (northeast). It's amazing how the director gets not only translate into images different dimensions of social relations in the society but also establishes a link between the past and the present. Nexus that crosses the whole movie and that stressed by a kind of violence that is not present in images but is syncopated by its excellent soundtrack. I'm pretty sure to recommend this film because I believe it worked as a whole to show us an snapshot of the Brazilian society.
    10filipe-arte

    A great achievement!

    Being not only a Brazilian but a northeaster as well, I have to tell you that it is strange to see that so many people around the world actually enjoyed this film.

    I though to be very concerned to those who would understand the language, the situations and the causes of all of this. Well, seems that I was wrong and the themes exposed here are bound to be more universal than I expected.

    Every moment of Kleber Mendonças'Neighboring Sounds could be opened for discussion as subject of semiotics. The symbolism is so present and so meaningful that I was overwhelmed.

    A truly masterpiece, that have to be seen with very opened eyes.
    8asmgodoy

    Decipher or be devoured

    As for the naturality and the intimacy of the dialogues, one feels as if one is watching a reality show. One has the feeling of watching the private life of the characters. There is a sort of an insinuation of voyeurism, quite telling in the scene in which Bia (Maeve Jenkings, a constant actress in Kleber Mendonças' movies) get excited by the washing machine sound and movements. The whole neighborhood is portraited, with quite an intense amount of realism. There is almost every feasible character in such places: a doorman who sleeps on duty, a drug dealer, a drug addict, an arrogant grandson of a decadent landowner. The director advances, digress, cut the narrative path, regain terrain, give false hints, inserts characters who surprise a good behavior viewer, used to the common north-American paradigm of begin-tension-happy end. It might be a hard movie to understand if the viewer demands a conventional plot. Not everything is explained, although almost every scene makes us think. However, it can be an easy movie if the central tension is understood at the beginning. Where is the main problem? The movie was shot in 2002 when the Brazilian problem of the militias was already into discussion Clodoaldo, a militiaman, and his brother, take care, they surprise the viewer. The 20 Brazilian reais they charge from every neighbor to protect them suggests some more profound thoughts. This is the mystery of this intriguing movie. Either you decipher or you will be devoured.
    8emeiserloh

    Wow, what an amazing film!

    The people who find it dull (and there are quite a few judging from the IMDb reviews) really have dull minds.

    While this movie plays like a slice of life drama in a neighborhood in Recife, every single scene is carefully and meaningfully put together to speak about the nature of social structures in Brazil which date back to plantation times.

    These things may be more discernible in Northeastern states like Pernambuco where the plantations once flourished and formed the basis of the societal constructs and defined human relationships, but their residue still permeates the country as a whole, which, while trying to move beyond them, still remains mired in the same kind of stratifications.

    The film opens with black and white pictures of a plantation and then segues into a drama in 3 acts, using a crisscrossing narrative that delves into the day to day lives of various people who live and work on same street. And through their interactions and involvements we are given a very clear picture of class system as microcosm.

    This film is more than a simple slice of life. For those of you familiar with the films of Lucrecia Martel (Argentina), what seems to be disconnected and inconsequential is put together like a jigsaw puzzle that leads brilliantly to the films final scene, at which point the entire story crystallizes before our very eyes, and we realize how well it has been supported and enriched by all we have been shown.

    Throughout the film, there are narrative constructs for use to take hold of: the chapter headings, certain scenes that foreshadow, and a soundtrack the underscores where we are headed, without ever being exactly clear what we should prepare for. And this is, to a large part, the filmmaker's genius.

    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Official submission of Brazil to the Oscars 2014 best foreign language film category.
    • Citations

      Tio Anco: Do you carry weapons, Clodoaldo?

      Clodoaldo: To be honest, I can't really say yes and I can't really say no. But I'll show you our best weapon, which is this: a cell-phone. Me and the boys have all the contacts we need.

      João: So, worst-case scenario, you throw the mobile at the bad guy, is that it?

      Clodoaldo: Mr. João, please...

      João: Then you run home and get the real thing. I'm just trying to understand.

      Clodoaldo: I get it, I get it.

    • Connexions
      Featured in Portraits fantômes (2023)
    • Bandes originales
      Cadavres En Serie
      From the soundtrack of the film

      "Le Pacha", by Georges Lautner

      Music by Michel Colombier and Serge Gainsbourg

      (c) 1968 SIDOMUSIC B. LIECHTI & CIE

    Meilleurs choix

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    FAQ17

    • How long is Neighboring Sounds?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 février 2014 (France)
    • Pays d’origine
      • Brésil
    • Site officiel
      • Official site (Brazil)
    • Langues
      • Portugais
      • Anglais
      • Mandarin
      • Persan
    • Aussi connu sous le nom de
      • Neighboring Sounds
    • Lieux de tournage
      • Recife, Pernambuco, Brésil
    • Sociétés de production
      • Hubert Bals Fund
      • CinemaScópio
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 860 000 R$ (estimé)
    • Montant brut aux États-Unis et au Canada
      • 60 255 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 12 666 $US
      • 26 août 2012
    • Montant brut mondial
      • 467 491 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 11min(131 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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