Mousson Rouge

More Indian cop stuff, the historical background of police "Encounter Shootings" served up in a structure like the sixties Mario Adorf Straße der Verheißung mashed with Incident at Owl Creek and filmed like a contemporary Korean thriller.

This one opens with a car hold up conducted by an ax wielding extortionist, with police recruit Varma/Adi on his first day chasing suspect Siddiqui in the monsoonal rain, ending with the fugitive in his sights.

Three different choices are shown.

Personable cast and accomplished filming fail to elevate the piece above it's tricksy structure. A long time project for beginner director Kumar, the film ended up on the screen in the way it was written after variations in the cutting room.

It was a good movie , could have been much better but never mind loved Nawazuddin

This movie was in my list from a very long time but never bothered to watch it.

Finally i did and the movie was fantastic.

Lot of people are praising Nawazuddin, I am surprised because he was not the best actor in the film.

It was actually Vijay Verma who was top notch in the movie, this was Vijay Verma's movie and the whole film was shown from his angle.

People are biased in their reviews and completely refusing to praise vijay verma is shocking to me, Nawazuddin barely had dialogues in this movie.

Overall this film was satisfactory, Movie was ahead of its time. Vijay Verma and all the actors performed well.

MONSOON SHOOTOUT at the 12th Indian FIlm Festival of Los Angeles LAIFF Reviewed by Alex Deleon-Sinha, April 29, 2014. --- Monsoon Shootout", a brilliant multi-layered debut feature by Amit Kumar is, among other things, a dazzling noir thriller drenched in rain starring Nawaz Siddiqui as a serial hatchet killer (!). It was really the main event of the 2014 IFFLA, but was inexplicably programmed as a throwaway on the last day and not given much attention while a dumb movie in the main hall pulled in the biggest crowd of the week.

Director Amit Kumar of Monsoon Shootout did show up on the very last night, in and out ~ to accompany his film and hold a Q & A. after which, over a drink in the lobby, he revealed to me that he was very impressed by the Polish film "Blind Chance" (Przypadek) a 1981 masterpiece by Krzysztof Kieslowski -- and that the basic idea for Monsoon Shootoot came from the Kieslowski picture. In both pictures -- both classic mindbenders -- the same story is told three times over with different outcomes each time. In this one you see normally lovable Nawaz Siddiqi as a psychotic ax-killer in two versions, but the last one makes you question which one was reality, and which ones were fantasy. Did the rookie cop who was stalking him all the time really have to shoot him as he was clambering over a wall? -- and Maybe he wasn't really the killer after all ....Huh?

This was a revelation to me because I too was greatly impressed by "Blind Chance" when I saw it in Poland years ago, and subliminally caught the parallels between the two films as I watched the current "Monsoon Shootout", but the Indian details as worked out by Kumar are totally different. It would make a remarkable evening of film watching to pair these two films up -- among other things to see the contrasting cultures and the contrasting acting styles of two fantastic actors-- Nawazzudin Sadiqi and Polish actor Boguslaw Linda who, in 1981, was the most popular film star in Poland. The film title is itself multi-resonant, suggesting an imploded version of "Monsoon Wedding" engaged to a Watery vision of "Shootout at the O.K. Corral" -- with the latter of which it has far more in common. A terrific movie that needs to be seen several time to pick up on all the nuances and counter- themes -- but do Bring an umbrella!

I recently watched Monsoon Shootout vs and really enjoyed it. I've always been fascinated by the idea of "what if" scenarios-how one decision can lead to completely different outcomes. This film explores that concept in a smart and powerful way. Amit Kumar and his team did a great job bringing this vision to the screen.

The music and soundtrack are excellent, especially the Arijit Singh song-it really stood out. I also really liked the cinematography and editing. What impressed me even more is that the film avoids using typical fade-ins and fade-outs, which gave it a raw, realistic feel. For a film released in 2013, this kind of storytelling was bold and artistic-it feels like true art cinema.

The actors were also fantastic. Vijay Varma and Nawazuddin Siddiqui gave strong, believable performances. At just about 90 minutes, it's a short feature, but every moment counts. It's definitely a film worth watching for anyone who enjoys intense storytelling, bold direction, and thought-provoking concepts.