Un homme est forcé d'affronter ses peurs et de faire face à son passé trouble. Il doit trouver un moyen de survivre lorsque son collègue de travail craque et se lance dans une violente folie... Tout lireUn homme est forcé d'affronter ses peurs et de faire face à son passé trouble. Il doit trouver un moyen de survivre lorsque son collègue de travail craque et se lance dans une violente folie meurtrière.Un homme est forcé d'affronter ses peurs et de faire face à son passé trouble. Il doit trouver un moyen de survivre lorsque son collègue de travail craque et se lance dans une violente folie meurtrière.
- Réalisation
- Scénario
- Casting principal
Matthew Giovanni Laureano
- Chris
- (as Matthew Laureano)
Avis à la une
I enjoyed this movie from the start. It grips you in and keeps you invested until the end. The performances are really what carry it and the unpredictable nature of the antagonist. The horrific nature of his crimes paired with his charismatic laid back personality is a brilliant clash. The only problem I have with the movie is its generic predictable ending. Anyone watching would think 1 of 2 scenarios would happen. Protagonist stands up to him and kills him or the antagonist gets caught. Unfortunately one of these is the case and I felt this movie could've gone in 100 different directions. It had endless possibilities but chose a basic boring ending. However it doesn't undo what the film presented prior. It's definitely entertaining and ultimately keeps you guessing until the end. I appreciated this film. Talented cast really made this film memorable for me.
NOT HORROR.
My attention span has atrophied in the last 20 years as I'm sure many people's have with internet culture- to the point where I have trouble sitting still and watching a movie for 1.5 hours. I watched this film straight through with only a break to pee.
I'm not sure why this film got stuck in the horror category, it just isn't. It's a character study and an examination of different ways people deal with trauma.
The two young men in this film have very different reactions to trauma, and this movie examines all sorts of themes about trauma and the idea that it's maybe always easy to see your way out of other people's problems while yours seem hopeless.
Kyle Galliner who plays the driver (as opposed to the passenger) absolutely knocks it out of the park with his performance, showing how a violent angry man still has his own brand of compassion and even love for someone in pain.
Not everyone will like this film, particularly if you are wanting a horror movie. But if you are a certain kind of person this movie will hit hard. I'd say watch the first 15 minutes, if that doesn't just draw you in then maybe you aren't that kind of person.
My attention span has atrophied in the last 20 years as I'm sure many people's have with internet culture- to the point where I have trouble sitting still and watching a movie for 1.5 hours. I watched this film straight through with only a break to pee.
I'm not sure why this film got stuck in the horror category, it just isn't. It's a character study and an examination of different ways people deal with trauma.
The two young men in this film have very different reactions to trauma, and this movie examines all sorts of themes about trauma and the idea that it's maybe always easy to see your way out of other people's problems while yours seem hopeless.
Kyle Galliner who plays the driver (as opposed to the passenger) absolutely knocks it out of the park with his performance, showing how a violent angry man still has his own brand of compassion and even love for someone in pain.
Not everyone will like this film, particularly if you are wanting a horror movie. But if you are a certain kind of person this movie will hit hard. I'd say watch the first 15 minutes, if that doesn't just draw you in then maybe you aren't that kind of person.
This really surprised me. I had no expectations going into it but was hugely impressed by the end.
On reflection, the first thing I think of is how well made it is. The direction, the editing, the plot, the script and the acting are all top drawer.
Special shouts out go to Kyle Gallner who is excellent as the burger boy gone postal.
Johnny Berchtold is great as the wimp you need when Micael Cera is too expensive.
Carter Smith and Jack Stanley, Director and writer respectively, are names i will look out for in the future.
The 2 scenes, one in the burger joint and the diner, are ones that will live with me for a while.
On reflection, the first thing I think of is how well made it is. The direction, the editing, the plot, the script and the acting are all top drawer.
Special shouts out go to Kyle Gallner who is excellent as the burger boy gone postal.
Johnny Berchtold is great as the wimp you need when Micael Cera is too expensive.
Carter Smith and Jack Stanley, Director and writer respectively, are names i will look out for in the future.
The 2 scenes, one in the burger joint and the diner, are ones that will live with me for a while.
The Passenger is definitely one of my favorite 2023 watches; it's very well directed and the storyline is written progressively. Kyle Gallner is the star of the film with his antihero character where you can have a love-hate relationship with him. I feel like he's perfectly casted in this role and he just never disappoints with his performances lately. Perhaps 2023 is Kyle Gallner's year and I am all here for it and I just hope he is getting all the recognition he deserves.
The film is kind of like Terrence Malick's Badlands, also with a serial killer holding another character hostage, but with a sweet ending of betrayal, friendship, and love. Randy and Benny are two co-workers who soon and slowly forms a brotherhood bond as they drive along their small town, where not only they open up about their deepest darkest traumas but also their deepest sweetest desires. It's a story that you ought to not romanticize because of a character who's fixed to be a villain/murderer, but wherein you just realize that this villain, this antagonist of the story, still has a heart...for one person; the person he feels sorry for being oppressed, being maltreated...This antagonist, Benson, finally takes a stand for Randy, and teaches him that it's okay to react, to have some self-respect, that in the end, it's the thing that ends all this tragedy.
The film is kind of like Terrence Malick's Badlands, also with a serial killer holding another character hostage, but with a sweet ending of betrayal, friendship, and love. Randy and Benny are two co-workers who soon and slowly forms a brotherhood bond as they drive along their small town, where not only they open up about their deepest darkest traumas but also their deepest sweetest desires. It's a story that you ought to not romanticize because of a character who's fixed to be a villain/murderer, but wherein you just realize that this villain, this antagonist of the story, still has a heart...for one person; the person he feels sorry for being oppressed, being maltreated...This antagonist, Benson, finally takes a stand for Randy, and teaches him that it's okay to react, to have some self-respect, that in the end, it's the thing that ends all this tragedy.
This movie is mischaracterized as a horror. It's definitely more of a suspense/psychological drama.
That being said, I thought it was rather enjoyable, with award-winning performances by Gallner and Berchtold. Can't stress enough how much Gallner's presence carries the overall average script.
The writing can feel a little flat, and the pacing sort of dies off after the first act. But, all in all, it's a decently solid film, with some interesting ideas about the balance of passivity versus aggression in relation to Randy and Benson. The main characters both stand as pillars of each side. And the narrative seems to pose the question of what is truly functional and healthy behavior when dealing with past trauma and present conflict.
Would highly recommend a watch, just for the performances alone. Looking forward to catching more of Gallner and Berchtold down the road. Great actors with promising careers ahead of them.
That being said, I thought it was rather enjoyable, with award-winning performances by Gallner and Berchtold. Can't stress enough how much Gallner's presence carries the overall average script.
The writing can feel a little flat, and the pacing sort of dies off after the first act. But, all in all, it's a decently solid film, with some interesting ideas about the balance of passivity versus aggression in relation to Randy and Benson. The main characters both stand as pillars of each side. And the narrative seems to pose the question of what is truly functional and healthy behavior when dealing with past trauma and present conflict.
Would highly recommend a watch, just for the performances alone. Looking forward to catching more of Gallner and Berchtold down the road. Great actors with promising careers ahead of them.
Le saviez-vous
- AnecdotesAlthough primarily set as a pursuit and captivity on the road, the film "The Passenger" (2023) was entirely shot in New Orleans, Louisiana. The production team utilized various locations and landscapes within and around New Orleans to create the impression of a long journey across different routes, despite all the filming taking place within a relatively small geographical area.
- GaffesWithout ever having been touched, Chris' feet go from leaning on the wall to being curled up in the bench seat.
- ConnexionsFeatured in Half in the Bag: The Kyle Gallner Triple Feature Spectacular! (2023)
- Bandes originalesHeaven Bound
(uncredited)
Written by The Reverand Horatio Duncan and Amos Sweets
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- How long is The Passenger?Alimenté par Alexa
Détails
- Durée
- 1h 34min(94 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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