Wendy Darling tente de sauver son frère Michael des « griffes du maléfique Peter Pan ». En chemin, elle rencontre Fée Clochette, que l'on verra prendre de l'héroïne, croyant que c'est de la ... Tout lireWendy Darling tente de sauver son frère Michael des « griffes du maléfique Peter Pan ». En chemin, elle rencontre Fée Clochette, que l'on verra prendre de l'héroïne, croyant que c'est de la poussière de lutin.Wendy Darling tente de sauver son frère Michael des « griffes du maléfique Peter Pan ». En chemin, elle rencontre Fée Clochette, que l'on verra prendre de l'héroïne, croyant que c'est de la poussière de lutin.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Peter DeSouza-Feighoney
- Michael Darling
- (as Peter De Souza-Feighoney)
Harry Whitfield
- Hook
- (as Charity Kase)
Mason Stanley Gold
- Curly
- (as Mason Gold)
Avis à la une
British filmmaker Scott Chambers revisits J. M. Barrie's Peter Pan in the third installment of his long-gestating The Twisted Childhood Universe (TCU).
This aspect of re-adaptation warrants particular attention. While the mention of Peter Pan might first conjure the cartoonish iterations popularized by Disney, the character originally conceived in 1902 by the Scottish novelist and playwright J. M. Barrie is, in fact, quite steeped in the gore tradition.
(Peter Pan, the book, has frequently faced accusations of racism due to its often barbaric depiction of Native Americans. However, some researchers and writers have argued that the book should be evaluated within the context of the era in which it was written. This issue is largely absent from contemporary versions of the book and its cinematic adaptations.)
Those who follow the young filmmaker Scott Chambers, barely past his thirtieth birthday, will already be familiar with his characterizations and color palettes, and this film maintains a consistency that should satisfy his established audience.
Martin Portlock delivers a quite satisfactory performance as an actor who appears to have thoroughly internalized the narrative.
Another name to note in the film is Peter DeSouza-Feighoney. Having already accrued credits in numerous gore productions at a young age, one hopes that DeSouza-Feighoney will emerge as a significant actor in the genre's future.
This aspect of re-adaptation warrants particular attention. While the mention of Peter Pan might first conjure the cartoonish iterations popularized by Disney, the character originally conceived in 1902 by the Scottish novelist and playwright J. M. Barrie is, in fact, quite steeped in the gore tradition.
(Peter Pan, the book, has frequently faced accusations of racism due to its often barbaric depiction of Native Americans. However, some researchers and writers have argued that the book should be evaluated within the context of the era in which it was written. This issue is largely absent from contemporary versions of the book and its cinematic adaptations.)
Those who follow the young filmmaker Scott Chambers, barely past his thirtieth birthday, will already be familiar with his characterizations and color palettes, and this film maintains a consistency that should satisfy his established audience.
Martin Portlock delivers a quite satisfactory performance as an actor who appears to have thoroughly internalized the narrative.
Another name to note in the film is Peter DeSouza-Feighoney. Having already accrued credits in numerous gore productions at a young age, one hopes that DeSouza-Feighoney will emerge as a significant actor in the genre's future.
The first ten to fifteen minutes of this movie were kind of cool. There were some creepy/cool visuals and the Peter character also felt properly creepy. Then the movie started. It's chalk full of bad acting, a plot that is absolutely insane and felt like a drug addict wrote it (wouldn't be surprised if that was true), and was just really really bad. By the end of this movie I felt emotionally and mentally drained and I don't think I could have handled much more had the running time been longer. It had some redeeming moments, but they were few and far between. Som decent gore and special effects but outside of that it was pretty much unwatchable. I can't recommend anyone watch this movie. Even if your a fan of the new children's character horror movie genre.
Walking into Peter Pan's Neverland Nightmare, I wasn't sure how I'd feel about a horror spin on such a classic tale. Neverland has always been about magic and adventure, but this film flips that on its head, turning it into a place of pure nightmare. The story follows Wendy on a desperate search for her brother Michael, who's been abducted by a terrifying, twisted version of Peter Pan and a disturbingly reimagined Tinker Bell. It's dark, unsettling, and completely unlike the tale we grew up with.
Now, I love a bold take on a familiar story, but some parts of this film went a little too far for my taste. Tinker Bell, portrayed as a drug-addicted and grotesque figure, felt more shocking than meaningful at times. The film definitely aims for disturbing, and while it hits the mark in places, it also feels like it's trying too hard. That said, the visuals are intense. The corrupted version of Neverland is creepy and atmospheric, and the tension doesn't let up.
Still, it wasn't perfect. There were moments when the film felt like it was going for shock value over actual storytelling, which kind of pulled me out of it. I can imagine that die-hard fans of the original might find it a bit too heavy-handed. But if you're up for something bold, weird, and willing to shake up childhood memories, it's an experience worth having-just don't expect it to be a comforting one.
Now, I love a bold take on a familiar story, but some parts of this film went a little too far for my taste. Tinker Bell, portrayed as a drug-addicted and grotesque figure, felt more shocking than meaningful at times. The film definitely aims for disturbing, and while it hits the mark in places, it also feels like it's trying too hard. That said, the visuals are intense. The corrupted version of Neverland is creepy and atmospheric, and the tension doesn't let up.
Still, it wasn't perfect. There were moments when the film felt like it was going for shock value over actual storytelling, which kind of pulled me out of it. I can imagine that die-hard fans of the original might find it a bit too heavy-handed. But if you're up for something bold, weird, and willing to shake up childhood memories, it's an experience worth having-just don't expect it to be a comforting one.
Seeing this film on a whim, probably like many others - entertained by ITN once again with the makers of blood and honey ( which I've avoided ) I found myself seeing this film with the ambition it wasn't going to be the best, however I was pleasantly surprised. With a typical but serviceable plot, the movie captivates you enough to draw you in and keep you on the line until the end. Some successfully skin crawling scenes alongside some effective kills and gore, it succeeds what it sets out to be! It even surprised me with some entertaining fight scenes and character combat. All in all, this film kinda felt like Black Phone meets a Terrifier 2 final girl showdown, it was serviceable and even got some laughs from me over it's execution. This film caught me off guard and I feel will capture audiences off guard too, as there really is some decent execution all around in this film - with expected, somewhat nitpick flaws to encounter. If you want a romp, to a T, this isn't a bad choice.
Embarrassing attempt at edgy horror, shamelessly ripping off better films while offering nothing but empty gore and tasteless shock value. This is another case of hack filmmakers throwing money at a public domain fairytale without a single original thought or shred of self-awareness. The film reimagines Peter Pan as a schizophrenic child kidnapper and Tinker Bell as a trans heroin addict with Stockholm syndrome, but instead of being edgy or provocative, it's like watching chatgpt crash and burn trying to write a fan fiction.
It's worth mentioning how awful the last 20 minutes are. The whole thing feels like a fever dream of people smashing sugar glass and screaming in circles. Maybe the actors and cameraman were just left unsupervised on set. Despite the gratuitous gore that desperately imitates Terrifier, it's so devoid of context or tension. If you've ever wanted to waste time watching a budget-burn, congratulations-this is your chance.
It's worth mentioning how awful the last 20 minutes are. The whole thing feels like a fever dream of people smashing sugar glass and screaming in circles. Maybe the actors and cameraman were just left unsupervised on set. Despite the gratuitous gore that desperately imitates Terrifier, it's so devoid of context or tension. If you've ever wanted to waste time watching a budget-burn, congratulations-this is your chance.
Le saviez-vous
- AnecdotesPeter Pan's Neverland Nightmares is the third part of the Twisted Childhood Nightmares universe.
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- How long is Peter Pan's Neverland Nightmare?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La pesadilla de Neverland de Peter Pan
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 300 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 230 515 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 418 $US
- 19 janv. 2025
- Montant brut mondial
- 1 196 650 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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