Freaky Tales

This movie is definitely going to blow up in a couple years when people discover it. I know a lot of people looked at it and they immediately thought why would I watch this if Too Short has something to do with it? He's not a movie maker, well you aren't, till you are. The underline theme of the movie is that the underdog can win. Too Short definitely gets to win here. Like the movie Once Upon a Time in Hollywood it gave me heavy feelings of nostalgia, but this time with a better outcome. This movie is star-studded with small cameos that turn out to be more important in the end. I really enjoyed this movie. I wonder why it didn't get the same attention as the movie Sinners.

I can see why the reviews on this movie are mixed. It is a bit disjointed and has some gaps in the story. As an East Bay native who got into the punk scene around when the first chapter is set, I know this is based on real life events. The punk rockers running the nazi skinheads away from their club/community space, 100% happened. Creepy cops harassing young POC women, that happened (undoubtedly still does). I got a cassette tape of Too $hort's 'Freaky Tales' when I was 12 years old, and when my mom heard half a verse in that song she destroyed that cassette. This is a fictional version of Bay Area realness. Nothing but love for the Bay.

There is a ton of 80's nostalgia in horror and film overall these days, some might even say to a point of over-saturation. That's fair, I mean it is a trend and I'm chill about it because I enjoy the aesthetic a lot, but there's a difference between cheaply aping an 80's vibe just for likes and actually earning it through authenticity, innovation and genuine enthusiasm. Anna Boden & Ryan Fleck actually *earn* that 80's flavour with Freaky Tales, an absolute blast of deftly written anthology that carefully straddles the line between action with just a touch of horror. It's 1987 in Oakland, a time and place that obviously means a great deal to these filmmakers as they tell several initially disparate tales that, in true anthology fashion, inevitably weave together like a mosaic in the final vignette. A gaggle of punk music friends battle some nasty Neo-Nazi skinheads who keep crashing their parties, a mob enforcer (Pedro Pascal) learns some moral lessons the hard way and a scummy, corrupt vice detective (Ben Mendelsohnn) runs afoul of a vengeful NBA player (Jay Ellis). These stories are interwoven pretty ingeniously and supported by some raucous soundtrack choices, super gory violence, hectic stylistics and great performances, especially from the lovably diabolical Mendelsohnn, who is chewing scenery like Smaug the Dragon here. Oh! There's also a cameo from Tom Hanks, of all people, who is only in it for about five minutes playing the motor mouthed owner of a boutique video store, but his reference heavy, snappy dialogue is the best work he's done in like a decade, or at least since Cloud Atlas. Great film.

Only first heard about the film a day or two before it opened in Toronto. Didn't have very high expectations, but honestly of everything playing right now, this was the only film that interested me. I couldn't have been more surprised.

"Freaky Tales" is part "Pulp Fiction" (1994), part "Heavy Metal" (1981), and at times reminiscent of another 80s-inspired film, "Mandy" (2018). Four wacky (freaky) tales set in Oakland California, weaving together a diverse and fun cast of characters.

Aspect ratio's are changed between segments, animated characters burst onto screen, blood is spilt, punk music blares through the speakers - there's just a lot of fun being had on screen, and I felt it. I can only imagine feeling the response from a large audience during certain moments of the film; unfortunately there were less than 10 people at my screening.

Without giving anything else away, if you want to have a fun time at the theatre go support this movie. It's rare to see a movie like this get a theatrical release anymore, but it was the best theatrical experience I've had so far this year.

Presented in a 4:3 aspect ratio, this film in its presentation emulates an old videotape. Cut-off titles and all. Clearly shot on digital video, I still appreciated the Betamax (not VHS) artifacts. But it finds Inspiration from many direct to VHS (mostly horror) films from the 80's. The "tales" (as in Tales from the Crypt, etc.) in the title promises multiple story segments and this promise is kept. But rarely did period pieces overlap so perfectly with their segments. Worst case: 3 or more short films added together by a narrator. Not here however.

At the same time, it's impossible to view this and not see this as being inspired by the Grindhouse format from Quintin Tarantino and Robert Rodriguez. Both in "retro pulp" and violence terms.

Any criticism? Yep. For non-Americans the second segment is not that interesting. We found ourselves "sitting it out" this part on the strength of the first (imperfect) segment. Only to be rewarded by the third segment. International audiences will be unlikely to make it to the third segment. Thus my "Hizzle for Zhizzle" in the title of this comment. We are Dutch, so associate this subject matter at best with "Do The Right Thing" (and at worst with "The Fresh Prince of Bel Air".

Pedro Pascal "did some acting" and the other well known actor... from Forrest Gump... Tom Hanks... they are in this. Pascal did a descent job. A good one in fact.

This is a film you should see if you remember 1987. And like violence and stuff. Or if you enjoy well made pulp-films.