En esta nueva versión de la clásica serie de culto, doce concursantes superan desafíos mientras tratan de identificar a la persona que está saboteando sus misiones.En esta nueva versión de la clásica serie de culto, doce concursantes superan desafíos mientras tratan de identificar a la persona que está saboteando sus misiones.En esta nueva versión de la clásica serie de culto, doce concursantes superan desafíos mientras tratan de identificar a la persona que está saboteando sus misiones.
Parcourir les épisodes
Avis à la une
I love nearly all competition reality shows including previous versions of The Mole and I'm usually an easy audience. I also worked for years as a reality tv and game show producer. With that said, this show is disappointing to me for two main reason.
First, it's an unusually unlikable cast. I'm struggling to find anyone to root for. The only person I like is the host.
Second, nearly all commentary throughout the show are just contestants accusing each other of being the mole for any reason. This would be fine if it felt sincere, but it doesn't. It's like the producers decided that constant, empty, accusations without substance would be an easy way to produce the show. It's exceptionally hollow...even by reality show standards.
I REALLY wanted to like this.
First, it's an unusually unlikable cast. I'm struggling to find anyone to root for. The only person I like is the host.
Second, nearly all commentary throughout the show are just contestants accusing each other of being the mole for any reason. This would be fine if it felt sincere, but it doesn't. It's like the producers decided that constant, empty, accusations without substance would be an easy way to produce the show. It's exceptionally hollow...even by reality show standards.
I REALLY wanted to like this.
Let me start off by saying that the show has a great hook and I enjoyed it quite a bit.
My problem came around half way through when I realized that the mole didn't really have a role. The mole can't be eliminated, the mole can't win, and the mole doesn't have to sabotage because 1. They gain nothing from it and 2. Everyone else is already busy sabotaging to draw attention to themselves. There's no point keeping track of who might have sabotaged consistently because the motives are all wrong.
The most frustrating thing is that the mole literally CANNOT win or lose, NOTHING is at stake. Someone is just going to walk away with a bunch of money at the end.
Lastly, I wish they would show more of the conversations between the characters so that we as viewers can feel closer to them and develop favorites etc. Nothing is at stake for the viewers either, because we don't get to care about the characters.
My problem came around half way through when I realized that the mole didn't really have a role. The mole can't be eliminated, the mole can't win, and the mole doesn't have to sabotage because 1. They gain nothing from it and 2. Everyone else is already busy sabotaging to draw attention to themselves. There's no point keeping track of who might have sabotaged consistently because the motives are all wrong.
The most frustrating thing is that the mole literally CANNOT win or lose, NOTHING is at stake. Someone is just going to walk away with a bunch of money at the end.
Lastly, I wish they would show more of the conversations between the characters so that we as viewers can feel closer to them and develop favorites etc. Nothing is at stake for the viewers either, because we don't get to care about the characters.
I don't think it's bad. I do think they fall into some of the same pitfalls that plague so many other reality shows.
The weird thing is that this version is very clearly based on the latest Belgian run (some games are almost literal copies) but they don't quite get why that version is superior.
* You barely see people interacting when not playing a game.
* The constant skipping to the interviews/contestant voice overs make it seem very scripted. They need to limit those. Let the action and interactions speak for itself.
* Notebooks! Bring back the notebooks!
* Diversity. What you have is a group of people from a fairly narrow age range (25-40) who all look like they could start a modelling career and whose hobby is cross fit. Diversity is more than a bunch of attractive millennials with a different skin color. The Belgian runs have people between 18 and 50+. It's their personalities and different experiences that bring so much more to the game.
* I do like the use of cell phones instead of the large screen they use in the Belgian version.
* I didn't like the "ending on a cliffhanger" of the episodes. Why does everything have to end on a cliffhanger? Just finish after the selection. It destroys the pacing of the episodes because the elimination should be the emotional high point of the episode. Not the lead in.
* More of a personal note but the Belgian presenter, Gilles de Coster, has a very dry, factual way of interacting with the contestants during the games. I think that works better than Alex Wagner's.
If you want to see how good it can be, try and find the current Belgian version (especially series 9 (Germany) ).
The weird thing is that this version is very clearly based on the latest Belgian run (some games are almost literal copies) but they don't quite get why that version is superior.
* You barely see people interacting when not playing a game.
* The constant skipping to the interviews/contestant voice overs make it seem very scripted. They need to limit those. Let the action and interactions speak for itself.
* Notebooks! Bring back the notebooks!
* Diversity. What you have is a group of people from a fairly narrow age range (25-40) who all look like they could start a modelling career and whose hobby is cross fit. Diversity is more than a bunch of attractive millennials with a different skin color. The Belgian runs have people between 18 and 50+. It's their personalities and different experiences that bring so much more to the game.
* I do like the use of cell phones instead of the large screen they use in the Belgian version.
* I didn't like the "ending on a cliffhanger" of the episodes. Why does everything have to end on a cliffhanger? Just finish after the selection. It destroys the pacing of the episodes because the elimination should be the emotional high point of the episode. Not the lead in.
* More of a personal note but the Belgian presenter, Gilles de Coster, has a very dry, factual way of interacting with the contestants during the games. I think that works better than Alex Wagner's.
If you want to see how good it can be, try and find the current Belgian version (especially series 9 (Germany) ).
First let me say I've come to love "reality" television - that while it's over-the-top at times, the sense that a real human is behind the screen draws me into their story. I also love spy shows and mysteries. So I was pumped about this show, and the first several episodes had me hooked. There were so many characters sabotaging, the Australian views were incredible, and there was a fun energy in the cast. Above all, I wanted to see if my prediction about the mole was right, so I kept watching.
But, a small missing piece grew into a gaping disconnect when I realized that 6 or 7 episodes in, I knew NOTHING about these people. I saw no footage of them interacting during down times that weren't missions or quizzes to see their personalities come to life. Their confessionals were SOLELY about the mole and the missions, nothing else, so I knew nothing about their lives outside of the game. We didn't get to watch them interact off-script, and that started to feel empty.
"The Mole" needed Survivor-esque moments where a player catches two people forming an alliance, or finds them plotting. What about times where characters get to read letters or watch video from their family? Why are these people on this show? The "real" drama was just missing here, as was character building. By the end, I found I didn't care who won the money. And once it became more obvious who the mole was, the show dragged - it appeared the contestants felt that as well.
I hope they continue and build the concept, but if it continues as only a game show without any "real" people or vulnerability, I don't see this lasting beyond another season.
But, a small missing piece grew into a gaping disconnect when I realized that 6 or 7 episodes in, I knew NOTHING about these people. I saw no footage of them interacting during down times that weren't missions or quizzes to see their personalities come to life. Their confessionals were SOLELY about the mole and the missions, nothing else, so I knew nothing about their lives outside of the game. We didn't get to watch them interact off-script, and that started to feel empty.
"The Mole" needed Survivor-esque moments where a player catches two people forming an alliance, or finds them plotting. What about times where characters get to read letters or watch video from their family? Why are these people on this show? The "real" drama was just missing here, as was character building. By the end, I found I didn't care who won the money. And once it became more obvious who the mole was, the show dragged - it appeared the contestants felt that as well.
I hope they continue and build the concept, but if it continues as only a game show without any "real" people or vulnerability, I don't see this lasting beyond another season.
I really hope someone in charge of making this series is reading this. I get that you choose selfish people for this show to make it interesting and also throw the viewer off but this is no longer a fun watch. Genuine people getting screwed over by a majority of selfish individuals that don't even care about the money! This game should be about winning, sure but also empathy and TEAM effort and respect. All of these shows only showing us how ugly people get in order to win- doesn't even matter whether there's money on the line or not... please cast less of the corporate screw over type. It's unfair und really sad to watch people who don't care about anything win this show at all costs. It hast potential but this is just a sad representation of human "nature" bred by a capitalist society.
Le saviez-vous
- AnecdotesThe format of this show was created in Belgium and aired for the first time in 1998. Nowadays the format is sold to 50+ countries. In Belgium the show runs for 10 seasons now (2022) and in the Netherlands for 20+ seasons.
- ConnexionsReferenced in Film Junk Podcast: Episode 867: Triangle of Sadness (2022)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How many seasons does The Mole have?Alimenté par Alexa
Détails
- Durée45 minutes
- Couleur
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What was the official certification given to Qui est la taupe? (2022) in Italy?
Répondre