NOTE IMDb
7,8/10
7 k
MA NOTE
Dans un présent parallèle, l'humain artificiel a pris tout son sens. Les robots n'ont plus rien de robotique en eux.Dans un présent parallèle, l'humain artificiel a pris tout son sens. Les robots n'ont plus rien de robotique en eux.Dans un présent parallèle, l'humain artificiel a pris tout son sens. Les robots n'ont plus rien de robotique en eux.
- Récompenses
- 1 victoire et 1 nomination au total
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Don't let watching a show with subtitles put you off. This is a great show and reading the subtitles doesn't detract from watching. The show has many undertones and a great storyline. I've watched it all a few times and you pick things up each time. Well worth the watch.
There is some great acting and really nice scenery too - for those of us who have never been, and probably will never go, to Sweden, it gives you a little view of some very different places - especially compared to Australia.
If you like this, you may also like the Danish version of The Killing (the original). Also an excellent show!
There is some great acting and really nice scenery too - for those of us who have never been, and probably will never go, to Sweden, it gives you a little view of some very different places - especially compared to Australia.
If you like this, you may also like the Danish version of The Killing (the original). Also an excellent show!
What do you do when you want to make Science-Fiction like Blade Runner, set in the future, with replicants and all, but you don't have Ridley Scott's money ? You make a science-fiction series set in a future that looks exactly like our present, but that has replicants in it. Except here they're called Hubots. Apart from the name change, they are pretty similar. And the blade runners in Real Humans are called EHURB, less stylish policemen in charge of arresting any hubot that would create trouble. Humans use their hubots as modern slaves, in factories, at home, or in brothels. Need a cook who will also clean your house and take care of your children ? Want an improved inflatable doll ? Or just a companion that is more talkative than your dog ? Try the hubots. They are pleasant to be with, they never get tired, they always smile, they always agree. Some humans even start to like them better than their human partners. The problem is, hubots are machines under the law, not worth more than your car or your bike. So you can't go to a club with them, and human-hubot couples are not well considered. Fortunately, Inger Ergman, who at first was a bit reluctant about having a hubot at home, finally grew quite fond of her Anita. And as she has friends who date hubots, she's going to use all her skills as a lawyer to alter the law. Of course, hubots are not all obliging and slavish. Anita, for instance, used to be an independent robot in love with Leo, who leads a group of autonomous hubots determined to be and remain free. But if some hubots want to be free, if they can fall in love, it means that they can have feelings, and a conscience. So should we still assign them the same values as a that of a car, and throw them away when their bug can't be fixed ? Should we consider them as humans ? Should human-hubot couples still be considered an abomination ? In these tense times of debate about gay marriage, Lars Lundström's questions about what love is and about the power of feelings, are definitely well-timed.
So far, I have watched 7 episodes with a further 3 to come. What strikes me about this series is how accessible it is for non sci-fi buffs. It is about how robots can or would evolve within a human environment. With the self actuated robots, there are elements of Blade Runner, but as with most things about TV, this is a great canvas in which to explore plots and character development. I'm so looking forward to the final 3 episodes. This is sci-fi which is not too removed or unimaginable from our current time. It also explores how humans interact and use this technology from all sorts of angles. Looking forward to how the series further unfolds and hope that they don't make another series if they have nothing further to add to this current series. However, at the moment, I can't wait for the next episode.
I found it 'different' then other SF with 'androids'. Many clean spacious shots. Good cast / actors. Nice story, not all action, running, shooting, escaping, but 'intelligent' scenes. So, different, but in a very good way. I have not seen a Scandinavian production i liked so much, since i was very young, pippi long stockings.
An Oscar should go to the 'chinese girl' for best actress playing a non humanoid 'humanoid' i.m.o.
It has humor, suspense, good storyline, and i think if plugged well it might even be a small international success. The whole way of filming, locations, dialogs, all, top level story telling/filming/playing.
And perhaps even a glimpse of a real feature, we are now, busy creating these machines. Not as smart and strong as data in star trek, but very much like real humans.
An Oscar should go to the 'chinese girl' for best actress playing a non humanoid 'humanoid' i.m.o.
It has humor, suspense, good storyline, and i think if plugged well it might even be a small international success. The whole way of filming, locations, dialogs, all, top level story telling/filming/playing.
And perhaps even a glimpse of a real feature, we are now, busy creating these machines. Not as smart and strong as data in star trek, but very much like real humans.
Oh... I was so into this 1st season. I thought it was damn good, given all the possibilities with such a subject to give us a too-usual bad sci-fi TV program. But wow, it raised great questions, the acting is really good, the plot not simplistic and predictable: what a pleasure! ...Until the last three episodes... WTF?! It's like they suddenly realized that they needed to close the first season and panicked to have to do so in such a short time. The pace changes drastically and I felt we were back to the "usual" (lame) shortcuts used by any sci-fi US TV series... How disappointed and enraged I was! How could they do that? The first episodes reached such a level, it can't be by accident! What happened?! Did they need to tick all the commercial boxes and absolutely close "neatly" but poorly at the end of 1st season? Trying to make all the story lines come together in such a short period of time, come on!?! Take your time, don't rush!!! Believe in what you've manage to create to keep us interested! Doesn't make me want to see the next season, what good can come out of this now that they destroyed the good work...? Special thoughts to the actors that kept bravely doing their job, which showed even more that the problem lies in the turns the story has suddenly taken. They kept their acting to the best, but it cannot work. (Forget about the nice subtle transitions always sustained by great insight in "human" condition, and welcome to the usual so called "entertaining" messy story telling) Guys, you had something unique and now it simply feels like the merging of all the US clichés the genre is polluted by! I'm so disappointed... Thanks anyway for the beginning.
Le saviez-vous
- AnecdotesAsimov Three Laws of Robotics 1. A robot may not injure a human being or, through inaction, allow a human being to come to harm. 2. A robot must obey the orders given it by human beings except where such orders would conflict with the First Law. 3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.
- Versions alternativesRemade in an English language version as "Humans" (2015-2018).
- ConnexionsReferenced in Fantasmes! Sexe, fiction et tentations (2013)
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- Durée
- 1h(60 min)
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- Rapport de forme
- 16:9 HD
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