Pablo Escobar, le patron du mal

In my opinion, "El Patrón del mal" is much better than "Narcos". More realistic and accurate to real facts. If you are from a Spanish speaking country, or if you are familiar with this language, you will realize that, no doubt.

In "El Patrón..." all actors are Colombian; you feel like you are there with them, at the times and places the events are happening. The main actor, Andrés Parra, really looks like Pablo here, talks like him, moves like him... And this is also the case with most of the other main characters (even if the names are changed sometimes, for instance Carlos Lehder is here "Marcos Herber", and so on).

Some have critized that this series are like a "telenovela", but I don´t agree. Maybe the structure is similar, but the main thing in the plot are not the love stories and the romantic misunderstandings of the characters (like it is the case in telenovelas), but the recent Colombian history, seen from different perspectives: Pablo and the Medellín Cartel on one side, and the authorities fighting against crime on the other.

Some have critized that this series glorifies Escobar, but I do not agree with that either. One of the scriptwriters is actually Camilo Cano, a grandson of Guillermo Cano, the director of an important newspaper who was killed by Escobar. And the script is based on a book written by a former mayor of Medellín.

By the way, there´s a book out there about this series written by a fan, it is a guide for the episodes of the series. As far as I know it is only in Spanish for now, but if you speak this language, love this series and/or are interested in the story of Pablo and the Medellín Cartel it could be interesting for you. The book´s name is "Pablo Escobar: El Patrón del Mal (Guía de todos los episodios)" and you can find it in Amazon (ebook and paperback).

Superb. I haven't enjoyed a TV show this much since Breaking Bad. If you speak Spanish, you will enjoy Colombian from different provinces which is a delight. Escobar role is phenomenal. The sicarios are so believable and scary but hilarious at the same time! Angie Cepeda is a bonus. She is so hot is not even funny (or it may be I can't get the image of her naked in "Pantaleon y sus visitadoras".

If I have to criticize something: 50 episodes would have been more than enough.

Another great thing about this series is that you get to see a lot of Colombia. Especially Medellin and Bogota and the beautiful Colombians which are a pleasure to listen to. Spanish is my native tongue (I am Argentinean) and I believe Colombians have the most beautiful and richest Spanish. .

Amazing! I highly recommend it.

While the production seems a bit cheezie on some levels (the seventies teevee serials music for example) it is easy to learn to ignore that and get sucked in hard with the exceptional acting and real-life drama.

The complexity of the criminal characters in this drama illustrate how easy it is for people to trust and become loyal to such psychopaths in real life.

The portrayal of Pablo -- an average looking and in mid-life overweight man who does not fit into any of the stereotypical movie portrayals of the gangster/bad guy is honest and fantastic. Same with the actors who portray his wife and others -- one reviewer commented that his wife could have more attractive for the show. C'mon! She was average, just like all the rest. Its when actresses and actors are chosen for their looks that exceed that of any people in real life that a show or movie becomes unbelievable and bad.

The cold, calculated way in which Pablo uses others to do his dirty work most of the time, and how its not for sadistic pleasure but more for simply power and like a any narcissistic psychopath, people are just to be used and disposed of when in the way - save for his family and yet he controls everyone, even his family tightly and masterfully because that is the all encompassing focus of a typical narcissistic psychopath.

The show is well done and binge watching should be expected as it is nearly impossible to predict what will happen next as none of this follows a writer's script, but instead, the intense and irrational machinations of a madman and his lackeys.

No doubt Columbia is still recovering from the near complete hijacking of their country and the brutal assassinations of innocents, but the US would do well to take heed to the lessons of how the rich and powerful can and will usurp democracy when it serves their interests.

I marathon-watched this vastly ambitious project, watching 3-4 episodes a day. Caracol television aired as many as 113 episodes, although Netflix cut it down to 74. I assume that it's the same amount of film, but without the commercial breaks they could make the episodes longer on Netflix. I hadn't planned to see the whole thing as fast as I did but the fact that I did can only add to the praise I have for it.

In spite of its flaws this is easily the biggest and best production ever from Colombia. It is not perfect, but I have no idea how a perfect show would deal with this material in a coherent and responsible way. These are real people we're talking about, how do you make it entertaining and pay respect to the victims at the same time?

There are several moments where you feel that the show idolizes Escobar, (a rare feeling since family members of his victims were involved in the production) but as his killings and terrorism escalates you feel that it somehow recovers in the end, and makes a more ethical portrayal of the events and the awful damage this monster made on Colombia.

While the show Narcos focuses on the DEA's participation in the manhunt, this show focuses mainly on the efforts of the Colombian Police and Military. But the truth is that this was Colombias ordeal much more than it was USA's. The terror and insecurity. Knowing that anybody who did the right thing, testified against the cartel or disagreed with their actions could easily be eliminated. And that no one could guarantee their safety.

In the end the DEA helped Colombia much more than they helped USA. They came to hunt down a drug-dealer when in reality the trafficking of drugs was the least of his crimes. Colombia was much more hurt by the terrorist, kidnapper and killer Escobar, than the drug trafficker.

Without the threat of extradition this man could've bought, threatened, forced and manipulated his way into becoming the nations leader. There is no way a prison in Colombia could keep this criminal behind bars and isolate him from the Colombian society.

I think the two shows Patron del mal and Narcos complete each other, even if "Patron" is infinitely better. Without the success of "el patron del mal" they probably wouldn't create "Narcos". And without the international success of "Narcos" to the English speaking audience, "el patron" wouldn't wake up curiosity and reach an audience outside Latin America.

I rate the show highly even if it has a telenovela-feel at times, many great actors, apart from Escobar himself, the portrayals of his family, crew and most known victims such as Galan and Cano.

The casting is excellent most of the time with actors who physically are mirror images of the real people. In the smaller roles and in the action sequences you can see the shows flaws, but it's forgivable.

The shows theme is catchy with tasteful lyrics, once again trying to pay tribute to the victims to compensate any moments of admiration it may have shown to this Criminal.

All in all the soundtrack is good but some songs too repetitive. This show was controversial in Colombia and rightfully so.

However it's highly watchable and recommended.

As a fan of all the Narcos series I was happy to see this turn up on my stream, hungry for more of the intrigue and shoot em up action. But I soon realized this take on Escobar was a far cry from those glamorous romanticized versions with their Sopranos-like anti-heros - the main character of this show is an unrepentant scumbag, with more revolting warts than endearing dimples.

The early episodes had me questioning the casting of the lead. The character was a dumpy schlub, too stupid and crass to emerge as a powerful leader. But as the series unfolded the actor proved a superb choice, evolving seamlessly into a canny take-charge capo and eventually a cold-blooded sociopathic tyrant. It's a brilliant performance, of a character with very little charm who nevertheless commands your attention.

While there's plenty of violence throughout, it's rarely the exciting give-and-take gun battles of the Narcos shows, but rather savage murders and bombings aimed at defenseless politicians and journalists and other declared enemies of the Medellin cartel. And there's no clever adversary playing cat and mouse games with Escobar - the personal thorn in his side is his wife, a strong-willed character every bit as conflicted as Carmella Soprano, torn between her conscience and her lifestyle.

At times the series dips a toe into telenovela territory, with maudlin montages as characters reflect on memories of their recently assassinated loved ones, but these are few and far between (and easily zipped through on fast forward, without losing any of the story.)

There is also real news footage, generally of the aftermaths of bombings or assassinations, which is noticeable but works well in the context of the show.

Another big difference from the Narcos shows is the depiction of the Colombian law enforcement and political establishments, with much less focus on the corrupt officials in Escobar's pocket and more on the heroic idealists who opposed him. (Understandable, since some of the producers had personal ties to those opponents.)

Overall, the production values, like the casting, is excellent. The settings and costumes are somewhat more realistic and down-to-earth than those of the Narcos shows, reflecting Escober's lower class tastes.

Warning though, if you get hooked: with several dozen episodes, this will keep you binging for weeks.