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IMDbPro

Demain est un autre jour

Titre original : The Life List
  • 2025
  • PG-13
  • 2h 3min
NOTE IMDb
6,8/10
33 k
MA NOTE
POPULARITÉ
191
19
Sofia Carson in Demain est un autre jour (2025)
A woman revisits her childhood aspirations, endeavoring to achieve her old goals, only to discover that pursuing these lifelong dreams takes her on an unforeseen and surprising journey.
Lire trailer2:08
1 Video
71 photos
Comédie romantiqueRomance bons sentimentsComédieDrameRomance

Une femme revisite ses aspirations d'enfance, s'efforçant d'atteindre ses anciens objectifs, pour découvrir que la poursuite de ces rêves de toute une vie l'entraîne dans un voyage imprévu e... Tout lireUne femme revisite ses aspirations d'enfance, s'efforçant d'atteindre ses anciens objectifs, pour découvrir que la poursuite de ces rêves de toute une vie l'entraîne dans un voyage imprévu et surprenant.Une femme revisite ses aspirations d'enfance, s'efforçant d'atteindre ses anciens objectifs, pour découvrir que la poursuite de ces rêves de toute une vie l'entraîne dans un voyage imprévu et surprenant.

  • Réalisation
    • Adam Brooks
  • Scénario
    • Adam Brooks
    • Lori Nelson Spielman
  • Casting principal
    • Sofia Carson
    • Kyle Allen
    • Sebastian De Souza
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    33 k
    MA NOTE
    POPULARITÉ
    191
    19
    • Réalisation
      • Adam Brooks
    • Scénario
      • Adam Brooks
      • Lori Nelson Spielman
    • Casting principal
      • Sofia Carson
      • Kyle Allen
      • Sebastian De Souza
    • 139avis d'utilisateurs
    • 31avis des critiques
    • 49Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 2:08
    Official Trailer

    Photos70

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    + 65
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    Rôles principaux52

    Modifier
    Sofia Carson
    Sofia Carson
    • Alex
    Kyle Allen
    Kyle Allen
    • Brad
    Sebastian De Souza
    Sebastian De Souza
    • Garrett
    Connie Britton
    Connie Britton
    • Elizabeth
    José Zúñiga
    José Zúñiga
    • Samuel
    Jordi Mollà
    Jordi Mollà
    • Johnny
    Dario Ladani
    Dario Ladani
    • Lucas
    • (as Dario Ladani Sanchez)
    Federico Rodriguez
    Federico Rodriguez
    • Julian
    Marianne Rendón
    Marianne Rendón
    • Zoe
    Michael Rowland
    • Finn
    Chelsea Frei
    Chelsea Frei
    • Megan
    Luca Padovan
    Luca Padovan
    • Ezra
    Rachel Zeiger-Haag
    Rachel Zeiger-Haag
    • Catherine
    Maria Jung
    Maria Jung
    • Nina
    Donnetta Lavinia Grays
    Donnetta Lavinia Grays
    • Ms. Howard
    Jonathan Lipnick
    Jonathan Lipnick
    • Old Man Sullivan
    Ben Warheit
    Ben Warheit
    • Jackson
    Lila Midkiff
    Lila Midkiff
    • Ellie
    • Réalisation
      • Adam Brooks
    • Scénario
      • Adam Brooks
      • Lori Nelson Spielman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs139

    6,832.7K
    1
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    10

    Avis à la une

    4imdbfan-0104444965

    Nice story but terrible lead

    I'm about to be offensive, but no offence, the lead actress seems like she hasn't ever lost anyone in her life, her line delivery especially the first time meeting the lawyer and saying "I just lost my mother" had absolutely no depth, no tears, no emotions, not even grief. No voice control, no empathy for the character shes playing. As shes watching videos from her dead mother there aren't even tears in her eyes, even as she watches the last video she seems to value looking pretty more than showing actual emotion. I really liked the male lead and all the other characters but I really wonder what happened behind the audition process that made her the lead. I could imagine so many young actresses doing a better job and making this a fantastic film. I'm not saying this as something like a hate comment, just that she really needs to think about loss and emotions and get in to the story. I often put my hand over her motionless face to at least try and focus at the story because she was just playing a pretty girl that doesn't want to get ugly. The story made me cry on multiple occasions imagining the young girls struggle yet the young girl acted like it was a vacation trip with her friend calling her on face-time not her dead mother continuously saying her last words to her from a dvd. Like she never even had her lips quiver for more than a milisecond (didn't want to be ugly, I guess, or just a bad actress) never had the horrible situation of not being able to finish a sentence, having words stuck in her throat because of grief or at least speaking like she has a lump in her throat -- actual real, raw and ugly human emotions after losing the most loved person. It made me so angry! Couldn't she at least try to take breaths before speaking? Even if we imagine that she was a cold and prideful character, we didn't even see her actually blocking the emotions that would almost come apparent. Never saw her swallowing tears, any despair, anything!! Absolutely horrible acting from someone in such a vulnerable role. Every actor should know their limits and not go for roles that they are not ready for.
    7hazard111

    A little shallow but still delivers warmth

    I can't help but compare it with PS I Love You. Now they have different approaches and plot so it's hardly fair to do so but while watching this I just wish they dug deeper into it and the other movie kept popping out my mind.

    It's not a bad movie by any means. It's soft and warm feeling when watching I did tear up in some scenes because I can relate with the deceased mother scenario so it felt more personal to me seeing a mother-daughter movie. It's very simple and predictable movie that tries to focus on character growth, familial bonding, love, career...basically life and having the better version of yourself. But that's the issue is that they skirted very lightly on these. There's just so many focus points that they never got that deep. Like for example I could hardly feel the grief coming from the siblings. They touched upon this here and there but nowhere near enough.

    The movie feels too clean like they're afraid to get dirty with touching the themes but anyway the way they went about the list is good. It felt mature and not childish. I do like the chemistry between the leads. The characters aren't perfect and kinda messy too so they do feel real and not picture perfect fiction. Overall it's good enough for a watch.
    7medontknowanything

    Made me sign up as a volunteer

    The Life List is a nice watch - warm, well-paced, and not overly dramatic. What stayed with me most is the message: pain and loss are part of life, but suffering is a choice. That idea isn't presented in a preachy way - it's just woven into the characters' decisions, especially as the main character starts reconnecting with what actually matters.

    The portrayal of the mother-daughter relationship was especially well done. It shows how grief can create distance but also bring people back together, without sugarcoating the process.

    It's the kind of movie that makes you pause - not because it's groundbreaking, but because it reminds you of things you already knew but maybe forgot. Like how helping others can also heal something in you.
    6gitanjili

    Perfectly predictable

    I don't get why Netflix casts this actress for main roles. The movie could have been so much better if someone else was portraying Alex. It seemed to me the whole time she was trying to keep her hair unmoveable. Her face and frame is staying still in moments when she could have shown some spark. It annoys me how she is whispering her words. I didn't believe her for a second she is "Alex", I didn't see the character - only the actress pretending to be someone. I had the same issue with her in the other main role for Netflix - Purple hearts. Exactly the same face and hair issue, all the same "play", whispering and posing beautifully. I mean - she is very beautiful, no denying that.

    The movie is good, perfectly predictable, plain and flat. You get it from the title. From the 5th minute on you know what is going to happen and almost exactly how. All of the characters you have already seen in all the other movies of the same type, no surprise whatsoever, no complexity. Worth for killing 2 hours.

    I liked the story overall, I think the book is probably good. Haven't read it yet, maybe will some day.
    8imdbfan-1428904525

    Don't forget to fight for love

    After watching this film, I could say it was inspired by P. S. I Love You, but changing it to a mother's love and showing her daughter that when you walk down the road of life you can get lost, and to find yourself, you need to remember what you wanted to be. Sofia Carson acts cleanly, showing sympathy and involving you in her character; certain parts can be perfectly related to one's life, making it clear that not everything is fiction.

    There are several lines from the film that I can take away. And although the film is predictable: love always triumphs even after death, and if a mother sees her son lost, even with her last breath she will try to advise him and make him understand that we can't settle for less. Yes, I recommend the film, so put it on your list.

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    Centres d’intérêt connexes

    Meg Ryan and Billy Crystal in Quand Harry rencontre Sally... (1989)
    Comédie romantique
    Omar Epps and Sanaa Lathan in Love & Basketball (2000)
    Romance bons sentiments
    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sofia Carson learned how to play Claude Debussy's "Clair de Lune" on the piano for this role.
    • Citations

      Johnny: There are facts, and there's what's true. And a person needs to make room for both.

    • Connexions
      References S.O.S. fantômes (1984)
    • Bandes originales
      Myriad Harbour
      Written by Dan Bejar (as Daniel Bejar)

      Performed by The New Pornographers

      Courtesy of Matador Records

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    Détails

    Modifier
    • Date de sortie
      • 28 mars 2025 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Mi lista de deseos
    • Lieux de tournage
      • Nyack, New York, États-Unis
    • Société de production
      • 3dot productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 3min(123 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.00 : 1

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