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Voleuses

  • 2023
  • 13
  • 1h 56min
NOTE IMDb
5,7/10
7,8 k
MA NOTE
Mélanie Laurent, Adèle Exarchopoulos, and Manon Bresch in Voleuses (2023)
Regarder Wingwomen | Official Teaser
Lire trailer0:55
2 Videos
29 photos
cambriolageActionComédieCriminalitéThriller

Carole et Alex, deux voleuses de génie, sont lasses de vivre dans la clandestinité. Pour leur dernier casse, elles font appel à l'impétueuse Sam, mais ne se doutent pas que cette mission ser... Tout lireCarole et Alex, deux voleuses de génie, sont lasses de vivre dans la clandestinité. Pour leur dernier casse, elles font appel à l'impétueuse Sam, mais ne se doutent pas que cette mission sera très différente de ce qu'elles attendaient.Carole et Alex, deux voleuses de génie, sont lasses de vivre dans la clandestinité. Pour leur dernier casse, elles font appel à l'impétueuse Sam, mais ne se doutent pas que cette mission sera très différente de ce qu'elles attendaient.

  • Réalisation
    • Mélanie Laurent
  • Scénario
    • Mélanie Laurent
    • Christophe Deslandes
    • Cédric Anger
  • Casting principal
    • Adèle Exarchopoulos
    • Mélanie Laurent
    • Manon Bresch
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    7,8 k
    MA NOTE
    • Réalisation
      • Mélanie Laurent
    • Scénario
      • Mélanie Laurent
      • Christophe Deslandes
      • Cédric Anger
    • Casting principal
      • Adèle Exarchopoulos
      • Mélanie Laurent
      • Manon Bresch
    • 41avis d'utilisateurs
    • 32avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Wingwomen | Official Teaser
    Trailer 0:55
    Wingwomen | Official Teaser
    Official Trailer
    Trailer 2:16
    Official Trailer
    Official Trailer
    Trailer 2:16
    Official Trailer

    Photos29

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    + 23
    Voir l'affiche

    Rôles principaux26

    Modifier
    Adèle Exarchopoulos
    Adèle Exarchopoulos
    • Alex
    Mélanie Laurent
    Mélanie Laurent
    • Carole
    Manon Bresch
    Manon Bresch
    • Sam
    Isabelle Adjani
    Isabelle Adjani
    • Marraine
    Félix Moati
    Félix Moati
    • Clarence
    Philippe Katerine
    Philippe Katerine
    • Abner
    Ismaël Sy Savané
    Ismaël Sy Savané
    Alphonse Bourbeillon
    • Le commanditaire des bijoux
    Foued Nabba
    • Carapuce
    Meriem Serbah
    • La gynécologue
    Myriam Azencot
    • La bonne amie d'Abner
    Damien Zanoly
    Damien Zanoly
    • Le directeur de courses
    Théo Kailer
    • L'homme qui résiste à l'anesthésiant
    Jean-François Perrone
    • Le Corse peu loquace
    Olivier Kissita
    Olivier Kissita
    • Le fêtard qui veut se joindre au couple
    Micaëla Etcheverry
    • La collègue d'Abner
    Leona D'Huy
    • La régisseuse ventouses clip
    Aurélien Gabrielli
    Aurélien Gabrielli
    • Le technicien clip
    • Réalisation
      • Mélanie Laurent
    • Scénario
      • Mélanie Laurent
      • Christophe Deslandes
      • Cédric Anger
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs41

    5,77.8K
    1
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    5
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    7
    8
    9
    10

    Avis à la une

    7jasongardner-97792

    7 is a much more accurate rating

    This film deserves much more than the current rating, I've seen some pretty poor films over my time around a 5 rating on here and they have been absolutely awful.

    Whilst this won't win any awards it will keep you entertained for a couple hours, assuming that is, you don't watch it dubbed. Films should be watched in their native language to get a true grip of the actors and characters, when you flip from English dub to French it's already worth 2 extra stars, which is why I guess some of the other reviews are low.

    This film is interesting in terms of the plot, not a typical action film but plenty of action in it. It's more the storytelling round the characters that makes it much more of an all round watch.

    I thought all roles were played well and there is no awkward acting throughout, which you'd expect from a mid table movie.
    7jdxcrow-49035

    Flawed but very enjoyable

    I came to this movie with no expectations. I knew I'd seen Melanie Laurent before, but couldn't remember where from. I didn't watch the trailer, all I had was the two sentence description on Netflix. Going in cold, I have to say, I really enjoyed this.

    Movies depend on forgiveness. Plots are never perfect; there is always something that the audience has to agree to ignore. Characters, accents, real life details... the audience has to put those aside to enjoy the movie. In some ways, movies have an "enjoyment ATM card". If it stars your favourite actor, your card starts with a positive balance. Favourite director, same thing. Hopefully, we click "play" with some degree of goodwill built into the process, giving a starting positive balance of some amount.

    Then the movie starts, and as you are watching, things either increase the balance on your card, or decreases it. Hopefully, you finish the film with a positive balance. But the slips in the movie will eat away at your balance to the point that, if there are too many of them, you finish the movie with negative enjoyment. Sometimes, a movie is so bad that you exceed your credit limit before it ends, and you stop watching. (I'm looking at you, Michael Bay.)

    In this case, the storyline is a little bit lightweight, and they make a few wrong turns in telling the story. These mishaps will leave a definite negative entry on your enjoyment balance sheet. Depending on how much you have enjoyed the movie to that point, you may end up with a negative balance.

    For me, there were enough positives in the movie that, when the plot holes showed up, I had enough on my card to forgive them for their screenwriting sins and keep the balance in black.

    Among the positives, the acting was superb, and in particular the actress playing Alex was a real delight. Isabelle Adjani makes an impact in a small role, and if you don't know her age, you might be shocked to find out what it actually is.

    Visually, it's a beautiful film to watch. The locations are spectacular, and the action scenes are very well choreographed. Throughout the film there is a frequent change of the colour palette as it moves from sequence to sequence, much in the way that Kill Bill vol. 1 did in a more exaggerated manner. The movement from a beige base to the blue of the ocean, back to beige, to the green of the forest, to the coldness of the forest at night, back to beige, then to the red in a private screening room.... It's another way that the movie continues to engage with the viewer and contribute positively to the experience.

    There is a wonderful action sequence involving Alex that really has no business being in the movie from a storytelling perspective. But it was done so creatively that, for me, it added to the enjoyment rather than detracted from it. Later on, there's another sequence which begins with the majestic line (en anglais) "We're taking a ferry to Italy tonight. We're going to get revenge for my bunny." Again, from a storytelling perspective it could have been shorter. Given its place in the timing of the movie - at the 70% mark - one might hope that they would speed things up a bit to get to the end. But the scene is executed (ha ha) so beautifully that again, it's a positive not a negative for me. However, they did go to the style well a few too many times. There is a sequence in the last act where Caroline unexpectedly has a conversation with someone while she's doing something. It's cute, but that is one of several cuts that probably should have been made to the film. It takes far too much at that point of the movie that the overall pacing is hurt.

    Lawyers have a saying: "When the facts are against you, argue the law. When the law is against you, argue the facts. When both are against you, just argue." That is kind of what we have here. Melanie Laurent had a script that was against her. What she did was to concentrate as much as she could on what we see on the screen to make it a positive experience. I think she succeeded, and I hope she gets the opportunity to direct many more movies for years to come. But with better scripts.
    4arungeorge13

    Netflix pushes Mélanie Laurent into mediocrity~ [+44%]

    As a filmmaker, Mélanie Laurent has made some fine dramas throughout the 2010s. Her foray into Netflix's doomed action-comedy genre yields mixed results. While it portrays the "female friendship" aspect in a way that puts the recent Charlie's Angels film to shame, it struggles to build tension within the set-pieces and concludes in a super-dodgy way. The star performer here undoubtedly is Adèle Exarchopoulos who fully embraces the role of Alex - a sniper with a vulnerable side. Her equation with Caroline (Laurent) is wonderful to watch, and the ladies sure seem to be having fun. Oh, there are bloopers during the closing credits!

    The plot just goes through the motions, and the laughs are occasional. Even the addition of a third member (Manon Bresch) doesn't really elevate the stakes. The main antagonist - Godmother, played by Isabelle Adjani - and her relationship with Caroline is only elucidated over a few lines, making it difficult to connect with her "reasons". Of course, then there's Netflixisation of everything - the action comes to sudden halts, some sections deliberately look like song montages, and the story never really comes full circle. That ending is such a cop-out, and that made me reduce ½ a star.
    7chiaramariecapritta

    Loyalty isn't just for men

    It's not an action movie, actually, it has very little to do with action, it's a funny and enjoyable movie about love and friendship.

    There are flaws and holes in the plot in my opinion and some parts could have been written better, it seems to me that the movie is a little bit static throughout all of its duration, there are not major plot twists, I don't know... I didn't mind it but it didn't convinced me 100% neither, it's not bad, but it's also not good, it's enjoyable and the actresses are really good in their roles, mostly watched for them, they really did an amazing job.

    I know that the robbery was not the main subject in the movie but I wouldn't have mind it if they put some more action during that scenes Still, it's worth watching.
    7uniquehija

    Adorable to watch

    Aside from the picturesque landscapes and great choices of film/background score, all in all this is a fun movie to watch with not much violence and gore. Boosting with female power, charisma, humor, loyalty and friendship, the bond and chemistry between Alex and Caroule were greatly portrayed that I wish I can be the Sam in their lives. The script and witty comeback exchanges between the characters were also funny and relatable. Watching this will make you want to have what they have. Though there were some plotholes, the movie did not veer off from it's story. And yes, I did shed a tear at the ending.

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    Centres d’intérêt connexes

    Robert De Niro and Val Kilmer in Heat (1995)
    cambriolage
    Bruce Willis in Piège de cristal (1988)
    Action
    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Criminalité
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Based on "Le Grande Odalisque" a french graphic novel by Vives, Ruppert and Mulot.
    • Gaffes
      Alex uses a suppressor (silencer) on her high-powered sniper rifle. The main reason modern snipers commonly use suppressors is not to silence the shots, which is not very effective on a high-powered rifle (they will still be quite loud, which is correctly depicted in the film); the main reason is to eliminate muzzle flash, allowing the sniper to make follow-up shots without revealing her position. Despite this, the rifle produces plenty of brilliant orange muzzle flash during the church tower scene.
    • Bandes originales
      Si j'Étais un Homme
      Music by Diane Tell

      Lyrics by Diane Tell

      Performed by Diane Tell

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    FAQ13

    • How long is Wingwomen?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 novembre 2023 (France)
    • Pays d’origine
      • France
    • Site officiel
      • Official Netflix
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Wingwomen
    • Lieux de tournage
      • Paris, France
    • Société de production
      • Gaumont
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 56min(116 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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