Snow and the Bear

Snow And The Bear is definitely an adult mystery and more of an art film than a run of the mill drama.

It is beautifully shot and has the lonely and cold atmosphere of a snowey mountain range in the middle of nowwhere which perfectly compliments the solemn story that unfolds.

Its ultimately a mystery about the culture of people living outside of modern civilisation and how an outsider comes to know a different type of existence that is more elemental and closer to nature.

This is a film about lonliness, the wilderness, and how human beings relate to and impact the natural world.

It is also a melancholic tale of self discovery.

It is a well paced, finely told mystery drama. It's in Turkish with subtitles, but I didn't mind that. Personally I enjoyed this film and I hope you will too. :-)

A bear, awakened early from hibernation and hungry, stalks the snow-covered forest of a remote and tiny mountain town. At the same time a young nurse, Asli, arrives in the village to start a new life. This movie has a very unique idea on the relationship between human and nature.

The main character has a man in her way on every turn. The film shows three man figures that are prominently on the list of the most threatening to her independence.

1. Hasan, the local conservative drunk who hates bears at least as much as he hates women 2. Samet, the kind and helpful mountain man, the protector of wildlife, whose obsession with Asli might be as - if not more - dangerous as Hasan's behaviour 3. Asli's father, who doubts and seeks to control her from afar.

The movie beautifully shows Asli's struggles to find her own path through the woods full of dangerous beasts, human and animal.

It is rather an art film than a mystery drama. It rather puts the emphasis on the dynamics of the little town, far from civilisation. Shows the untrusting of the locals to strangers, the hidden tenderness of this society and the overall behaviour norm in such towns: the gossips, the convergence, the excommunication, the family dynamics.

It is also a melancholic tale of self-discovery.

The view and the visual representation is breathtaking. The cinematography is artistic. For me it was even more unique that such a frozen and cold movie takes place in Turkey, which is known as a popular holiday destination to Europeans with its hot summers and sunny beaches. It really did put the country in a new perspective.

I am really fond of folk traditions, religion and superstitions in movies. This film has fortune tellings from tea leaves, sacred tree, lamb sacrifice to God and, most importantly, the belief of that nature takes its revenge.

The figure of the bear is also highly interesting. It appears like a dark, scary shadow, levitating above the head of the village, a never ending threat. Is the bear real or it's just the imagination of the locals?

The title of the movie makes the right order: the snow is the star. The bear, while it does make a brief appearance, is frequently referenced and serves more as an idea or symbol. But the snow covers everything; physically and metaphorically. It covers the roads making the town unreachable but also covers the secrets, crimes and hatred of the townspeople. Snow is the backdrop and is alternatively threatening and protective, a force that can not be controlled. It is beautifully photographed, with infinite colors and textures. The sound of walking on packed snow at night, or the beauty of standing in a gentle snow fall, feel very tangible.

However, it was not the chilly murder mystery i expected and it felt like it is hard for the plot to even begin. So i can tell it is not a rapid and vivid thriller but rather a meditative art film. It also had much more potential, i did not really feel that it is complete.

The ending seemed to be a little unfinished too but i liked the last conversation between Asli and Samet.

Nature did take its revenge. But was it the nature of the world or the nature of man?

A bear, awakened early from hibernation and hungry, stalks the snow-covered forest of a remote and tiny mountain town. At the same time a young nurse, Asli, arrives in the village to start a new life. There is a man in her way at every turn. Three men figure prominently on the list of the most threatening to her independence. Hasan is the conservative town drunk who hates bears almost as much as he hates women. Samet, a kind mountain man and protector of wildlife, is Hasan's opposite. However, in his obsession with Asli he might be the more dangerous of the two men. The third main male obstacle in Asli's life is her father who doubts and seeks to control her from afar. Asli tries to find her own path through the woods full of dangerous beasts, human and animal.

Cut down the sacred tree and spirit of nature, states a Turkish legend, and nature will have its revenge somehow. In this ancient story it is a bear that becomes the agent of vengeance. The bear is what the villagers fear most. Yet there is a wild animal inside each person's heart which is something more potent and formidable.

Director Selcen Ergun's debut feature provides compelling and moving messages about human attempts to control nature, romance, wildlife, and women. "It is how I feel as a woman in the world," Ergun said at the film's world premiere in Toronto. A woman attempting to find her way in a misogynistic world, where even kindhearted and well-meaning men might lead women astray from being who they are. Ambient sounds of wind and crackling fires combine with stirring, sparse music. The ending is profoundly emotional and it hit me like a ton of bricks. Ergun meditates on a time when the winter will cease and the world will just let women and nature be.

A beautifully haunting film that blends atmospheric mystery with subtle social commentary against an ecological backdrop. Set in a remote, snow-covered Turkish town, the film captures the quiet tension of isolation through stunning cinematography and a slow-burning narrative. Merve Dizdar shines as Asli, a young nurse whose arrival stirs hidden fears and suspicions within the community. Ergun's restrained direction allows the story to unfold with poetic stillness, revealing how fear and tradition can blur the line between myth and reality. It's a quietly powerful film that lingers long after the snow has settled.

A nurse goes to work in a remote Turkish village where a man stalks her and another goes missing.

The story I suppose is okay, it's the slow and ponderous way it is carried out that is not. There's a lot of time nothing is happening but you don't want to fast forward in case you miss something. Also the subtitles were very obviously not an accurate translation so that didn't help.

The lead actress has a very expressive face and did well with the role she had, and indeed there was some decent acting from a few others too. But not near enough to lift the film beyond a rating of 5.

I liked that there wasn't any awful score or crashing soundtrack to the film and the sounds of winter were not overdone.

There's obviously some moral tales woven into this, but they're lost a little by the ponderous pace and slew of non-meaningful scenes.