Tracks

Robyn (Mia Wasikowska) arrives in Alice Springs, determined to make the 1,700 mile journey to Australia's west coast on foot across the desert, accompanied by camels and her dog. This film tells of her preparation and the outcome of her journey.

Despite the fact that it is often leisurely in the telling of Robyn's true story and that Robyn is, for much of the running time, the only person on screen, it is never less than engaging. We get some idea of what drove Robyn to undertake this project (although there is no glib, clear explanation of her motivations), and we meet some of the people she encountered (and one of the enjoyable elements in this film is the development of National Geographical photographer Rick (Adam Driver) - truly annoying when we first meet him, by the end he is much more in tune with what Robyn's objectives have been).

Mia Wasikowska is very good in this gently moving film, but the real stars of this beautifully photographed story are the Australian desert and the camels.

There is a small amount of dramatically justifiable bad language and some animal upset involved.

To be honest at first this movie didn't seem like it would be interesting to sit through for almost 2 hours. A girl walks across the desert with her camels, what's interesting about that? Well if you go into this movie thinking that, you'll come out pleasantly surprised.

At every turn there is something new and unexpected that happens. The challenges that Robyn faced on her journey were incredible. This film was based on a true story and was adapted from a book. Mia Wasikowska's acting was superb, it really took you on a journey. From start to finish this film was visually spectacular. The vast Australian outback was stunning and amazing to see on screen.

I would recommend this film to anyone is up for an inspirational story. 7/10.

The scenes I enjoyed the most in this movie were the star shots. Imagine you are sleeping in the outback, and the sky is ablaze with the southern constellations. No matter where you are, there is a star right straight above you; you are not alone.

Being alone is an important theme to Robyn Davidson. We are told by back story that her mother committed suicide at an early age. We are also told that her father wandered all around East Africa prospecting. She is forced to live with her aunt and her beloved dog is put down. The first lines in the movie tell us that movement and change are important to Robyn. Think of a gyroscope. As long as it is spinning, it can provide accurate navigational information. Stop spinning, and it goes out of control.

Travelling with camels also makes sense. Symbolically camels are independent, tough, resourceful and most of all they can go for long periods without the essentials of life. So for Robyn going for long periods with no human contact mimics the camels lack of certain essentials as well. Like her father, she has an instinct for the bush and finds herself at home in that environment. You get the feeling that she could find her way even without her dad's Brunton compass. Also she is able to bond with a whole variety of creatures from wild camels, aboriginals and bushmen. She respects the ways and habits of the people she meets.

This movie has wonderful shots of the outback and the incredible variety of people and places that present themselves. As many adventures do, it has a huge physical as well as psychological component. The acting is well done, there is not an excess of emotion or drama, but Mia and Adam do an excellent job of showing us that there is lots going on underneath it all, which fits exactly.

Tracks is the true story of Robyn Davidson, a 27 year old woman from Brisbane who in 1977 decided to embark on a 1,677 mile trek from Alice Springs to the Indian Ocean, crossing the Australian outback. She did it mainly alone, aside from four camels and a faithful dog. She was helped a little by a photographer who organised financial backing for her trip from National Geographic magazine and with whom she had brief romantic involvement on her trip, while she was also assisted on the way by some Aboriginals who guided her though sacred lands of theirs. The trip in total took nine months.

This is one of those movies where the adventure itself is used as a means of the lead character exploring themselves as well as the more literal physical journey. Davidson endures both physical and psychological hardships along the way. While she never really goes into any detail as to why she is impelled to embark on her journey, we understand from various dream-like flashbacks that her mother committed suicide when she was an infant and this event has gone some way into shaping her the way she is. She is a loner and very self-contained but her subsequent adventure makes her realise more fully in the importance of others and that relying and respecting other folks is no bad thing and her own personal goals should at the very least be offset against these aspects.

Mia Wasikowska is very good as Davidson, she is quite believable in the role in a way that a lot of other actresses would not be, while Adam Driver also makes a mark as the photographer who is a little annoying but essentially a good person. The dramatics are fairly sparse here though because ultimately this is a film about solitude to a large extent. Consequently, a lot of the focus is on the landscape, terrain and animals. The excellent photography is very effective here in capturing both the beauty but also the harsh arid nature of this world. And the camels and dog are elevated to important and lovable characters and are also photographed very well. It should also be pointed out here that Wasikowska really seems to have put herself in some danger with her up and close interactions with some pretty scary mouth-frothing camels. This is clearly a role she committed herself to fully.

I always think that the Australian outback is such a cinematic place and its long flat horizons are particularly well suited to the widescreen frame – think Walkabout (1971), Picnic at Hanging Rock (1975) or the more conventional recent Mystery Road (2013). It's specific combination of untamed nature, enigmatic indigenous people, functional isolated settlements and the western world close but so far away is a concoction that is unusual and ensures that Australian films set in the outback do often have their own unique feeling. Tracks is another in this type and it is appealing for all of these reasons. It, of course, has the added advantage of being a true story which always lends something extra. I'm not sure if you could exactly describe it as a travelogue picture though, as aside from brief sequences featuring the likes of Uluru, its landscape is far more harsh and arid and not precisely what you would describe as beautiful. Because of this, it feels like an authentic depiction of the real event. It's a quite minimalistic example of the biopic and a very good one.

Poet and naturalist Diane Ackerman said, "The great affair, the love affair with life, is to live as variously as possible, to groom one's curiosity like a high-spirited thoroughbred, climb aboard, and gallop over the thick, sun struck hills every day." One such high-spirited thoroughbred is Australian naturalist Robyn Davidson who, at the age of 27, crossed the Australian outback in 1977 from Alice Springs to the Indian Ocean with only four camels and her dog as companions. Nominated for Best Film at the Venice Film Festival, Director John Curran's Tracks documented Davidson's nine-month journey of 1677 miles without adding layers of melodrama to distract us from her true spirit of adventure and love of nature.

Based on Robyn Davidson's classic travel book of the same name and supported by the extraordinary cinematography of Mandy Walker and the lovely score by Garth Stevenson, the film follows Robyn as she travels solo across the unfathomable desert. Sponsored by National Geographic magazine, photographer Rick Smolan (Adam Driver) was chosen by the magazine to photograph her journey for the magazine, but only meets up with her at scattered points during her trip. Davidson at first finds Rick annoyingly over-talkative, but slowly warms to his support and caring and they become friends, while still keeping their distance.

Not much information is given as to Robyn's motivations in undertaking this adventure, but the film does provide flashbacks over the course of the film informing us about events in the naturalist's past involving loss and disappointment. In some ways, comparable to Chris McCandless' odyssey as documented in Sean Penn's 2007 film Into the Wild, Robyn's goal is to convince herself that she is up to the task of following her own path without having to conform to society's expectations. In spite of her need for solitude, however, she learns to compromise with friends and reach an understanding with visiting journalists looking for a story, even though at one point she says to a resident of the desert, "It's hard to explain that I just want perfectly nice people to shut up and die." Though Robyn does her best to avoid the unwanted company, she eventually recognizes her need for support from others, not only from Rick, but also from an Aboriginal elder named Eddy (Roly Mintuma), who accompanies her to make sure that she avoids the Aboriginal's sacred land. Mia Wasikowska as Davidson perfectly captures the sharp edges of her enigmatic personality while still retaining her adamant refusal to be the effect of her social limitations. It is a strong performance that may earn her consideration for a Best Actress award at the 2014 Oscars.

Though some viewers may become restless with the unchanging landscape and the lack of overt drama, obstacles do appear in the form of wild bull camels charging towards her and the need for her to take a 160 mile detour to avoid Aboriginal lands. While Tracks has a surprising amount of clutter for an adventure into the wild, as Davidson comes closer to her goal, the growing quiet and emptiness of the vast outback turns her journey into an experience that assumes a dreamlike and spiritual aura.

Through it all, her fierce determination to accomplish her goal while still retaining her sense of self grows stronger. Davidson in a recent interview said that "At the time, all young people pretty much wanted to do extraordinary things and extend the limits of what had been given to them as their roles." Poet e e cummings agrees, saying, "To be nobody but yourself in a world which is doing its best, night and day, to make you everybody else means to fight the hardest battles which any human being can fight, and never stop fighting." That is the legacy of Robyn Davidson.