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In Fear

  • 2013
  • R
  • 1h 25min
NOTE IMDb
5,4/10
11 k
MA NOTE
Alice Englert in In Fear (2013)
Trailer for In Fear
Lire trailer1:38
10 Videos
30 photos
HorreurMystèreThriller

Ajouter une intrigue dans votre langueDriving to a music festival in Ireland, a new couple become lost and are then set upon by a tormentor with an unknown motive.Driving to a music festival in Ireland, a new couple become lost and are then set upon by a tormentor with an unknown motive.Driving to a music festival in Ireland, a new couple become lost and are then set upon by a tormentor with an unknown motive.

  • Réalisation
    • Jeremy Lovering
  • Scénario
    • Jeremy Lovering
    • Jon Croker
  • Casting principal
    • Iain De Caestecker
    • Alice Englert
    • Allen Leech
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    11 k
    MA NOTE
    • Réalisation
      • Jeremy Lovering
    • Scénario
      • Jeremy Lovering
      • Jon Croker
    • Casting principal
      • Iain De Caestecker
      • Alice Englert
      • Allen Leech
    • 110avis d'utilisateurs
    • 149avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos10

    In Fear
    Trailer 1:38
    In Fear
    In Fear
    Trailer 1:45
    In Fear
    In Fear
    Trailer 1:45
    In Fear
    IN FEAR -- Domestic Trailer (U.S. version)
    Trailer 1:44
    IN FEAR -- Domestic Trailer (U.S. version)
    In Fear: Someone Behind You
    Clip 1:19
    In Fear: Someone Behind You
    In Fear: Clothes On The Road (US)
    Clip 0:27
    In Fear: Clothes On The Road (US)
    In Fear: Slow Down (US)
    Clip 0:55
    In Fear: Slow Down (US)

    Photos30

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    Rôles principaux3

    Modifier
    Iain De Caestecker
    Iain De Caestecker
    • Tom
    Alice Englert
    Alice Englert
    • Lucy
    Allen Leech
    Allen Leech
    • Max
    • Réalisation
      • Jeremy Lovering
    • Scénario
      • Jeremy Lovering
      • Jon Croker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs110

    5,411K
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    Avis à la une

    robert-connor

    This Got Funded?

    After two weeks of knowing each other, a witless young New Zealander with a dodgy English accent agrees to go to a music festival in Cornwall... er, Ireland with a witless young Scottish guy. They take the ferry to Cornwall... er, Ireland and stop at a pub where the New Zealander sits on the toilet waiting for something to happen. Later, they get into their car and the Scottish guy announces that instead of going to the festival, they are going to a hotel and need to wait for someone to come and show them the way. A Land Rover pulls up behind them and then drives past with a hotel sign on the tailgate so the witless couple follow. Eventually the Land Rover stops and the driver points to the road ahead before taking a right turn and disappearing. The witless couple continue on and get lost. The Scottish guy is driving and starts to drink, while the New Zealander looks increasingly anxious. It gets dark and they car begins to run low on fuel. The New Zealander tries to follow a map but the Scottish guy keeps on drinking and tries to follow a confusing set of signs for the hotel. Then the Scottish guy decides to pull over and wander off into the forest for no apparent reason. The New Zealander gets even more anxious but the Scot returns and they both decide to wander off into the forest, leaving the keys in the car. They don't get far before the car alarm goes off so they return and can't find the keys, until they find they keys on the ground. They drive off and go around in circles until eventually someone tries to attack them and they flee, only to knock a guy over and then all hell breaks loose, but not in a logical way.

    Given that the couple are utterly lacking in common sense, and spend most of the time shouting at each other and making stupid decisions, the viewer is left not really caring what happens as the story spirals down one plot hole after another. One day someone will make a movie about sensible folk who despite their best efforts journey into a nightmare. Sadly, this isn't it.

    At least Downton Abbey's Allen Leech get's to chew some scenery!
    7BOOGIEMAN-pN

    Simple, short and effective

    ... just the way I like it ! So yes, of course I will be pretty subjective in this review (but aren't everyone else in theirs, after all ?)

    In current horror movie era flooded with zombies, haunted houses and paranormal activities, little movies like this one come as real refreshment. To be honest it's more mystery/thriller/suspense than horror, but nevertheless.

    Simple plot (Man and woman in a car, lost in a maze of narrow roads at the countryside trying to find a secluded hotel they reserved on internet), combined with nice visuals and directing/editing is just what I wanted to see from a movie. No two and a half hours of over the top action scenes, no special effects, CGI monsters, ghosts and flying sheets ... just a little mystery and healthy dose of suspense.

    Yes, the main protagonists maybe don't do and act how one would expect "normal" people to do in such situation, but it's impossible to predict anyway how "normal" people would behave in every situation. This is good enough.

    I must say that I find recent British movies (to name a few I can remember without looking at my voting history: Truth or die, The Seasoning House, The Cottage ...) more appealing to me than ones from Hollywood. I think if you hated "Cabin in the woods" or you're just tired of movies like that, there's a big chance you'll like "In Fear"
    6arungeorge13

    A compelling exercise in sheer tension and terror (up until a point). [+60%]

    It's astonishing how they manage to induce terror with just a couple of actors, a car, rainy weather, and the wilderness. This is a case of low-budget filmmaking done well. Jeremy Lovering is an Edgar Wright collaborator, and his frame choices (with plenty of close-ups of the protagonists' worried faces) instantly draw you into the film. The score is also quite effective and adds to the creepy mood. The plot presents a total nightmare for folks who suffer from panic attacks - travel horror may not be a genre recommended for those people. The storyline progression is somewhat questionable, but the pacing remains apt.

    The first key jumpscare happens at an unexpected juncture, and I think the film deserves some points on that front. The entry of the third character deflates the tension to some extent, yet the performances (of all three) keep you invested. Even from a psychological horror standpoint, the plausibility of certain developments lack finesse especially towards the end of the film. Nonetheless, I think it's a solid exercise in building tension and the atmospherics really add to that. If you liked Dead End, there's a good chance you'll savour this one too.
    3wymantim

    Good acting, great potential, awful plot and execution

    First of all, the acting in this movie is pretty darn good, but other than that i can't give it any other merits. The dialogue and the way the characters act makes it so unbelievable that the movie becomes painful to watch. It's hard to become immersed when you are screaming at the characters to be smart for a few seconds. The plot is so full of holes and boring that it feels like you just want it to end after a half hour. the setting is perfect for the horror genre, unfortunately there is no horror, not even any suspense. Nothing ever changes in this movie so you feel like one scene is constantly on repeat. The whole movie feels as though it's stuck in it's first five minutes and nothing gives this movie the nudge it needs to become truly frightening. I really can not recommend this movie to anyone because it has nothing positive from any genre out there. This movie is a pass.
    4LostintheDarknessofNight

    Excellent Score Only Saving Grace in Otherwise Formulaic Genre Fare

    Bored and looking for something to watch, I was browsing through lists of the best horror movies of 2013. The more and more "In Fear" appeared in them, the more my interest was piqued.

    Well let's just say the anticipation of watching it was much more exciting than the actual process of watching it. All we have with "In Fear" is a poorly scripted, annoyingly repetitive horror movie that is carried along by a phenomenal score that is way better than it has any right to be. The sounds mesh with the images so well that there were moments that I still felt nervous, even though I knew what was going to happen, courtesy of the by-the-numbers script.

    Tom and Lucy are two people that just met two weeks prior. On their way to a music festival in a nearby town, Tom decides to surprise Lucy by taking her to a hotel for a night...a rather questionable move for people that have just met. Thankfully, Lucy seems to be fine with it.

    But there are some red flags from the outset: For one, the only way to get to the hotel is to follow a truck, whose owner they never see. Even more alarming? He points to a locked gate, insinuating that is where they should go next, before suddenly leaving them alone. I don't know about you, but that would be enough for me to get the hell out of there and never return, but Tom and Lucy, stupid horror characters that they are, do as they're instructed.

    From here, we get thirty minutes of them driving around in circles, inexplicably continuing to follow the same signs to the motel even after learning it only takes them back to where they started. Somehow, these scenes manage to be creepy, at least at first, if for no other reason than the aforementioned score. Of course, once minute twenty rolls around of the same old thing, it starts to lose its luster. Then once Max arrives, things go from bad to worse, both for the characters, and for the viewer, leading to an abomination of an ending.

    "In Fear" is certainly a competent example of independent filmmaking, at least from a visual standpoint, and I guess it deserves some points for that. It's well shot, well acted, well lit, and despite a few confusing cuts, pretty well edited. Unfortunately, the one thing it's missing, besides a shred of believability, is a halfway decent script. These characters are ones you've seen in dozens, if not hundreds, of horror movies before, in that they are clearly only reacting to the needs of the script; they do not act like normal people attempting to get out of a desperate situation, but rather. Put any real person in this situation, and it would be a five minute movie with no scares and no real action.

    Come to think of it, I've essentially summed up "In Fear", only it somehow needs 85 minutes to do that.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Alice Englert and Iain De Caestacker were not told what would happen during filming other than the basic setup of the story so that a lot of their shocked reactions were genuine.
    • Gaffes
      In the first ten minutes, whilst Tom is unlocking the gate, Lucy leans out of the car wearing a red jumper. The shot changes and she is shown wearing a brown coat. She gets out of the car in the red jumper again and is then shown putting on the coat.
    • Connexions
      Featured in WhatCulture Horror: 8 Most Criminally Underrated British Horror Movies (2021)
    • Bandes originales
      Conversation with Death
      Performed by Alice Englert

    Meilleurs choix

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    FAQ

    • How long is In Fear?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 novembre 2013 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • У страху
    • Lieux de tournage
      • Bodmin Moor, Cornwall, Angleterre, Royaume-Uni
    • Société de production
      • Big Talk Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 274 660 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 25 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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