The Veil

I don't like to leave bad reviews. But good grief this was disappointing. It started out OK, spy thriller, hardened female specialized agent trying to outwit a terrorist. Ok, I'm in. But then it got ridiculous and unbelievable. These two women driving around in a car magically evading all the spy agencies in the world, and the agencies acting in completely unbelievable ways. The whole "bad event we are trying to stop" made zero sense. And the final episode was stupid beyond belief. I can't even begin...

I have been an Elizabeth Moss fan since Mad Men.

But I think I'm done. I can't take the over-acting and loooong closeup shots staring at the camera with her mouth hanging open a la the Handmaid's Tale. Please Hod make it stop.

"The Veil," the latest offering from Steven Knight, creator of "Peaky Blinders," presents a mixed bag of espionage intrigue and melodrama. The series, starring Elisabeth Moss as MI6 agent Imogen Salter, delves into the shadowy world of international spies with a strong initial concept that occasionally gets bogged down by excessive emotional weight and melodramatic elements.

Elisabeth Moss, known for her intense and complex performances, delivers another strong portrayal as Imogen. Her character's adeptness at adopting various identities and unearthing secrets is compelling, particularly in the dynamic exchanges with Yumna Marwan's Adilah, a woman of mysterious motives. The chemistry between Moss and Marwan is one of the show's highlights, bringing depth to their complex relationship as they navigate a deadly game of truth and lies from Istanbul to Paris.

Supporting performances by Josh Charles and Dali Benssalah add layers to the international spy network, with Charles playing the brash American agent Max, whose interactions with the more reserved French agent Malik (Benssalah) provide unexpected moments of humor amidst the tension.

Despite these strengths, "The Veil" struggles under the weight of its own ambitions. While Knight's writing excels in creating a rich dialogue and intriguing plot twists, the series often veers into overwrought territory, detracting from the tight, suspenseful narrative that the genre demands. The heavy backstories and psychological trauma experienced by the characters, particularly Imogen, sometimes feel overplayed, risking the loss of the show's core espionage appeal.

In summary, "The Veil" is a visually captivating and well-acted series that will appeal to fans of spy thrillers, especially those who appreciate Moss's nuanced performances. However, it occasionally falters under the strain of its melodramatic elements, making it a series that, while engaging, could benefit from a more streamlined approach to its storytelling.

By focusing on its strengths-smart dialogue, strong performances, and intricate spy games-"The Veil" manages to entertain, even if it doesn't always hit the high notes it aspires to achieve.

Moss's English accent is a little dubious. But I'm warming to her characters charm. The scenery, so far, is beautiful. The story is very well put together. The acting is flawless.

So far, by episode two, it is turning into a game of multilayer chess. Between 2 women on a road trip. Both trying to discover each others roles and motives on this journey. And between two different countries US and France, attempting to establish control over the "mission".

As spy thrillers go, this one is one of the most interesting that I have seen in a long time. No Hollywood BS. Well worth the time, energy and focus.

I would like to love this show as it is one of the few shows that have women in leading roles and that is actually the only good thing about the show. The story starts all right but lacks credibility as it progresses. A chain smoker lead in this day and age? And why is she actively sabotaging all the spy agencies she is working with? She works for MI6 but reports to everyone except them. And what do you do when you find a very dangerous terrorist? Obviously help her escape and evade all the governments and agencies.

This is simply bonkers.

The other flaw is that she smiles too much for no reason.

Despite all these limitations, the show is watchable.

Just suspend your logic and don't expect too much.

Led by Elizabeth Moss, this Homeland-esque production unfolds over the course of a road trip between two women adept at lying. Moss leads as an agent of Interpol on a roadtrip taking a suspected former Al-Qaeda across eastern Europe. Themes of humanity, sisterhood and ethics are constantly discussed between our two leads, but the series loses interst over its pacing and lack of plot or character development. Multiple conversations delve into our leads' lives, but with too much of a lying game at play between the characters, most of their conversations fall into foggy or confusing territories. Moss holds alright in a role a little more action-heavy than is believable for her as an actress, and the cinematography is beautiful. This is an ok show to fold laundry to.