The Current War

The reviews for "The Current War" make me tired.

This is NOT the story of Nikolas Tesla. This is, in fact, an accurate depiction of Westinghouse vs. Edison and the AC vs. direct current. As far as what I've read, the story, though a dramatization, is a decent telling of this.

Reviews here say oh, Tesla got the short end of the stick. Yes, he did, and the movie certainly indicates this. And by taking the focus off of him, one certainly sees that yes, he was an unsung hero. But the story is about Westinghouse and Edison fighting for AC vs. DC. If you want to do a story about Tesla, make your own movie. This is NOT about the invention of the AC. Hello.

Another criticism of this film is that Edison is shown as a victim. I don't know if that was the intention, but if it was, they missed. I certainly didn't think he was a victim. Yes, there was a great tragedy in his life, but he was pretty darned ruthless when it came to trying to destroy Westinghouse. Ruthless and unfair. He was that way in many of his business dealings, including going up against the Lumiere brothers in the invention of motion pictures.

I thought the film was beautifully photographed, I liked the music, and I thought some of the dialogue was very beautiful and emotional, particularly the monologues of Tesla and Edison. The acting was superb. And to me anyway it was evident that Tesla got the shaft big time. Except that's not the story.

I found The Current War fascinating, and it made me want to learn more about all three men.

One thing that's always been true - it's never the person who thinks of an invention or even invents something -- the star of the show is ALWAYS the person who commercializes it.

To criticize a film because it's not what you think it should be about, frankly, is ridiculous. Even more ridiculous - people who get their history from movies instead of using them as steppingstones to learn more about the actual story. Elisha Gray invented the telephone. So did Antonio Meucci. So did Johann Philipp Reis. While we're at it, why don't we do a film about Joseph Swan and John Wellington Starr and their work on the lightbulb before Edison. They probably all deserve movies, but they don't belong in this film, which is the story of Westinghouse versus Edison.

Contrary to most of the reviews I saw on this title, I actually really enjoyed the film. I generally am not one to watch historical films, but I made an exception for this one.

I found the acting great, as they portrayed their characters and their feelings in a convincing yet not overwhelming manner. I also found the direction beautiful from the beginning to the end of the film (the lamp scene in the first few minutes,the hotel Tesla stayed in and so on).

Something else I need to note, is the fact that they did not try to sugar coat Edison's character and Tesla's naivity and did not portray Westinghouse as the good guy. They gave the oportunity to the viewers to make up their minds for themselves when it comes to whom they support - if the choose to support anyone.

I feel like they did not pay enough attention to a few historical events and skipped a few crucial parts of the story. I wish they actually gave Tesla the recognition he deserved, but I do understand that a film can not possibly fit the entire story without becoming up mundane.

There were moments that the movie started to become a little tiring, which caused me to lose my focus, but they managed to save it by adding some more exciting scenes in between.

In conclusion, I thought it was a good movie, but I wouldn't recommend it to someone who doesn't really care about the subject. It would be a nice addition to a physics class though, if the teacher is willing and prepared to give some further information on some parts that weren't covered thoroughly or at all.

Thought the casting on Cumberbatch's behalf was odd as he doesn't resemble nor act as you would suspect Edison to act (on the uncharacteristic side). Others in the cast seemed right. I've read where people argued the story-line of the movie vs. actual, and I've done a lot of reading on Edison and Tesla and actually found it very close.. plus the AC vs. DC rivalry with Westinghouse (including electrocution) to be VERY accurate. The story doesn't have a lot of "wow" to it (like a fictitious story would), but considering it based on real-life, it felt right. Oddly, the focus seemed to be heavy on Edison, yet the aspect of the story with Edison/Westinghouse truly MAKING AC work (and the person truly on the "shaft end of the stick") was Tesla!! The characterization of Tesla really left a massive untold story of pure genius receiving the most unfair treatment (though touched upon). YES.. Edison DID tell him he'd pay him a huge amount if he could figure out the problem.. and YES.. Edison did say "he was joking" (as in real life). It mentions Edison's venture into film, but if the film makers wanted to tell a more interesting story about Edison, it might be about his film work and competition with the Lumière brothers (the two brothers who actually were the real leaders of motion pictures. There are horror stories of Edison hiring hit men to show up where people were filming with Lumière film equipment to beat them up and destroy the equipment. Edison is portrayed a bit of a victim in this movie, but it seems that he really was anything BUT that. It seems that whoever wrote the screen play or story didn't know enough about Tesla to really portray him as the real victim he was, nor recognize Edison's very underhanded way of sometimes doing things. The film points out (justifiably) that often people credited with inventions are really just the person getting the last development in (not truly the original inventor). I'd LOVE to see Scorsese do a complete story focused on Tesla. THAT'S the REAL story here!

Hollywood always makes movies that represents Americans (or in this case born-American-capitalist) as a heros, whether that's true or not...Real hero in this "current war" is undoubtedly biggest mind in history of humankind - Serbian scientist Nikola Tesla, who's totally sidelined in America's educational system, while Edison (who stole from him) is a God...This movie doesn't help...Sportswise saying, it's like it you're comparing Jusein Bolt and Justin Gatlin...First one is obviously the best, second one is two-times (caught!!!) cheater, but he's an American, so I doubt that in, say, 15 years from now, if Hollywood decides to make movie about their rivalry, Gatelin would be shown as a villain...I really hope that some day someone will make movie that Tesla really deserves.

A lot of these reviews seem to come from Tesla fans who really misunderstand what I took to be the point of this movie. I don't think the movie is trying to portray who should have gotten the most credit or who was the most moral person or intelligent inventor of this era.

If that was the film's goal, then Tesla would have been the protagonist of the film and the central character.

It seemed to me that the movie's goal was to tell the story of how these inventors lived and how they were perceived by people within their time period. And how those perceptions impacting their goals to not just invent the best products, but get their products out and accepted within society.

Edison was perceived by the public as a star long before he ever invented a solid lightbulb for the time. Tesla wasn't a known entity. Westinghouse was successful, but not much of publicly known name to the public as Edison.

Edison and Westinghouse were the two big figure-heads of the AC and DC battle of the late 19th century. Even though Tesla is really the one who contributes the importance finding to give AC the edge, at the time, virtually no one knew who Tesla was or had good merits for taking his genius seriously. Tesla didn't demonstrate a lot of his ideas which were correct and didn't seem to understand how conmen could manipulate people by making the same kinds of claims as him without a model that actually would work.

Tesla worked for Edison, Westinghouse and independently over the course of his career. Tesla was probably the most visionary and innovative thinker conceptually among all of the characters in the film. But Tesla was an immigrant, which made it difficult for his ideas to gain traction within a racist and nationalist time for America. Plus Tesla was arrogant and the least practical or compromising in his aspirations, which made it even more difficult for his ideas to manifest themselves within society as he wished they would. Good intentions and correct ideas aren't enough if they don't get implement within one's culture.

What Tesla really had going for him was that he was really smart and he could figure out solutions that the other inventors couldn't figure out.

For all of these reasons Tesla couldn't be accurately portrayed in a manner that a lot of reviewers seem to have preferred and expected.

This movie's goal wasn't to orchestrate some narrative about what should have happened in the past. It's clearly more about showing what did or didn't happen back then and why.

And I think the story the movie tells is very interesting and provides for a lot of relevant lessons and understandings for people today. Even if it doesn't support Tesla's genius in a way that a lot of people were hoping for. Ultimately, its good to remember that even if one is a genius like Tesla, that doesn't mean that Tesla's didn't have some personal flaws that got in his way of achieving his own goals for the specific type of better future world.

I also don't really understand the common opinion from other reviewers that Edison was over-romanticized within the movie. Perhaps they could have made him seem more like a scumbag, but I easily was on Westinghouse's side and liked Tesla more as well.

If anything Westinghouse is the main character who is portrayed with the fewest imperfections. They show a lot of issues in Edison's persona. Not just in his invention, but in his interpersonal, business and family decisions.

I think one of the things that I liked the most about the movie is that it never shows the two main characters together in the same scene until the memorable scene at the very end.