Tanu Weds Manu Returns

Acting was ostentatious by whole Cast specially by Kangana and Jimmy Shergill. Movie is awesome till the end but last 25 minutes flushed all the appreciation into gutter.

A girl who has no character, jumps to every man like a honeybee on the flowers. She screwed her husband's life and sent him to the mental hospital and finally comes back to her hometown and again starts flirting with other boys. Her husband now finds a new girl who looks like her wife. She loves him and even fight for him with her family. Now enters her wife and crocodile tears start falling. She wants her husband back in her life but is living with her previous boyfriend. At the end, old couples met with each other breaking the heart of an innocent girl. I mean what kind of crap is this. Where is the lesson taught? A honeybee who can not be changed is with her dumb husband again. An innocent girl who did everything for that guy is all alone. Climax of the movie teaches that a dumb will be dumb, a bit*h can do whatever she wants and innocents deserve tears. I seriously don't like it's climax but hats off to Kangana and Jimmy Shergill (although Jimmy's role was not that much but he was really awesome). Madhawan's acting was also good.

Ratings for acting to the star cast (out of 10): Kangana: 10 Madhawan: 8 Jimmy Shergill: 10 Others: 8

Story: 9 Climax: 0

The problem with love marriages is that, they are based on expectations; and once this thin line of 'trust' is broken; the very existence of 'love' and 'marriage' becomes suspicious. But should the couple break off or attempt to rejoin the broken links?

Anand. L. Rai, the director who gave us the fabulous Tanu Weds Manu, returns with a sequel, and well, hits it hard. It a blunt post mortem of a love marriage, which goes wrong somewhere. Fueled by an avalanche of sentiments, tears and emotions, TWMR creates another magic.

Although we can't compare the first and second parts; but if someone puts a gun at my head, and asks to.. then I will not take more than a second to tell that this one is better in every aspect.

The screenplay is fast, and tightly edited, and the dialogues perfectly blends with the tradition and culture of Kanpur, Lucknow, Jhajjar (Harayana). When it comes to Delhi, then again, the director chooses the most appropriate locations which correctly portray the color of the situation (example: Purana Quila, Delhi Zoo, a small apartment in West Delhi and more)

The movie belongs to Kangana Ranaut, who plays the double role, and manages it in the most magnificent manner. The way she molds into a Harayani athlete studying in Delhi University is simply amazing. While the original 'Tanu' is showcased even more sophisticated, urbane, vulnerable, glamorous and drama queen; 'Datto' is practical, focused, strong, and knows where she is going. Heck, she even fights her own family inorder to marry Sharma ji (Madhavan).

It's really amazing how Kangana always manages to get immersed in the character, and learn the assent, the style, the attitude so seamlessly. As I am thinking hard, I can't even imagine Priyanka or Anushka to even attempt such a role. Vidya Balan is the only name which I can recall right now, who can give her a fight in the most crucial department called acting. Hats off!

And, Madhavan! He manages to maintain the consistency of his character, Sharma ji, who is confused, angry and lost.. He knows that he is doing something which he doesn't really believe in; he knows that he still loves Tanu, but still he falls for the charms of Datto, and begins a journey which changes everything. (I saw ladies in the theater, shredding tears when Kangana roams around the village, with a glass of whiskey and sad old Bollywood song playing in the background)

The humor and the wit continue from where the first part ended, and actually amplifies the whole effect. Deepak Dobriyal, the magician once again weaves his magic and the spontaneous, crude, timely and hilarious dialogues delivered by him forces the audience to laugh out really loud. TWMR is probably the first movie in 2015 where I saw the audience going crazy with laughter in so many scenes and dialogues.

Jimmy Shergil's Raja Avasthi gets little footage, but his existence is very crucial. He again finds himself as a victim when it comes to getting married; but he takes it easily this time and doesn't make much noise. It's the internal fight within Tanu and Manu which is the soul of the movie. Datto is the catalyst, and magnifies the gap which is already present between them.

I will give it a 9 - Highly recommended for those, who are still mystified with love.

Movie starts off with hilarious dialogs. Till the intermission, you just can't stop laughing, all thanks to Kangana's superb acting and Deepak's unbelievable comic timing.

It's not like any other movie sequels where they change the personality and behaviour of the character just to create more fun.

Music of the film is outstanding. You just can't stop repeating the song in your mind once you listen to it. #bano-tera-swagger

On post-movie thoughts, logic for climax seems to be off the track. But awesome performances by all the actors especially Kangana and Deepak makes you forget any illogical things in the movie. Yet again Kangana will surely be getting her National Award again.

If this movie can't win the best film award then surely awards are paid rather than earned by the Khans.

Just stop reading any more reviews and go to theaters to watch and enjoy or later regret for not watching the best movie of 2015.

.....after you have been mentally slaughtered on an over-hyped film like Bombay Velvet the week before, TWMR is a breath of fresh air.

Excellent script, great direction and wonderful performances make this a must-watch romantic-comedy.

The attention to detail in character design, setup and dialects is worth mentioning.

Even if you haven't watched the prequel, it stands on it's own right and leaves you with a feel good happy feel.

It slightly loses it's grip somewhere close to the climax, but that aside, it's brilliant.

Go and enjoy!

The use of double roles has been a prevalent plot element in Hindi films for decades. There isn't one popular actor of yesteryear mainstream cinema who didn't play dual roles at least once in his films, and it was common expectation of each star to play double so as to prove their acting prowess. Sometimes it worked quite wonderfully, and sometimes the results were laughably bad. Few of these films were of good quality, among which Ramesh Sippy's Seeta Aur Geeta remains a definitive classic where both the film and the lead performance by Hema Malini made wonders. Anand L. Rai makes Tanu Weds Manu Returns, and it definitely belongs to the category of good films employing dual roles. It might not be a perfect film, but it works. The film is actually a sequel to the enjoyable musical romance Tanu Weds Manu, but it is pretty much a film of its own which could be watched without having to see the prequel. It is essentially very different from the prequel in style, mood and execution, but most importantly, this is one of the rare occasions where a sequel is better than the first film.

Tanu Weds Manu Returns is amusing and entertaining, but above all, it is a nice film. The script is good, with some wonderful dialogue and cleverly handled situational comedy which generally doesn't insult the intelligence of the audience. The very first scene where Tanu and Manu recount their dysfunctional marriage and argue along the way is testament to that - it is excellent and consistently funny. Sadly, the second half starts losing some of its wittiness as it goes on and somewhere towards the end it starts gathering moments of pure silliness and some messy portions which drag it a bit down. Some of the scenes during the wedding reception in particular were not easy to follow and included too many unnecessary diversions. In that respect, the film's style is inconsistent, and it's placed somewhere between the old classics by Hrishikesh Mukherjee and the silly comedies by David Dhawan. Another one of its biggest minuses for me was the poor dubbing and sound which often did not sound natural or genuine and took away from the quality achieved in the writing.

Among the highlights of this film, the film's highpoint is the scene where Tanu and Datto finally meet, and it is absolutely delightful. Indeed, Kangana Ranaut reaches impossible heights in her exploration of her own artistic limits. Generally speaking, her dialogue delivery is much more refined and confident than it used to be in some of her previous films, and she plays the two roles so differently one can almost forget it is the same actor. As the titular Tanu, she is typically wicked and unlikable and plays her just fine even if she overdoes a little her scowl at times. Her biggest achievement, however, is the creation of Datto, one of the loveliest, most distinct characters one can think of, and she plays her with amazing vigor and affection. The Haryani accent she employs for her is impressive and just adorable. Madhavan, who was brilliant in the prequel, is relegated to a supporting actor in this film, which is sad but so is everyone else. They're all the backdrop for Ms. Ranaut, and she is the star of this show. This project is overall a very good film which is worth a watch, particularly for Kangana, whose presence shines.