NOTE IMDb
6,5/10
106 k
MA NOTE
Un magnat de l'immobilier mourant transfère sa conscience dans un corps jeune et en bonne santé, mais découvre rapidement que ni la procédure ni la société qui ont effectué ce transfert ne s... Tout lireUn magnat de l'immobilier mourant transfère sa conscience dans un corps jeune et en bonne santé, mais découvre rapidement que ni la procédure ni la société qui ont effectué ce transfert ne sont ce qu'elles paraissent.Un magnat de l'immobilier mourant transfère sa conscience dans un corps jeune et en bonne santé, mais découvre rapidement que ni la procédure ni la société qui ont effectué ce transfert ne sont ce qu'elles paraissent.
- Réalisation
- Scénario
- Casting principal
Sandra Ellis Lafferty
- Phyllis Jensen
- (as Sandra Laugherty)
Avis à la une
Billionaire Damian Hale (Ben Kingsley) is on top of the world until he runs into a problem he can't solve, Cancer. His only hope is a new medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After Damian undergoes this procedure, he becomes a man named Edward (Ryan Reynolds). Once he attempts to start a new life in New Orleans, he starts to become ravaged by visions of his new body's past. As he begins to investigate the origin of his new body, he learns the lengths that his creators will take to protect their procedure and keep their identities secret.
The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.
The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.
This IMDb synopsis is accurate and a good starting point: Billionaire Damian Hale has terminal cancer. He turns to a radical medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After the procedure, Damian, now called Edward, starts a new life in New Orleans but is plagued by disturbing images. When he delves into Edward's mysterious origin, he learns that some will kill to keep it secret.
My buddy and I, both long time film buffs of multi-genres yearn for decent sci-fi thrillers that are well written and directed, leave us guessing here and there via plot twists and turns, includes necessary action, murder and mayhem and a credible Mr. Evil. This film delivers 116 minutes of story, acting, production value and pure cinema sci-fi thrilling FUN.
We were both thumbs-up entertained by one of Ryan Reynolds best efforts plus a fine supporting cast including Mr. Evil (Albright). Our usual post film discussion of plot holes was minimal given the original, well crafted screenplay. That is not to say we did not suspend belief as is the case with many of our best action/Sci-Fi films. A major section of the film, with some of its best action sequences, reminded me of my favorite scenes in Bourne Legacy.
With all the above said there was yet room for disturbed, romantic relationships and one cute kid spitting out all her needed lines.
Production value gives us some fun shots of New Orleans, area mansions and a finale 'home' in a spectacular locale.
There have been so many mind invasion/transfer films that our expectations for something original with thrills, excitement and pathos were low. We left the theater smiling for the simple reason that we were both thoroughly entertained.
My buddy and I, both long time film buffs of multi-genres yearn for decent sci-fi thrillers that are well written and directed, leave us guessing here and there via plot twists and turns, includes necessary action, murder and mayhem and a credible Mr. Evil. This film delivers 116 minutes of story, acting, production value and pure cinema sci-fi thrilling FUN.
We were both thumbs-up entertained by one of Ryan Reynolds best efforts plus a fine supporting cast including Mr. Evil (Albright). Our usual post film discussion of plot holes was minimal given the original, well crafted screenplay. That is not to say we did not suspend belief as is the case with many of our best action/Sci-Fi films. A major section of the film, with some of its best action sequences, reminded me of my favorite scenes in Bourne Legacy.
With all the above said there was yet room for disturbed, romantic relationships and one cute kid spitting out all her needed lines.
Production value gives us some fun shots of New Orleans, area mansions and a finale 'home' in a spectacular locale.
There have been so many mind invasion/transfer films that our expectations for something original with thrills, excitement and pathos were low. We left the theater smiling for the simple reason that we were both thoroughly entertained.
'SELF/LESS': Three and a Half Stars (Out of Five)
A sci-fi thriller/action flick starring Ryan Reynolds and Ben Kingsley. The story revolves around a dying businessman who has his consciousness transferred into the body of a younger, and much healthier, man. It was directed by Tarsem Singh (the man also responsible for the popular 2000 horror flick 'THE CELL') and written by David and Àlex Pastor. The movie also stars Matthew Goode, Natalie Martinez, Derek Luke and Victor Garber. The filmmakers do very little with their interesting ideas; but they do deliver a fun, and stylistically thrilling, action flick.
Kingsley plays Damian, a wealthy, and very successful, businessman; who's dying from cancer. A secret, groundbreaking, science organization offers to give him a new body; to extend his life. After going through with the procedure Damian is thrilled with his newfound youth, and very physically fit body, but he quickly learns that his happiness came at the expense of someone else's (the man who's body he took). Damian feels extremely guilty for taking another man's life from him, and he wants to set things right. The special organization will stop at nothing though, to protect their business.
The movie starts out as a pretty intriguing science-fiction thriller; similar movies have been done before but it did seem somewhat fresh and unique. It doesn't really develop into much though, as it prefers to entertain it's audience with stylistically cool action scenes; instead of story and character development. Singh is a very visually satisfying director to watch though, and I really like the dark style and mood of this movie. It's hard to give it credit for a lot more than that; but it is an entertaining, and somewhat thrilling, action flick.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=40tcsSNoQmo
A sci-fi thriller/action flick starring Ryan Reynolds and Ben Kingsley. The story revolves around a dying businessman who has his consciousness transferred into the body of a younger, and much healthier, man. It was directed by Tarsem Singh (the man also responsible for the popular 2000 horror flick 'THE CELL') and written by David and Àlex Pastor. The movie also stars Matthew Goode, Natalie Martinez, Derek Luke and Victor Garber. The filmmakers do very little with their interesting ideas; but they do deliver a fun, and stylistically thrilling, action flick.
Kingsley plays Damian, a wealthy, and very successful, businessman; who's dying from cancer. A secret, groundbreaking, science organization offers to give him a new body; to extend his life. After going through with the procedure Damian is thrilled with his newfound youth, and very physically fit body, but he quickly learns that his happiness came at the expense of someone else's (the man who's body he took). Damian feels extremely guilty for taking another man's life from him, and he wants to set things right. The special organization will stop at nothing though, to protect their business.
The movie starts out as a pretty intriguing science-fiction thriller; similar movies have been done before but it did seem somewhat fresh and unique. It doesn't really develop into much though, as it prefers to entertain it's audience with stylistically cool action scenes; instead of story and character development. Singh is a very visually satisfying director to watch though, and I really like the dark style and mood of this movie. It's hard to give it credit for a lot more than that; but it is an entertaining, and somewhat thrilling, action flick.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=40tcsSNoQmo
Well I definitely had fun watching Self/less. I was just expecting a mystery thriller but it is more science fiction then mystery. The movie is different from the usual stuff we see. A nice innovative script about what almost everybody would want, immortality. Of course it's only available for the super rich. If it would ever happen in real life that's how it would turn out also. Only the super rich can afford everlasting youth. The movie is very entertaining. You never get bored for one second. A lot of action, a couple twists, and good acting from the whole cast. Ben Kingsley doesn't play a large role at all, it's Ryan Reynolds that has the major role and he does it very well. Self/less deserves a higher rating then it actually has on IMDb. Give it a shot if you like something refreshing.
Damian(Ben Kingsley) a self made billionaire discovers he is dying, and does have much longer to live, discovers a secret facility that can transfer his soul into a younger body(Ryan Reynolds), when the transfer is a success, Damian really begins to enjoy his new life in his new body, but soon realizes that his new life will have a price to pay.
I'm surprised that I liked this, I went expecting this to be bad, but I was amazed on how intriguing it kept me. It shows on we deal with dying and immortality, and things we must learn to face in life. Ben Kingsley was good, and Ryan Reynolds really surprised me. Matthew Goode was incredible. It does have some good action scenes, and great sci-fi element. Everybody gives a good performance here, and it does what sci-fi should do, kept you intrigue.
I'm surprised that I liked this, I went expecting this to be bad, but I was amazed on how intriguing it kept me. It shows on we deal with dying and immortality, and things we must learn to face in life. Ben Kingsley was good, and Ryan Reynolds really surprised me. Matthew Goode was incredible. It does have some good action scenes, and great sci-fi element. Everybody gives a good performance here, and it does what sci-fi should do, kept you intrigue.
Le saviez-vous
- AnecdotesThe New Orleans house was used as the house in Entretien avec un vampire (1994). It also once was owned by Nicolas Cage and the foyer chandelier hangs in the house.
- Gaffes(at around 1h 25 mins) When Damian crashes Martin's SUV into the car in front, the airbags of the SUV (as seen from a long distance shot) clearly inflate. On the next shot from inside the car, Damian is still driving with no airbags inflated.
- ConnexionsFeatured in MsMojo: Top 10 Greatest Body Swap Movies (2023)
- Bandes originalesBig 1
Performed by Young Fellaz Brass Band
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- How long is Self/less?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- In/mortal
- Lieux de tournage
- Ballast Key, Floride, États-Unis(final scene on the island)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 12 279 691 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 403 460 $US
- 12 juil. 2015
- Montant brut mondial
- 31 807 156 $US
- Durée
- 1h 57min(117 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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