Les enfants loups, Ame & Yuki

Even though this is a fantasy movie, it is notable for how real it feels. The fantasy elements inform the plot, but it is the very real human emotions and connections that fuel the movie. This feels more like a thinly veiled version of real life than something fanciful.

The movie is constantly moving, but in a quiet way. It touches your heart, not with big moments, but with small ones. It is a movie about love of all kinds, and while it is admittedly an idealized version of love, a story of the sort of unselfish, uncomplicated love that only exists consistently in movies, it is truly lovely.

It is also often quite funny, well paced, and thoroughly entertaining.

Having seen Mamoru Hosada's previous films Summer Wars and The Girl Who Leapt Through Time, I see him as the successor to Hadeo Miyazaki, who (alas) cannot live forever. Hosada is a very different filmmaker, but he has the same ability to make fantasy real and human, and to make me happy.

Watch this movie.

If you'd ever need to know why 2D animation is still relevant, or why the slew of 3D animated films can't seem to dent and push the former out of fashion, then perhaps Wolf Children encapsulates all the reasons why this is so. There's a lack of charm with the very clinical approach to animated films, especially with loads of images created digitally, and now for the 3D format, and this charm is always ever present in the traditional art form for the big screen. And don't forget that story remains king.

Director Mamoru Hosoda continues on his roll with a brand of animated films that are extremely well received, because not only are they drawn to perfection in anime style, but also his films touches the emotional core on humanity, and this will inevitably move you with his style and delivery of such strong stories, whether written by someone else, as a film adaptation of novels such as The Girl Who Leapt Through Time, or like in Summer Wars and Wolf Children, stem from his own imagination. And what a fantastic reservoir of imagination he's tapping from as well, either telling stories with relevance to a digital age, or as in this case, a fairy tale like allure that is deceptively simple, yet concealing a very strong ode to motherhood.

Yes that's right. For the most parts throughout this film, I thought it also resembled Yoji Yamada's Kabei: Our Mother, in the sense that this film takes on story proportions centered around a mother's unconditional love for her children, and the continuous strive to make ends meet and bring up her children to the best of her ability, inculcating a value system into her young ones. And the episodes the mothers encounter strengthen their resolve and determination, just goes to show the lengths they will go to in ensuring proper upbringing filled with love, care and concern. This simple narrative will undoubtedly move, only if it's done right, which Wolf Children did, complete with a fantastical element which provides a refreshing examination looking in, with a little bit of grotesque morbidity if one cannot look away from.

I dislike to use this analogy, but perhaps it may strike an immediate chord with the current generation. Twilight has progressed and shown the decision Bella made to be with Edward, and in some ways, Wolf Children is like a what if to that scenario had she decided to be with Jacob. Hana (voiced by Aoi Miyazaki) meets up with a tall, handsome stranger in class (Takao Osawa), and before you can say Twilight, they fall in love, and it is revealed that her lover is a Wolfman. Undeterred, they begin a family, and soon Hana gives birth to the titular daughter Yuki and son Ame, before tragedy strikes and the family becomes a dysfunctional one without a father figure.

Fearing that her children may be discovered to be wolf-human hybrids, with a number of scenes showing the challenges she faces such as their tantrums and uncontrollable changes, or the dilemma faced when they fall sick, she decides to uproot and move into the countryside, where life is simpler, neighbours are far away from one another, and there is room to, well, let her young ones roam in the vast grasslands and mountain sides. A new life beckons, and the film begins its homage to all moms having to struggle to bring up their children in unfamiliar surroundings, with little assistance, and plenty of inexperience.

As a storyteller, Mamoru Hosoda excelled in character development, as we journey together with Hana in her upbringing, with the children endearing themselves to you in double quick time. They are adorably designed, drawn and brought to life, whether in their human form, or in animal form. We identify with everyone easily because of the inherent humanity Hosoda gives them, whether or not we are already a mom, or reflect that onto the challenges faced by our own mom's upbringing of ourselves. And both Yuki and Ame, besides their gender, have very contrasting qualities, from young to their teens, a tale told to just about the time where teenage rebellion and the need to forge their own independence take centerstage.

There are plenty of episodes in Wolf Children that covers a spectrum of emotions, from comedy to those that will set heaviness in your heart. The innocence of the children will not get lost on you, and in fact will rub off you, while the pains of growing up will also touch a raw nerve, as Hosoda clearly knows which moments in one's teenage life to translate his story for the screen, bringing relevance the forgetting that the children were in fact more than meets the eye. And the animation is clearly Hosoda's vision in having details balanced with the occasional need for scarcity, which nailed it especially when the narrative calls for some distance either physically, or emotionally, and it's a stylistic choice that's already seen in a number of his films.

Mamoru Hosoda set up his Studio Chizu with this production, and I'm really looking forward to more stories in the coming years. Meanwhile, Wolf Children is a must watch, and a clear favourite for the year. A little pity that it's not opening on more screens, but make your way to the Filmgarde cineplexes as this remains an exclusive to the chain. Meanwhile, I'm going to look back at Hosoda's filmography on DVD/Blu!

Wolf Children tells the tale of two children, who have been born to a normal university female student and to a werewolf man. From their father they inherit the ability to turn into wolves, which manifests almost immediately after their birth. Unfortunately their father dies and it quickly becomes apparent that werewolf children just cannot be brought up in the city. At least not alone. Thus their mother does the sensible, but also risky, thing and moves to the countryside to farm the land and to raise her children in peace.

From that intriguing beginning we get a beautiful film about the problems of growing up while straddling two heritages. Yuki, the older of the two children, is much more outgoing and brave, and she's at first much more comfortable with her wolf blood than her brother Ame, who's more cautious about the wolf within, but also understands it on a level that Yuki can never reach. It's a very fitting allegory and the film takes full advantage of the possibilities offered. Especially near the end the film has some absolutely beautiful and thoughtful moments when the children, now young teenagers, finally have to start making decision about which of the worlds they want to belong to.

I also have to praise the character of the mother, Hana. She's so often clearly way in over her head, but her stubbornness and constant cheerful outlook on life carry her through even the hardest periods. She's very human in how she struggles, but in the best possible way, because it's exactly her humanity that gives her strength.

Studio Madhouse's animation style is still very smooth and fluid, though I do find that their character models are a bit simplistic when you put them against lush nature backgrounds. Not really a problem, but personally I would have preferred a bit more naturalistic approach to the designs.

Wold Children is a fantastic film for all fans of anime and for those that are interested in the dichotomy between the world of beast and the world of man.

As part of Madman Entertainment's Reel Anime Festival that now come very two years since 2008. Its aim is to showcase some of the freshest and new Anime films that have been recently released in Japan to the rest for Australian and New Zealand for a limited time only. I managed to catch two films during its run; Berserk: Egg of the King and Wolf Children. I can only hope I see the other two From Poppy on a Hill and Children Who Chase Lost Voices when they come out on DVD.

Here's my review of Wolf Children: Mamoru Hosada could be one anime Director who could rival the international reputation of his former employers; Studio Ghibli.

"Wolf Children" is his third feature after the successes of "The Girl Who Leaped Through Time" and "Summer Wars".

The Stoy follows Hana; a young University Student who falls in love with a strange young man. It soon turns out he's a mysterious Half-Wolf-Half-Man descendant. Things start to take a more drastic turn when He dies leaving Hana alone to raise her two Children they bore.

The rest of the film follows the children as they grow up and how Hana manages to raise them and deal with their gift, habits, situations and morals.

The central action takes place in their new country home surrounded by wilderness and their interactions with the town folks and wild life.

Like Hosada's previous works, this film has fantastic and unique character designs; that aim more to realism and art-house scene than traditional anime designs.

The story is very heartwarming and cute as time goes on, there are some dark parts that become very heart wrenching. There's some very distinctive Ghibli influence in this piece of work, But I'm glad Hosada takes to his own territory.

To some viewers it maybe a little too long running at almost at 2 hours. But overall its a superb anime film even if your familiar with Hosada's other films or not Wolf Children is great and must be seen, I highly recommended it for a heartwarming journey of endurance, love, coming of age and prosperity.

Wolf Children, or Ōkami Kodomo no Ame to Yuki (Wolf Children: Ame and Yuki) as its called in Japan, is hands down one of the best movies I have ever seen. Not even counting its ranking among the anime category, Wolf Children takes place in my own personal hall of fame movies. In this movie, director Mamoru Hosoda completely blows away all expectations with a film that will really touch you. Wolf Children is a story of trials, perseverance, and the love of a family. For parents, you have nothing to worry about, the full extent of violence being very little. However, it is best to watch with your children, as there are a few amazingly sad moments. Wolf Children can be seen alone, or in a group with equally satisfying results. If there is one negative point I could make on this movie, it would be the first 5-10 minutes being slow, but after the first 5 minutes or so, you become completely entranced and will wish it were longer. If you come to love this movie as I do, watch "Summer Wars" by the same director, another movie both adults and children can love.