Swimmer

The level of artistry and poetry "Swimmer" carries is a feast for the eyes. The short presents the lonely swimmer (Tom Litten) enountering many different people while swimming down a river. At each move in the water and the nature he overhears a couple chatting, some kids playing (who latter on attack him with spears while he's underwater) and many more; and there's a moment when his thoughts about his challengeable task echoes a great classic film by Tony Richardson with a memorable line from "The Loneliness of the Long Distance Runner".

An amazing black-and-white cinematography and the haunting musical score that goes from a lovely and sweet jazz piece to a haunting thrilling music when the night comes and the swimmer is attacked make it for an interesting collage of ideas and beautiful moments. There isn't much of a story or transformation to make company to those, but "Swimmer" manages to hypnotize its viewers with such collage while we follow the good sportsman, his body connecting with the river at each move. I was impressed by its sheer poetry, visuals and music. A very intriguing short that can work as a nice little moment in the life of a man with some touches of mystery and suspense. We're definitely curious to see what's gonna happen next with the swimmer. It's up to us viewers to fill in the blanks and imagine what goes through the man's head while he's enjoying nature or surviving unimaginable scenarios. We are his company on the ride. 9/10.

Very arty, yes, but somehow captures the imagination - not least to wonder what its trying to say. The use of snippets of music and dialogue from a number of British films of the past 50 or so years - from the Loneliness of the Long Distance Runner, Lord of the Flies, and Walkabout and even perhaps Master and Commander ("Fantasia on a Theme by Thomas Tallis") sets up that slightly disturbing feeling of vague recognition and hunting around in the memory.

When coupled with the images it creates a dream-like state, with hints of things half-seen, half-heard and half-remembered. A dream that goes from calm to nightmare to arrival and awakening?

Others may be another interpretation entirely.

You are asked to put yourself in a dream and you are the swimmer. As you swim through the waterways of Britain you overhear what is being talked about and happening on the shore.

It is beautifully shot and if you allow it to, it can take you with it as you swim quietly along canals and rivers until you meet some boys. The "dream" could be seen as a nightmare at this point, but as with all dreams you either wake up or things turn out well. It helps if you are aware of this before you watch it, so you can wind down for a few minutes and drift away on a strange journey. I hope you enjoy it as much as I did

Though this film by Ramsay is undeniably Ramsay in stylistically. It is conservative in places, perhaps this is attributed to the fact that the film is a branded film for London Olympics. Though, this takes nothing away from its meditative, visceral trance-like tone. The sound is extraordinary, perfectly timed and lifting the film characteristically. It is beautifully composed and shot. It is merit to the director that she was able to conceive a film which is utterly her own whilst offering a conservative commercial audience a palatable cinema.

Quite near the end, there is a monochrome sequence as Tom Litten swims across a loch, or a lake, with the sun setting behind him whilst Vaughan Williams's "...Thomas Tallis" is playing that is simply gorgeous to look at. Indeed, much of this is an attractive watch as this young man swims the waterways of the UK observing and being observed by people, their pets, their children and the wildlife. The photography shows us the litheness of the swimmer as he effortlessly glides through the water as well as also displaying the beauty of the scenery. That's not a sterile sensation; this scenery is alive and buzzing and vibrant and this almost entirely unscripted film just lets us relax and let it wash over us. The final scene is peaceful, but also quite perplexing... Definitely worth ten minutes.