Les cendres

Everyhing in this low budget clishé movie is overused to the point of losing all meaning.

Made me want to cancel Netflix subscription.

This cliché romance cheating wife movie relies heavily on tired tropes and predictable plot twists, failing to offer any originality or depth. The characters are one-dimensional, the dialogue feels forced, and the emotional stakes are undermined by shallow storytelling. The portrayal of infidelity lacks nuance, reducing complex human relationships to superficial melodrama. Overall, it's a forgettable and uninspired addition to the genre, offering little substance or genuine insight into the complexities of love and betrayal.

Streaming services have begun to attract independent/art-house cinema screenwriters and directors not only in Turkey but also in the world. And filmmakers welcome this offer because these services provide them with a freer and richer space.

Netflix, in particular, has dominated almost all awards in the world for the last 10 years.

And thanks to this, we watched many successful movies...

So, we can look at why this mathematics does not work in Turkey through this movie.

Director ; virtue overhead .... we know from art-house/independent works.

Most of the actors, writers, cinematographers... The cast is almost made up of such people.

So why wasn't this movie made? Because no matter who is in front of or behind the camera, the label on the movie is ay production and this movie is nothing more than a typical ay production series.

Unless the monopoly of the streaming company in Turkey is broken, there is no way we can watch Roma.

We have talented cinema workers and sufficient technical infrastructure...

As usual, there is no production company that comes from TV. Channel D, ATV series, where it is easier to make love, swear, alcohol and cigarettes are not censored = Turkish works on Netflix, Disney+, Amazon Prime etc.

Good director(Erdem Tepegoz), good scenarist(Erdi Isik), wonderfull cast(Funda Eryigit, Alperen Korkmaz, Mehmet Gunsur)...unfortunately the result is not satisfactory. The idea of the plot is interesting . But i think that the screenplay is written in a hurry.. needs elaboration and more toughts. On the other hand the characters are not well developed. They are unidimensional. The link with Anna Karenina is ridiculous . Laughed a lot at the final scene. We are not expecting art movies from Netflix but we still deserve better works. As i've mentioned earlier most of the latest contents of Netflix started to be below average.

This film would be perfect for someone I knew a few years ago...she was in her mid-40s, had an Instagram account, did that lip smacking thing probably because she thought it was sexy, and worst of all attended Drake concerts.

Target Audience:

• Divorced, seperated, unhappily married
• Over 35
• Have an interest in romance novels
• Enjoy cliche Turkish dramas

Sound like you?

Go click that play button!

(I'll be curious to read your review)

On a serious note, objectively aligning my mindset with the desired target audience the film does what it says on the tin. You don't watch Jason Statham movies (excluding London) for the stellar acting. You watch it because you know what to expect. On that note I'd give it a 4.

The production quality is excellent.

The lead actress did a good job.

Honestly, I'm a little baffled to the low reviews. Are we rating based on quality or our own subjective taste? If that's the case then I'd give those brilliant Pixar animations 2's all days long. Can't stand sitting through them blasted Animations with the kids, however, I recognise quality when I see it!

Not to get carried away, even in this niche this film isn't great but it certainly isn't awful.

Waste of time. The bazaar/farmers market scene was extremely bad. I felt like I was watching an indian film about indian slums. I am not looking down on them but it is not nice when a country (i think purposely) is represented in a very wrong way. Characters were shallow and acting was meh. Final scene felt like it was rushed. Anna Karenina was thrown in the script to make it look meaningful but it was ridiculus overall because it literally had no connection to any character. And scriptwriter or director - I don't know whose BRILLIANT idea was this but- made a "groundnreaking" plot twist by making another writer claim the book "Ashes" as his own falsely. Wow. Amazing. As usual from Netflix: There is a pretty woman, there is a hot guy and there are sex scenes. Anything else doesn't matter. A good story, good acting, good cinematography... those are irrelevant to netfix filmography. Shame on the Actors/Actresses for accepting to work on this garbage. No sense of career management...