Une histoire d'amour entre un satellite et une bouée.Une histoire d'amour entre un satellite et une bouée.Une histoire d'amour entre un satellite et une bouée.
- Réalisation
- Scénario
- Casting principal
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
Avis à la une
Watched this at the 2024 Sundance Film Festival.
With a really interesting concept, the movie offers some genuinely interesting concepts and ideas, yet, feels a little messy. The filmmakers clearly have a creative concept about the approach of love relationships and technology. To which the narrative, while does get a little unfocused on some of the themes and structures, does provide some interesting components to engage with. The performances from Kristen Stewart and Steven Yeun are really good as Stewart and Yeun have really good chemistry between one another.
There are some good uses of computer effects, editing style and color presentations. There are uses of animation throughout and honestly, the animation looks fine but it does feel like something from a cheap mobile app design which was a little distracting. There are some good dialogue moments but some moments feeling a little too fake. Some of the editing choices were a little annoying.
For sure, the movie is definitely creative and while I wished the movie was a little more focused on some of the themes and certain aspects did feel too slow, I still was invested because of Stewart and Yeun's strong chemistry and the filmmakers being able to create something that is different.
With a really interesting concept, the movie offers some genuinely interesting concepts and ideas, yet, feels a little messy. The filmmakers clearly have a creative concept about the approach of love relationships and technology. To which the narrative, while does get a little unfocused on some of the themes and structures, does provide some interesting components to engage with. The performances from Kristen Stewart and Steven Yeun are really good as Stewart and Yeun have really good chemistry between one another.
There are some good uses of computer effects, editing style and color presentations. There are uses of animation throughout and honestly, the animation looks fine but it does feel like something from a cheap mobile app design which was a little distracting. There are some good dialogue moments but some moments feeling a little too fake. Some of the editing choices were a little annoying.
For sure, the movie is definitely creative and while I wished the movie was a little more focused on some of the themes and certain aspects did feel too slow, I still was invested because of Stewart and Yeun's strong chemistry and the filmmakers being able to create something that is different.
Saw the preview for this opening night and immediately found a flood of suspicious activity on its IMDb page. Perfect scores make up Fifty-Three percent of the tallies on a primarily experimental exercise. This film experiments the rigging of social media avatars to the inception of general intelligence between two "smart-devices". Two AI have trouble separating social media clickbait from their base coding. The first instance being a buoy attempting to replicate the greeting from an "AI assistant" satellite. It's kind of cute listening to communicative coding attempt an introduction to a beautiful backdrop of star above vast ocean. However, the movie quickly devolves into a geriatric guessing game of how to manipulate visual charm to an audience. I don't think the screenwriter and director were ever in the same room because the script felt like a diary of a woman who has never had an original expression cross her mind when socializing. There's a glaring sophomoric gloss of how language is picked up, including understanding of colloquial humor in phrasing of speech. Cannot help but feel this was written by a student straight out of film school.
After an apocalyptic event, a buoy designed to record water temperature (Kristen Stewart) and a communications satellite (Steven Yeun) are the only sentient beings left on earth. In the opening of "Love Me," they make contact through what remains of the internet. The two start out chatting, relying on their existing programming. Eventually, they create primitive avatars that interact in a world they've created. Both really want this relationship to work. They scan available data sources to discover what it takes to create and sustain a relationship. In a tragic development, Stewart's character, who imaginatively identifies herself as "Me," comes across a too-cute self-absorbed vlogger named Deja, whose relationship with boyfriend Liam is hardly a role model for anything constructive. Fortunately, Yeun's character, called "Iam" (see what they did there?!), isn't into over-sharing.
"Love Me" is the feature film debut for Co-Writers/Co-Directors Sam and Andrew Zuchero, a husband and wife team. For this film, they've obviously developed a bold, audacious and completely unique concept. I wish the ideas here were more fully developed.
It's more than a little ironic that "Love Me," a film so decidedly out-of-the-box, brings to mind so many other works. In its creation and execution, "Love Me" reminds me a little of "Wall-E." In its exploration of what it means to be human, it evokes "The Creator" and "After Yang." The "New York Times" points out that "Love Me" is superficially similar to another current show, the Broadway musical "Maybe Happy Ending." (Full disclosure: my nephew co-wrote the musical.) But while the musical is tightly focused on a couple of key themes - love, death, the risks/rewards of relationships - "Love Me" is all over the place.
This film has a dizzying array of ideas spinning around in its orbit. Perhaps it's just too much, because it fails to explore anything fully. That's too bad, because some of the ideas in "Love Me" show real promise. The film implies that looking to TikTok for relationship advice may not be the best option. Fair point. It clearly supports the notion that before developing a healthy bond with another, one must do the hard work of gaining self-respect and a sense of self-worth. Terrific. "Love Me" also does an excellent job depicting the palpable need for connection with others that occurs when these inanimate objects meet. Inspired. But the film does nothing to excavate these ideas in ways that offer greater depth or a new point of view. As a result, the final product is surprisingly soulless. While I was intrigued to see how this story unfolded, I had no emotional investment in what happened between these two characters.
There are, however, some funny moments. Apparently, the story takes place over six billion years (or 6000 years, if you're a Young Earth Creationist). At one point, Me and Iam become estranged because the buoy sinks and the signal is lost. The two have to wait a few eons for all the water on earth to evaporate so connection can be restored. As they work to rekindle the relationship, Iam observes that he's had several million years to reflect on what's gone wrong in the past and what he really needs in a relationship.
Ultimately, "Love Me" is a wonderful concept that's never fully realized. Although some elements of the film don't work, it's an exhilarating diversion from the steady diet of slasher films and superhero movies Hollywood is force-feeding us. More Zucheros, please!
"Love Me" is the feature film debut for Co-Writers/Co-Directors Sam and Andrew Zuchero, a husband and wife team. For this film, they've obviously developed a bold, audacious and completely unique concept. I wish the ideas here were more fully developed.
It's more than a little ironic that "Love Me," a film so decidedly out-of-the-box, brings to mind so many other works. In its creation and execution, "Love Me" reminds me a little of "Wall-E." In its exploration of what it means to be human, it evokes "The Creator" and "After Yang." The "New York Times" points out that "Love Me" is superficially similar to another current show, the Broadway musical "Maybe Happy Ending." (Full disclosure: my nephew co-wrote the musical.) But while the musical is tightly focused on a couple of key themes - love, death, the risks/rewards of relationships - "Love Me" is all over the place.
This film has a dizzying array of ideas spinning around in its orbit. Perhaps it's just too much, because it fails to explore anything fully. That's too bad, because some of the ideas in "Love Me" show real promise. The film implies that looking to TikTok for relationship advice may not be the best option. Fair point. It clearly supports the notion that before developing a healthy bond with another, one must do the hard work of gaining self-respect and a sense of self-worth. Terrific. "Love Me" also does an excellent job depicting the palpable need for connection with others that occurs when these inanimate objects meet. Inspired. But the film does nothing to excavate these ideas in ways that offer greater depth or a new point of view. As a result, the final product is surprisingly soulless. While I was intrigued to see how this story unfolded, I had no emotional investment in what happened between these two characters.
There are, however, some funny moments. Apparently, the story takes place over six billion years (or 6000 years, if you're a Young Earth Creationist). At one point, Me and Iam become estranged because the buoy sinks and the signal is lost. The two have to wait a few eons for all the water on earth to evaporate so connection can be restored. As they work to rekindle the relationship, Iam observes that he's had several million years to reflect on what's gone wrong in the past and what he really needs in a relationship.
Ultimately, "Love Me" is a wonderful concept that's never fully realized. Although some elements of the film don't work, it's an exhilarating diversion from the steady diet of slasher films and superhero movies Hollywood is force-feeding us. More Zucheros, please!
I can swear that the directors have watched melodysheep on YouTube.
The beginning showing the timeline of earth has a similar feel to their videos on YouTube not even mentioning the font used to show the years.
That's all. Just find it interesting.
Just started watching the movie, let's see how it goes!
I love both Kristen and Steven so this should be a good time. Just filling in the words now for word count. The robots look cute.
Is it decided that the theory of another planet (theia) colliding with earth been adopted as working theory? I don't know
With the asteriod coming in 2032, we will see how it goes.
The beginning showing the timeline of earth has a similar feel to their videos on YouTube not even mentioning the font used to show the years.
That's all. Just find it interesting.
Just started watching the movie, let's see how it goes!
I love both Kristen and Steven so this should be a good time. Just filling in the words now for word count. The robots look cute.
Is it decided that the theory of another planet (theia) colliding with earth been adopted as working theory? I don't know
With the asteriod coming in 2032, we will see how it goes.
Love Me is one of those great movies that refuses to leave your brain. It raises so many interesting questions and answers none of them. You end up thinking about the concepts long after you see the movie.
So I give the movie two reviews.
UPON FIRST WATCHING: 🌠🌠🌠🌠🌠 (5/10) Interesting, but kinda weak... Kristen Stewart and Steven Yeun are really good, but just where was this story going, and did it get there, and do we care?
AFTER 24 HOURS: 🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠 (10/10) One of the most intriguing, thought provoking, emotionally exciting science fiction movies ever written!! Can AI evolve? Will individual devices become independent thinking beings?
And, with all of the wisdom, the writings, the creations, of the entire human civilization, would AI really use social media from which to learn? And, OMG, is that where future generations of people will learn about humanity?
So I give the movie two reviews.
UPON FIRST WATCHING: 🌠🌠🌠🌠🌠 (5/10) Interesting, but kinda weak... Kristen Stewart and Steven Yeun are really good, but just where was this story going, and did it get there, and do we care?
AFTER 24 HOURS: 🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠 (10/10) One of the most intriguing, thought provoking, emotionally exciting science fiction movies ever written!! Can AI evolve? Will individual devices become independent thinking beings?
And, with all of the wisdom, the writings, the creations, of the entire human civilization, would AI really use social media from which to learn? And, OMG, is that where future generations of people will learn about humanity?
Le saviez-vous
- AnecdotesThe first feature from Sam and Andy Zuchero.
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- How long is Love Me?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 350 841 $US
- Week-end de sortie aux États-Unis et au Canada
- 212 364 $US
- 2 févr. 2025
- Montant brut mondial
- 350 841 $US
- Durée1 heure 31 minutes
- Couleur
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