Ludik

There are a lot of details which could made this production better, almost in photography and direction, its just the details like the title of the chapter hidden in a scene of the start, just medicore, or the transformation of the indentity of some protagonist. Actors and the plot of the film are nice, just for that u deserve waste ur time in the six chapter of this serie if u are a series eater, in the other hand, if u havent too much time, there are a lot of series too much better to see.

Other positive thing is that this series is placed on suth africa, and posibility to us to know something knew of this place, if the serie continue, i would like to know something more about that culture.

Great potential. Poor delivery.

It starts off with a great premise but over-acting and hamming by most of the cast ruins what could have been a great series.

Arnold Vosloo does a good job but the rest of the actors are many classes below.

The storyline seems to go around in circles too. I am not holding out hope for a second season. I really hope though that the South African TV industry starts to do better and better.

The flashbacks to Daan's childhood seem to serve no purpose except to satisfy some whim of the director. The music is good but overwhelms the dialog and makes it hard to follow.

Daan Ludik is a successful furniture business owner based in Pretoria; he uses his firm's regular deliveries to Zimbabwe to smuggle diamonds. One day an arms dealer wants Daan to uses his route to take an arms shipment across the border... to persuade him he has Daan's brother kidnapped and tortured. The first shipment goes horribly wrong and this brings problems for Daan; most obviously the police start asking questions for the first time. He also has various family problems. Intertwined with this we see flashbacks of Daan's childhood where his family is dominated by his bullying father.

I thought this was a pretty decent six part series; it may not be the best Netflix has to offer but it is refreshing to have another series from South Africa. It is a shame we don't get more series from this interesting country... or indeed the wider continent of Africa. The story is solid and provides plenty of tension and excitement. The cast is pretty good; most obviously Arnold Vosloo as Daan. The end of the sixth episode answered some questions but raised others; hopefully an indication that more is planned. Overall I'd certainly recommend this to fans of crime dramas looking for a less cliché location.

These comments are based on watching the series in Afrikaans with English subtitles.

I wish I knew there was a choice in watching this in Afrikaan and not the horrid choice that netflix made for me . The English compilation/dubbing, I do not know if its the right word, was awful. The sound was AWFUL.

This is the second time that happens .The first one I tried to watch a German show and the actors spoke English, so I knew that something was off. But this time I honestly didn't suspect anything.

Every language is unique and beautiful and I prefer to listen to the original and read subtitles.

I give an extra point for that mistake ,for which I blame netflix I liked the story, the pace, the characters. It kept me interested and it was enjoyable.

It was fantastic to see so many local talents on a Netflix show! Incredibly proud of the many talented SA actors. I loved the storyline, the quality of the shots, and the production. Seeing Arnold Vosloo and Diaan Lawerson together on screen was definitely a match made in heaven. It was also heartwarming to have music from local artists featured in the series. Very excited to see more of Ludik! The only critique I have is that it was a relatively short season. However, that's understandable, since it's testing the international market. All in all, it was an enjoyable, action-filled watch with many interesting characters. It was also fantastic to see my home language, Afrikaans, featured on Netflix. I hope this gives the creative production scene in SA the boost it deserves, particularly after Covid.