Emergency

Most of the incidents are rushed through and summarised quickly.. which is ok as long as people have already read about it in past. The main focus seemed to be on Mrs Gandhi's character and not on details of emergency..if movie is renamed then it will appeal more.

Acting is superb, mainly for actors who played Gandhi family.

Angle and conversation with spiritual leader is good and new.

Probably many scenes were cut hence it seemed like an overview of incidents , so in my opinion it covers around 80% and still 20% important mentions are missed like passing law with backdated in affect which could have shown real power hunger or more gray character.

The subject of the movie is why I went to watch it, as this wasn't taught at school, the movie was very underwhelming though. The movie felt like a non-stop series of events in rapid succession. Before one could grasp what was happening at a particular time period depicted in the movie, it was already on to the next one! For people like me who don't know the complete history from that time, this movie did not feel very informative. Names of characters could have been shown at certain places. The weird thing was the dubbing of the French and some Bengali dialogues! Never before have I seen such a thing in a movie. It looks like the dialogues were not given a proper thought and dubbing was added as a post thought. The makers could have easily included hindi translations for the Bengali and French dialogues. The second half of the movie was more well-defined than the first one. Overall, a boring experience.

Very poor story. Only achievement is Indira's look.

There is hardly any attempt to put the events leading up to the Emergency in perspective. We miss the Machiavellian leftist side of Indira that she employed in style to crush the Syndicate within the party. The film keeps talking about Gudiya has found a voice but doesn't care to show how. The Green Revolution, nationalisation of banks, and abolition of privy purses don't make it to the script or, for that matter, the failed motto of garibi hatao.

It might not work for those who have learnt their lessons from Whats App after 2014, but those looking to cherry-pick from the past to create an atmosphere for one nation, one leader, and one slogan might find the spectacular symbolism worth emulating.

While I admire Kangana Ranaut for her sincere attempt at creating a biography centered on Ms. Indira Gandhi, a figure who stands as one of if not the most contentious in our nation's post independence history, the execution falls significantly short of its potential.

Indira Gandhi's character was multifaceted, encompassing her aspirations for absolute power, dedication to her country, and her complex relationship with her son, Sanjay.

All rhese elements warrant a more nuanced script and character development, which "Emergency" regrettably did not achieve, despite having right intentions.

Regarding the performances, Kangana bore a striking resemblance to Indira and attempted to emulate her mannerisms and speech too but all her efforts came off too overstated, lacking the authenticity that would render them natural.

There is always a fine line between imitating an individual against becoming a replica from inside; for reasons unknown, Kangana opted for the former, I wish, she chose the latter.

Kangana Ranaut's Emergency promised to be a bold and gripping take on one of the darkest periods in Indian political history. However, the execution leaves much to be desired, as the film falters on multiple fronts, from its skewed historical narrative to lackluster direction and acting.

The film's premise, centered around the controversial Emergency declared by Indira Gandhi in 1975, had the potential to offer an insightful exploration of a politically charged and complex era. Unfortunately, Kangana's portrayal of historical events feels overly dramatized and riddled with inaccuracies. Instead of delivering a nuanced and balanced account, the film leans heavily on a one-sided perspective, sacrificing historical depth for sensationalism.

As a director, Kangana struggles to maintain a coherent narrative. The pacing is uneven, with certain key events either rushed or stretched unnecessarily. Scenes that should carry emotional weight often fall flat due to poor transitions and an overall lack of subtlety. The dialogue, peppered with melodrama, further detracts from the story's credibility.

Kangana's performance as Indira Gandhi also disappoints. While she undoubtedly puts in the effort to embody the former Prime Minister, her portrayal comes across as superficial and inconsistent. The lack of emotional depth in her acting makes it hard to connect with her character, leaving the audience unengaged.

The supporting cast, though competent, is underutilized, with their characters reduced to mere caricatures. This further highlights the film's failure to delve into the complexities of the Emergency period and its impact on diverse sections of society.

On a technical level, Emergency fares slightly better, with its cinematography and production design doing justice to the era it depicts. However, these elements cannot compensate for the film's fundamental shortcomings in storytelling and characterization.

Overall, Emergency is an ambitious project that misses the mark. While Kangana's intention to tackle a pivotal chapter in India's history is commendable, her flawed take on the subject, coupled with sloppy direction and an underwhelming performance, makes for a disappointing cinematic experience. A more balanced and well-researched approach might have elevated the film, but as it stands, Emergency feels like a missed opportunity.