Emergency
- 2025
- 2h 26min
NOTE IMDb
5,2/10
11 k
MA NOTE
Ajouter une intrigue dans votre langue1975. A chronicle of the incidents that took place under the leadership of Mrs. Indira Gandhi, one of the most powerful women in Indian history.1975. A chronicle of the incidents that took place under the leadership of Mrs. Indira Gandhi, one of the most powerful women in Indian history.1975. A chronicle of the incidents that took place under the leadership of Mrs. Indira Gandhi, one of the most powerful women in Indian history.
- Réalisation
- Scénario
- Casting principal
Daria Gavrushenko
- Reporter BBC
- (générique uniquement)
Résumé
Reviewers say 'Emergency' delves into Indira Gandhi's political career, highlighting the Emergency period. Kangana Ranaut's performance and direction are lauded for capturing Gandhi's complexities. The film is praised for historical accuracy, nuanced storytelling, and strong cast performances. However, some criticize its pacing, rushed narrative, and lack of depth in certain events. Unnecessary songs and awkward dialogue are also noted. Despite these issues, it is seen as an impactful film offering valuable historical insights.
Avis à la une
While I admire Kangana Ranaut for her sincere attempt at creating a biography centered on Ms. Indira Gandhi, a figure who stands as one of if not the most contentious in our nation's post independence history, the execution falls significantly short of its potential.
Indira Gandhi's character was multifaceted, encompassing her aspirations for absolute power, dedication to her country, and her complex relationship with her son, Sanjay.
All rhese elements warrant a more nuanced script and character development, which "Emergency" regrettably did not achieve, despite having right intentions.
Regarding the performances, Kangana bore a striking resemblance to Indira and attempted to emulate her mannerisms and speech too but all her efforts came off too overstated, lacking the authenticity that would render them natural.
There is always a fine line between imitating an individual against becoming a replica from inside; for reasons unknown, Kangana opted for the former, I wish, she chose the latter.
Indira Gandhi's character was multifaceted, encompassing her aspirations for absolute power, dedication to her country, and her complex relationship with her son, Sanjay.
All rhese elements warrant a more nuanced script and character development, which "Emergency" regrettably did not achieve, despite having right intentions.
Regarding the performances, Kangana bore a striking resemblance to Indira and attempted to emulate her mannerisms and speech too but all her efforts came off too overstated, lacking the authenticity that would render them natural.
There is always a fine line between imitating an individual against becoming a replica from inside; for reasons unknown, Kangana opted for the former, I wish, she chose the latter.
Most of the incidents are rushed through and summarised quickly.. which is ok as long as people have already read about it in past. The main focus seemed to be on Mrs Gandhi's character and not on details of emergency..if movie is renamed then it will appeal more.
Acting is superb, mainly for actors who played Gandhi family.
Angle and conversation with spiritual leader is good and new.
Probably many scenes were cut hence it seemed like an overview of incidents , so in my opinion it covers around 80% and still 20% important mentions are missed like passing law with backdated in affect which could have shown real power hunger or more gray character.
Acting is superb, mainly for actors who played Gandhi family.
Angle and conversation with spiritual leader is good and new.
Probably many scenes were cut hence it seemed like an overview of incidents , so in my opinion it covers around 80% and still 20% important mentions are missed like passing law with backdated in affect which could have shown real power hunger or more gray character.
Kangana Ranaut's Emergency promised to be a bold and gripping take on one of the darkest periods in Indian political history. However, the execution leaves much to be desired, as the film falters on multiple fronts, from its skewed historical narrative to lackluster direction and acting.
The film's premise, centered around the controversial Emergency declared by Indira Gandhi in 1975, had the potential to offer an insightful exploration of a politically charged and complex era. Unfortunately, Kangana's portrayal of historical events feels overly dramatized and riddled with inaccuracies. Instead of delivering a nuanced and balanced account, the film leans heavily on a one-sided perspective, sacrificing historical depth for sensationalism.
As a director, Kangana struggles to maintain a coherent narrative. The pacing is uneven, with certain key events either rushed or stretched unnecessarily. Scenes that should carry emotional weight often fall flat due to poor transitions and an overall lack of subtlety. The dialogue, peppered with melodrama, further detracts from the story's credibility.
Kangana's performance as Indira Gandhi also disappoints. While she undoubtedly puts in the effort to embody the former Prime Minister, her portrayal comes across as superficial and inconsistent. The lack of emotional depth in her acting makes it hard to connect with her character, leaving the audience unengaged.
The supporting cast, though competent, is underutilized, with their characters reduced to mere caricatures. This further highlights the film's failure to delve into the complexities of the Emergency period and its impact on diverse sections of society.
On a technical level, Emergency fares slightly better, with its cinematography and production design doing justice to the era it depicts. However, these elements cannot compensate for the film's fundamental shortcomings in storytelling and characterization.
Overall, Emergency is an ambitious project that misses the mark. While Kangana's intention to tackle a pivotal chapter in India's history is commendable, her flawed take on the subject, coupled with sloppy direction and an underwhelming performance, makes for a disappointing cinematic experience. A more balanced and well-researched approach might have elevated the film, but as it stands, Emergency feels like a missed opportunity.
The film's premise, centered around the controversial Emergency declared by Indira Gandhi in 1975, had the potential to offer an insightful exploration of a politically charged and complex era. Unfortunately, Kangana's portrayal of historical events feels overly dramatized and riddled with inaccuracies. Instead of delivering a nuanced and balanced account, the film leans heavily on a one-sided perspective, sacrificing historical depth for sensationalism.
As a director, Kangana struggles to maintain a coherent narrative. The pacing is uneven, with certain key events either rushed or stretched unnecessarily. Scenes that should carry emotional weight often fall flat due to poor transitions and an overall lack of subtlety. The dialogue, peppered with melodrama, further detracts from the story's credibility.
Kangana's performance as Indira Gandhi also disappoints. While she undoubtedly puts in the effort to embody the former Prime Minister, her portrayal comes across as superficial and inconsistent. The lack of emotional depth in her acting makes it hard to connect with her character, leaving the audience unengaged.
The supporting cast, though competent, is underutilized, with their characters reduced to mere caricatures. This further highlights the film's failure to delve into the complexities of the Emergency period and its impact on diverse sections of society.
On a technical level, Emergency fares slightly better, with its cinematography and production design doing justice to the era it depicts. However, these elements cannot compensate for the film's fundamental shortcomings in storytelling and characterization.
Overall, Emergency is an ambitious project that misses the mark. While Kangana's intention to tackle a pivotal chapter in India's history is commendable, her flawed take on the subject, coupled with sloppy direction and an underwhelming performance, makes for a disappointing cinematic experience. A more balanced and well-researched approach might have elevated the film, but as it stands, Emergency feels like a missed opportunity.
Emergency (2025) sets out to dramatise one of the most controversial chapters in Indian political history-the Emergency declared by Prime Minister Indira Gandhi from 1975 to 1977. It was an ambitious subject, rich with political intrigue, constitutional breakdown, and human stories that deserved to be told with depth and nuance. Unfortunately, while Kangana Ranaut delivers a reasonably compelling performance as Indira Gandhi, her directorial choices fall flat, making the film feel more like a half-baked political cosplay than a powerful political drama.
Let me start with what worked. Kangana, as an actor, brings sincerity to her portrayal of Indira Gandhi. The prosthetics, makeup, and costume design help her resemble the late Prime Minister quite convincingly. She clearly studied Gandhi's mannerisms, voice modulation, and demeanour-and in isolated moments, you can see the intensity and command she tried to channel.
But even as an actor, she seems held back by her own direction. Rather than letting the performance breathe, the film often cuts away too quickly or drowns the scene in overbearing background scores. There are moments when she genuinely shines, but they're scattered in a sea of over-dramatisation.
Direction is where the film really struggles. As a director, Kangana tries to tackle too much and ends up achieving very little. The film is crammed with historical events, political figures, and ideological references, but there's no narrative flow or emotional core tying it all together. It's like flipping through a disorganised political scrapbook-event after event with no time to reflect, no depth, and often, no clarity.
The characters are reduced to caricatures. Their dialogues are too on-the-nose, sometimes bordering on laughable. And in her attempt to portray herself as a strong leader facing opposition from all sides, she forgets to develop the supporting characters, who are either demonised or glorified in extremes, leaving no room for gray shades or complexity.
Visually, the film tries hard to look polished. There are moments where the cinematography manages to create atmosphere, and the production design does its part in evoking the 70s. But the editing is choppy and lacks rhythm. Scene transitions are abrupt, and some sequences feel unintentionally comical. One particularly bizarre moment had a room full of political leaders breaking into a jarring musical sequence that completely destroyed the tone.
Also, the film leans heavily on expository dialogue and voiceovers instead of letting the visuals or subtext tell the story. It feels like the director didn't trust the audience to understand the context without spoon-feeding it.
The Emergency era is one of those rare moments in Indian history where personal ambition, political ideology, and institutional collapse intersect. It had the potential to be a deeply engaging political thriller. But instead of focusing on storytelling and character development, the film feels like a personal vanity project. It tries too hard to send a message and ends up delivering a sermon instead of a story.
Emergency (2025) could have been a sharp, reflective, and haunting look at power and its consequences. Instead, it turns into a self-indulgent, uneven mess that does injustice to both the subject matter and its cinematic potential. Kangana Ranaut proves once again that she's a capable actor-but as a director, she's not there yet.
This film deserved better.
Let me start with what worked. Kangana, as an actor, brings sincerity to her portrayal of Indira Gandhi. The prosthetics, makeup, and costume design help her resemble the late Prime Minister quite convincingly. She clearly studied Gandhi's mannerisms, voice modulation, and demeanour-and in isolated moments, you can see the intensity and command she tried to channel.
But even as an actor, she seems held back by her own direction. Rather than letting the performance breathe, the film often cuts away too quickly or drowns the scene in overbearing background scores. There are moments when she genuinely shines, but they're scattered in a sea of over-dramatisation.
Direction is where the film really struggles. As a director, Kangana tries to tackle too much and ends up achieving very little. The film is crammed with historical events, political figures, and ideological references, but there's no narrative flow or emotional core tying it all together. It's like flipping through a disorganised political scrapbook-event after event with no time to reflect, no depth, and often, no clarity.
The characters are reduced to caricatures. Their dialogues are too on-the-nose, sometimes bordering on laughable. And in her attempt to portray herself as a strong leader facing opposition from all sides, she forgets to develop the supporting characters, who are either demonised or glorified in extremes, leaving no room for gray shades or complexity.
Visually, the film tries hard to look polished. There are moments where the cinematography manages to create atmosphere, and the production design does its part in evoking the 70s. But the editing is choppy and lacks rhythm. Scene transitions are abrupt, and some sequences feel unintentionally comical. One particularly bizarre moment had a room full of political leaders breaking into a jarring musical sequence that completely destroyed the tone.
Also, the film leans heavily on expository dialogue and voiceovers instead of letting the visuals or subtext tell the story. It feels like the director didn't trust the audience to understand the context without spoon-feeding it.
The Emergency era is one of those rare moments in Indian history where personal ambition, political ideology, and institutional collapse intersect. It had the potential to be a deeply engaging political thriller. But instead of focusing on storytelling and character development, the film feels like a personal vanity project. It tries too hard to send a message and ends up delivering a sermon instead of a story.
Emergency (2025) could have been a sharp, reflective, and haunting look at power and its consequences. Instead, it turns into a self-indulgent, uneven mess that does injustice to both the subject matter and its cinematic potential. Kangana Ranaut proves once again that she's a capable actor-but as a director, she's not there yet.
This film deserved better.
Emergency 2025 is a film that aspires to be grand but collapses under the weight of its own ambition. The plot is a jumbled mess, riddled with inconsistencies and subplots that go nowhere. It's hard to stay engaged when the pacing is erratic, dragging during unnecessary exposition and rushing through critical moments that should carry emotional weight. The lack of coherence makes the entire movie feel like a chore to watch.
The characters are poorly written, with no depth or development, and the performances lack any conviction. It's as if the cast themselves couldn't connect with the clunky, cliché-ridden dialogue. The visuals, often touted as a highlight in big-budget films, are shockingly underwhelming here. The special effects are dated, and the action sequences are predictable and uninspired, offering no sense of thrill or innovation.
Even the soundtrack fails to enhance the experience, feeling disconnected and forgettable. The film attempts to evoke nostalgia and urgency but comes across as desperate rather than impactful. It misses the mark on delivering either meaningful commentary or genuine entertainment.
Overall, Emergency 2025 is a massive disappointment, squandering its potential and leaving viewers frustrated. If you value your time and money, give this one a miss.
The characters are poorly written, with no depth or development, and the performances lack any conviction. It's as if the cast themselves couldn't connect with the clunky, cliché-ridden dialogue. The visuals, often touted as a highlight in big-budget films, are shockingly underwhelming here. The special effects are dated, and the action sequences are predictable and uninspired, offering no sense of thrill or innovation.
Even the soundtrack fails to enhance the experience, feeling disconnected and forgettable. The film attempts to evoke nostalgia and urgency but comes across as desperate rather than impactful. It misses the mark on delivering either meaningful commentary or genuine entertainment.
Overall, Emergency 2025 is a massive disappointment, squandering its potential and leaving viewers frustrated. If you value your time and money, give this one a miss.
Le saviez-vous
- AnecdotesKangana Ranaut wears a prosthetic nose to enhance her portrayal of the former Prime Minister.
- Citations
Pupul Jayakar: The easiest way to fall down is to let go of those who were there with you from the beginning.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Emergency?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 147 371 $US
- Durée2 heures 26 minutes
- Couleur
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant