Avis des utilisateurs

Bertan is still married to Hazal S.

As someone who's seen more than his fair share of TV shows and films over the years, I can confidently say that Modern Masallari is a disappointing attempt at blending folklore with modern-day storytelling. What could have been a fascinating and unique exploration of Eastern myths and traditions falls flat under the weight of a disorganized plot, shallow characters, and an overall lack of direction.

From the very beginning, it's clear that the show doesn't know what it wants to be. It has all the makings of a modern fantasy with a twist - combining elements of traditional Eastern tales with contemporary settings. Yet, despite these interesting elements, the execution is sorely lacking. The narrative meanders aimlessly, with episodes feeling more like random scenes pieced together than part of a coherent, cohesive story. There's no clear progression, no development of tension or intrigue. The episodes feel more like disconnected vignettes rather than chapters in an unfolding story, which makes it impossible to truly engage with any of the characters or their struggles.

The lack of a solid, well-thought-out plot is a huge detractor. In fact, the storyline seems almost nonsensical at times. You're left wondering whether the writers had a clear idea of what they were trying to convey or if they were just throwing things at the screen in the hopes that something would stick. The scenes often feel disjointed and unconnected, jumping from one situation to the next without any real reason or development. You can't help but feel that the entire series is trying too hard to be "artsy" and "symbolic" without actually understanding what those things mean. It's like watching a jumbled mess of ideas that never quite come together to form anything meaningful.

As for the characters, they're far from engaging. Instead of feeling like fully realized individuals with depth and motivation, they come across as flat and one-dimensional. You never get a real sense of who they are, what they want, or why you should care about them. In a show like this, where the characters should be key to the emotional connection and the unfolding drama, this lack of development is a major flaw. The actors, too, struggle to bring these thinly written characters to life. Their performances feel stiff and unconvincing, leaving the audience with little to invest in emotionally.

What really frustrates me, as someone who appreciates good storytelling, is how the show squanders its premise. It could have been an intriguing exploration of Eastern mythology, a fresh take on old legends set against a modern backdrop. Instead, it feels like a missed opportunity - a half-baked attempt at blending the old and the new without ever fully committing to either. The fantasy elements, which should have added depth and intrigue, are either underdeveloped or so poorly executed that they end up feeling out of place rather than captivating.

The pacing of the show doesn't help its cause either. It drags on for far too long, with long stretches of dull, meandering scenes that go nowhere. The story lingers on moments that should feel significant but instead come across as filler, wasting precious screen time on scenes that add nothing to the overall narrative. As a viewer, you quickly become frustrated, as the show never seems to get to the point or offer any payoff for the time invested.

I wouldn't recommend this show to anyone seeking a well-crafted, coherent narrative or strong character development. If anything, it's a reminder that some ideas are better left unexplored or, at the very least, better executed. A missed opportunity, to say the leas.

When I first saw this show I wasn't sure if it would be something that I would watch and like. After the first episode somehow I liked it, it got better on the second episode and it kept getting better and better. I'm pretty amazed with this show. Stories are absolutely beautiful!

Main characters are literally living the stories not only playing them. I will probably watch this once again after some time. I don't know if there's another season or not but it doesn't matter cause I loved the plot. I highly recommend watching this. Kesinlikle izlemenizi tavsiye ederim, her hikaye birbirinden güzel.

In a time when most TV series and movies focus on selfishness and negativity, this show is a rare find. It reminds us that true happiness comes from doing good and helping others, which is often missing in today's entertainment. The scriptwriters have cleverly used old stories that teach lessons about humanity and made them fit into modern life. This makes the series not only enjoyable but also meaningful.

I've always enjoyed road stories, and this series is perfect for that. A big part of it takes place on the road, which adds extra charm. The natural scenery where the series was filmed is beautiful, and the director of photography did a great job capturing it. The stunning landscapes not only look amazing but also enhance the story, making the series even more enjoyable.

While TRT Tabii presents itself as a bold and stylized exploration of folklore and symbolism, the final product fails to deliver the emotional and narrative depth such material demands.

The characters, unfortunately, felt underdeveloped. In a story that leans so heavily on cultural richness and mythic undertones, I had expected complex, multidimensional figures who could carry the weight of such themes. Instead, many came across as flat archetypes, with little in the way of relatable motivation or internal growth. As a result, it was difficult to form a meaningful connection to their journeys.

Visually, the series does show promise. Certain scenes exhibit thoughtful direction and aesthetic strength. However, the overall production quality is uneven - with moments that feel rushed or jarringly executed. This inconsistency disrupted immersion and made it hard to stay engaged with the world being built.

Ultimately, the show felt more like a conceptual experiment than a fully realized narrative. While it may hold niche appeal or resonate more deeply with audiences closely tied to its cultural references, for me, it lacked cohesion, emotional resonance, and storytelling momentum.

Despite my initial hopes, I found it difficult to continue beyond the early episodes. It's disappointing when a series with so much potential fails to translate its vision into a compelling viewing experience. I sincerely hope future projects of this kind are given the narrative support and character development they truly deserve.

Modern East Fairy Tales promised to be a unique and intriguing blend of folklore, modern life, and fantasy. However, what it delivers instead is a confusing and directionless narrative that leaves you wondering if the creators even had a clear vision in mind. The series quickly becomes a frustrating watch as it fails to deliver on its most fundamental aspect: a coherent plot.

From the very first episode, it's clear that Modern Dogu Masallari struggles with a lack of direction. The show seems to jump from one random situation to the next without ever developing a clear storyline or purpose. Characters seem to wander aimlessly, with no real motivations or depth, and the plot moves in a disjointed fashion, as if it were written on the fly. There are vague attempts at introducing "magical" elements or modern twists on classic fairy tales, but they feel forced and disconnected from any real sense of meaning or relevance. It's as if the show is trying to be both whimsical and serious at the same time, but fails to balance the two effectively.

One of the major issues with Modern Dogu Masallari is that there is no logic to the plot. Events unfold in such an arbitrary way that it's hard to invest in the story. There's no buildup or resolution - just a series of disconnected episodes that feel more like random vignettes than part of a cohesive narrative. The lack of structure leaves the viewer frustrated, as there is no clear throughline or emotional investment to hold onto. Characters make decisions that are difficult to understand, and their actions seem driven by plot convenience rather than any internal logic.

The show also fails to make use of its central premise in any meaningful way. The idea of reimagining traditional fairy tales in a modern context could have been fascinating, but instead, Modern Dogu Masallari treats these concepts in a shallow and unimaginative manner. Rather than exploring the deeper themes of the original stories, the show presents a jumbled mix of disconnected ideas that never quite come together. The fantasy elements feel underdeveloped, and what could have been an engaging look at the intersection of folklore and contemporary life ends up being little more than a haphazard collection of odd scenes that never feel grounded in anything substantial.

In addition to the lack of a cohesive plot, the pacing of the show is a significant problem. Scenes drag on unnecessarily, with long stretches of dull dialogue or random encounters that add nothing to the overall story. The lack of plot progression leaves you disengaged, and at times, it feels like the show is stuck in a loop of aimless exploration with no end in sight. Instead of building tension or creating excitement, the show's pacing only further contributes to its sense of meandering confusion.

Ultimately, Modern Masallari is a series that feels incomplete and unfocused. It squanders its potential by lacking a clear direction, logical plot development, and meaningful character arcs. Instead of being a fresh and imaginative take on folklore, it comes across as a disjointed mess that never fully delivers on its promise. If you're looking for a story that makes sense, with characters you can invest in and a plot that leads somewhere, this is definitely not the show for you. Unfortunately, Modern Masallari fails to live up to its potential and leaves much to be desired.

Modern Dogu Masallari seriously had potential - the idea of mixing Eastern legends with today's world sounded awesome and super unique. But honestly, the show just doesn't pull it off.

The biggest problem? The story's all over the place. It feels like they're trying to be deep with all the symbolism and folklore, but it ends up feeling messy and kind of pointless. The characters don't really grow or connect with you, and the plot just floats around without going anywhere.

It's like they focused more on making it look cool than actually making it mean something. Disappointing, total waste of time.

I really wanted to love this show. It looked like it had everything going for it-gorgeous visuals, poetic vibes, and that mysterious tone that usually pulls me in. But once the season started rolling, it just... didn't land.

The plot is all over the place. Characters pop in and out with barely any reason, and while the show teases emotional depth, it never actually delivers. I found myself waiting for something to click-a moment, a connection, anything-but it never came. Even the "big" scenes felt flat, like the heart had been edited out.

The acting? Meh. It wasn't terrible, but it also didn't make me feel anything. Maybe the cast wasn't given enough to work with, or maybe it was too busy trying to be artsy and forgot about real emotion. Either way, I didn't connect with a single character-and that's a problem.

What stings the most is the wasted potential. There's so much richness in the kind of story this could have told-myth, meaning, emotion-but instead, it ends up feeling like a slow, stylized slideshow with no soul.

Just... empty. And honestly? That's the most disappointing feeling of all.

As someone who has witnessed the evolution of storytelling over the years, Modern Dogu Masallari left me quite perplexed. It's clear the series was trying to blend modern elements with traditional Eastern folklore, but the end result is a strange, illogical mess that feels more like a jumble of ideas than a coherent narrative.

The plot itself is where the series truly falls apart. At times, it feels as though the writers couldn't decide what direction to take, and so they tossed in all sorts of disjointed elements with little regard for how they would connect. Characters move from one place to another without clear motivation, and the events seem random, as if they're happening for the sake of spectacle rather than for the sake of a meaningful story. It's frustrating because, as a viewer, you never really get the sense that there's a solid, well-thought-out plot driving the action forward. Instead, you're left scratching your head, wondering what's even happening.

One of the most jarring aspects of the show is the complete lack of logic in the narrative. Characters make decisions that don't make sense, plot points are introduced with no explanation or follow-up, and the pacing jumps around erratically. There are moments where the show seems to want to be serious, only to suddenly throw in a bizarre twist or a random action scene that feels completely out of place. The result is a story that feels like it's trying to force you to engage with it, but you can't because you never know what's coming next - and when it arrives, it doesn't seem to have any real purpose.

The lack of consistency in the plot is frustrating because it undermines any emotional investment you might have. Without a clear logic to guide the story, it's hard to understand what's at stake or why you should care about the characters. They often make decisions or find themselves in situations that are confusing and seem to exist only to create chaos or tension, rather than advancing the story in a meaningful way.

I found myself repeatedly questioning why certain events were happening. Why did the characters act the way they did? What was the purpose of this scene? By the time I reached the later episodes, it became clear that the story was just a series of random occurrences strung together with no clear end goal in mind.

The series also fails to develop any real emotional depth, as the plot's erratic nature makes it difficult to connect with the characters on a deeper level. It's hard to feel for them when their motivations are unclear, and their actions seem to follow no consistent logic.

"Modern Dogu Masallari" could have been something truly beautiful - a story blending dreams and reality, tradition and modernity. But instead, it felt hollow.

I kept hoping it would get better, that the characters would feel more alive, but the emotions never really reached me. It's sad when a show looks good on the surface but doesn't have the heart to back it up. It left me feeling a little empty, like a story that forgot why it was being told.

The only good this is the nature and actors, some of them. Feels like a movie where they just got money and don't care about the plot, logic, coherence. Not recommend.

The pacing is painfully slow. I kept waiting for something to happen, for the plot to pick up or the characters to really pull me in, but it just never clicked. The episodes felt more like a long build-up to... not much. I found myself zoning out halfway through more than once.

The characters also didn't feel fully fleshed out. It's hard to get emotionally invested when you don't really understand what drives them or why you should care. I was expecting complex, layered personalities - especially in a series that leans into folklore and symbolism - but they came across as flat or overly stylized without depth.

And while the visuals were nice in parts, the overall production felt uneven. Some scenes looked polished, while others felt rushed or awkwardly staged. It just didn't have that consistency or immersive atmosphere I was hoping for from a fantasy-inspired drama.

To be honest, it felt more like an artistic experiment than a fully developed series. Maybe it speaks to a niche audience or has more cultural nuance that I missed, but for me, it lacked emotional pull and narrative momentum. I ended up dropping it after a few episodes because I simply wasn't enjoying the ride.

If you're looking for something truly engaging or emotionally rich, this might not be it. Disappointed, but not surprised.

The plot is scattered and hard to follow. It's as if the show keeps hinting at deeper meanings or emotional moments, but never quite gets there. Characters come and go without much explanation, and the pacing drags so slowly that even the more "exciting" parts feel dull. By the time something does happen, the emotional impact is already lost.

The acting, too, felt underwhelming. Maybe the cast wasn't given enough to work with, or maybe the direction was too focused on aesthetics rather than heart. Either way, it lacked the kind of sincerity that makes a viewer care. I kept hoping to connect with someone-anyone-but it just didn't happen.

What hurts the most is how the show seems to waste its potential. There's so much beauty in Eastern stories, in myth and metaphor. But instead of honoring that, the series feels more like a stylized experiment with no soul. It's visually nice at times, sure, but pretty frames can't save a story that doesn't move you.

I finished the season with a heavy heart-not because the show made me feel something, but because it didn't. And that, to me, is the saddest part of all.

Since it's on governm platform - TRT tabii it has its own specific vibe considering the crazy amount of money they spent on it.

It's supposed to be a dramatic detective story but not. Like there's nothing to watch. Not even nature.

Actors don't play.

There is no logic and cohesion in the plot if it can be called plot.

Like people just go from one place to another and scream and shout and come back and again.

As I mentioned, the specific things related to what this platform aims to nudge is also making it quite weird and uncomfortable to watch.

Overall, it's a waste of time better watch something that makes more sense.

I went into this show hoping to be swept up in a gripping story, but honestly, it was a struggle to stay interested. The pace crawls from the very beginning, and I kept waiting for a turning point - for something to spark, for the characters to grab my attention - but that moment never came. Each episode dragged along with buildup after buildup, leading to... well, not much. I caught myself losing focus more than once.

The characters didn't help much either. They felt more like vague outlines than real people. There was no depth or emotional weight to their actions, and I never got a sense of who they truly were or why their stories mattered. In a show that clearly wants to be poetic and layered, this lack of character development really hurt.

Visually, there were some moments that looked great - no doubt there's a creative vision behind it - but overall, the production felt uneven. One scene might be beautifully lit and framed, while the next looked like it was thrown together last-minute. It pulled me out of the experience instead of pulling me in.

In the end, it all felt more like a creative experiment than a fully realized story. Maybe it's meant to be symbolic or speak to a specific audience, but it just didn't resonate with me. There was no emotional connection, no sense of momentum, and not enough to keep me watching. I gave it a few episodes, but I couldn't justify sticking with it.

If you're after something that's actually engaging, meaningful, or emotionally satisfying, you'll probably want to skip this one. Visually ambitious, sure - but storytelling-wise, it really falls flat.

Since it's on that government platform - TRT Tabii - it's got this weird try-hard energy, probably 'cause they dumped a stupid amount of cash into it.

It's supposed to be like some deep detective drama, but honestly? It's not. There's literally nothing going on. Not even cool nature shots to save it.

The actors? Yeah, they're just kinda... existing. Not acting, for real.

The plot (if you can even call it that) makes zero sense. It's just people running around, yelling, and then ending up right back where they started. Over and over.

And like I said, whatever weird agenda they're trying to push just makes it even more cringe and awkward to sit through.

Overall? Big waste of time. Go watch something that actually slaps instead.

TRT TABII is the worst.

The characters, too, felt disappointingly underdeveloped. In a story that draws so heavily from folklore and symbolism, I had anticipated layered, compelling personalities that would draw me into their world. Instead, the characters came across as flat or overly stylized, without the emotional depth needed to create real connection. It became difficult to care about their journeys when their motivations and inner lives remained so elusive.

Visually, while there were flashes of beauty, the production quality was inconsistent. Some scenes were polished and thoughtfully crafted, while others appeared rushed or awkward, breaking any sense of immersion that might have been built. The atmosphere, which is so crucial to a fantasy-inspired drama, simply never took hold in a lasting or meaningful way.

In the end, the series felt less like a fully realized story and more like an artistic experiment - interesting in concept but lacking the heart and narrative strength needed to sustain it. Perhaps it speaks more strongly to a niche audience or contains cultural nuances that I failed to connect with, but from my perspective, it lacked emotional resonance and narrative momentum.

Sadly, I had to stop watching after a few episodes. It simply wasn't an enjoyable or rewarding experience. I truly wanted to love it, but it never gave me the opportunity. Disappointed, but ultimately not surprised.

Modern Dogu Masallari had the potential to be something fresh and meaningful - a modern retelling of Eastern tales set in today's world sounded both culturally rich and creatively ambitious. Unfortunately, the series struggles to live up to that promise.

The biggest issue lies in the storytelling. The narrative feels disjointed and often lacks a clear direction. While the show attempts to weave in symbolism and folklore, it doesn't manage to ground those elements in compelling character arcs or an emotionally resonant plot. Instead, episodes feel fragmented and at times superficial, as if style took precedence over substance.

The characters, too, feel underdeveloped. While they are presented with intriguing backstories, there is little growth or depth to keep viewers truly invested in their journeys. It's difficult to feel emotionally connected when their actions often seem more driven by aesthetics than believable motivation.

From a production standpoint, the series is visually appealing in parts, and it's clear that effort was put into the look and feel. However, striking visuals can't make up for weak writing and a lack of narrative cohesion.

Ultimately, Modern Dogu Masallari feels like a missed opportunity. With such a rich source of inspiration, it could have offered a truly unique perspective on traditional stories in a modern context. Instead, it falls flat, weighed down by slow pacing, underwhelming character development, and an overall sense of aimlessness.

Unless you're particularly interested in visuals or experimental formats, this one may be tough to stick with.