San Andreas
- 2015
- Tous publics
- 1h 54min
À la suite d'un important tremblement de terre en Californie, le pilote d'un hélicoptère de sauvetage effectue un dangereux voyage avec son ex-femme afin de sauver sa fille.À la suite d'un important tremblement de terre en Californie, le pilote d'un hélicoptère de sauvetage effectue un dangereux voyage avec son ex-femme afin de sauver sa fille.À la suite d'un important tremblement de terre en Californie, le pilote d'un hélicoptère de sauvetage effectue un dangereux voyage avec son ex-femme afin de sauver sa fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 10 nominations au total
Avis à la une
May contain spoilers!!!
The Script was AWFUL!
The film starts with the introduction of The Rock and his job. He's a search and rescue pilot and he's attempting to rescue a girl trapped in a car on the side of a cliff. He and his buddies find this amusing as they jokingly begin with the routine rescue. There is a reporter who has tagged along for an interview and now she's asking questions about the rescue and they're are answering like there's no emergency to begin with. They fly the helicopter into the ravine. Really? I guess the basket rescue line was not long enough. Anyway we'll leave it at that.
Cut to a class in session at a University where a professor is lecturing about seismic activity and that the west coast is due for a biggie. Of course the cliché "not a matter of IF but WHEN", spits out.
Cut to Hoover Dam where same professor and assistant are doing seismic field tests when.. guess what...yup. The entire dam, gone in a matter of seconds. Like a sand castle at the beach. No repercussions, cause and effect. No small local towns obliterated, washed away. This news never makes it to the local media nor the citizens of LA. Only a mere throw- away line to the professor at a later date; "sorry about what happened to your friend"
I swear this script was written in the back of a limo on the way to the studio.
Now, it's soap opera time.The Rock and his wife are finalizing a divorce. This drama goes on throughout the movie. It's like I am watching "As The World Turns" with an earthquake in the BG.
Rock's wife is dating an architect; not just any architect; he's got his own building named after him. The daughter, sat in the waiting area of the skyscraper, meets a dude who is there for a job interview. They hit it off. She pens him her cell number and he exits the scene.
Later, "WHEN" happens and the buildings are crumbling and shaking, people screaming and panicking. Remember the dude the daughter met, briefly? His No.1 priority is to find her. WHAT??? Yes, that's right. I just met you, and rather than seek shelter and escape this hell, I am going to try to find you. AND HE DOES!!!
You know it took 3 people to write this script??!!
How can the writers think we're all stupid. That we do not know what happens in an earthquake. We've seen the images and documentaries, and testimonials on You Tube. Including the notorious Tohoku Chihou Prefecture disaster a few years back. We know that making a trying to make a call on your cell after a major quake would be impossible. We know that bottles on the shelves at a restaurant would be the first victims in a quake. But not in this movie.
I broke out laughing at a scene where The Rock, riding a motorcycle through the disaster area, passes by an elderly couple who are stranded, roadside. They're waving for help. He passes them with no interest in stopping. This, from a trained search and rescue worker. Hilarious!!!
There are scenes where The Rock and his wife are the only people in LA. wandering through the rubble. Or boating through the floating debris.
MINIMAL VIOLENCE!
That all being said, I think the most disappointing aspect of the film is that you rarely see people die. It sounds morbid but it's what you come to expect in a disaster movie. Would the "Titanic" be just as good without "Propeller Guy" and the countless screaming bodies falling off the ship? The death count in SA is really low. There's 3 dudes that fall to their death and another engulfed in flames. It's suggestive violence and not like you would find in a Final Destination movie. I think because The Rock attracts a younger audience, they wanted a PG 13 rating, minimizing violence, therefore, a bigger box office demographic.
Anyway, that's my opinion. There are pages of wonderful reviews from people who praise this movie. I will respect that. To each his own. Watch, and decide for yourself.
The Script was AWFUL!
The film starts with the introduction of The Rock and his job. He's a search and rescue pilot and he's attempting to rescue a girl trapped in a car on the side of a cliff. He and his buddies find this amusing as they jokingly begin with the routine rescue. There is a reporter who has tagged along for an interview and now she's asking questions about the rescue and they're are answering like there's no emergency to begin with. They fly the helicopter into the ravine. Really? I guess the basket rescue line was not long enough. Anyway we'll leave it at that.
Cut to a class in session at a University where a professor is lecturing about seismic activity and that the west coast is due for a biggie. Of course the cliché "not a matter of IF but WHEN", spits out.
Cut to Hoover Dam where same professor and assistant are doing seismic field tests when.. guess what...yup. The entire dam, gone in a matter of seconds. Like a sand castle at the beach. No repercussions, cause and effect. No small local towns obliterated, washed away. This news never makes it to the local media nor the citizens of LA. Only a mere throw- away line to the professor at a later date; "sorry about what happened to your friend"
I swear this script was written in the back of a limo on the way to the studio.
Now, it's soap opera time.The Rock and his wife are finalizing a divorce. This drama goes on throughout the movie. It's like I am watching "As The World Turns" with an earthquake in the BG.
Rock's wife is dating an architect; not just any architect; he's got his own building named after him. The daughter, sat in the waiting area of the skyscraper, meets a dude who is there for a job interview. They hit it off. She pens him her cell number and he exits the scene.
Later, "WHEN" happens and the buildings are crumbling and shaking, people screaming and panicking. Remember the dude the daughter met, briefly? His No.1 priority is to find her. WHAT??? Yes, that's right. I just met you, and rather than seek shelter and escape this hell, I am going to try to find you. AND HE DOES!!!
You know it took 3 people to write this script??!!
How can the writers think we're all stupid. That we do not know what happens in an earthquake. We've seen the images and documentaries, and testimonials on You Tube. Including the notorious Tohoku Chihou Prefecture disaster a few years back. We know that making a trying to make a call on your cell after a major quake would be impossible. We know that bottles on the shelves at a restaurant would be the first victims in a quake. But not in this movie.
I broke out laughing at a scene where The Rock, riding a motorcycle through the disaster area, passes by an elderly couple who are stranded, roadside. They're waving for help. He passes them with no interest in stopping. This, from a trained search and rescue worker. Hilarious!!!
There are scenes where The Rock and his wife are the only people in LA. wandering through the rubble. Or boating through the floating debris.
MINIMAL VIOLENCE!
That all being said, I think the most disappointing aspect of the film is that you rarely see people die. It sounds morbid but it's what you come to expect in a disaster movie. Would the "Titanic" be just as good without "Propeller Guy" and the countless screaming bodies falling off the ship? The death count in SA is really low. There's 3 dudes that fall to their death and another engulfed in flames. It's suggestive violence and not like you would find in a Final Destination movie. I think because The Rock attracts a younger audience, they wanted a PG 13 rating, minimizing violence, therefore, a bigger box office demographic.
Anyway, that's my opinion. There are pages of wonderful reviews from people who praise this movie. I will respect that. To each his own. Watch, and decide for yourself.
My love of the disaster genre means that I can enjoy this type of movie despite the myriad problems with it, alongside the inherent cheesiness and the poor writing which makes it laughable in places. It pales in comparison to stuff from the 1970s like THE TOWERING INFERNO and EARTHQUAKE, but it's certainly better than modern SyFy Channel and Asylum offerings, even if that's just because of the massive budget alone.
The story is written so that the disaster scenes keep occurring throughout the movie. The CGI effects work is extensive, but it's also pretty good, and certainly better than in the awful 2012. Yes, you get all the flag-waving nonsense associated with this type of film, but you also get plenty of suspense scenes and depictions of post-earthquake devastation that you don't usually get to see in the movies.
Dwayne Johnson continues to be a hulking, mildly charismatic presence in the movies, although he's no Schwarzenegger. Alexandra Daddario is there for her looks and certainly succeeds in that respect. The rest of the cast don't fare so well, with Ioan Gruffudd virtually reprising his role from SANCTUM and Paul Giamatti on autopilot, although at least we get to find out what happened to Art Parkinson (the disappearing Rickon Stark from TV's GAME OF THRONES). SAN ANDREAS is certainly undemanding entertainment, and not a film I'm in any hurry to sit through again, but compared to other offerings in this packed sub-genre, it's not THAT bad.
The story is written so that the disaster scenes keep occurring throughout the movie. The CGI effects work is extensive, but it's also pretty good, and certainly better than in the awful 2012. Yes, you get all the flag-waving nonsense associated with this type of film, but you also get plenty of suspense scenes and depictions of post-earthquake devastation that you don't usually get to see in the movies.
Dwayne Johnson continues to be a hulking, mildly charismatic presence in the movies, although he's no Schwarzenegger. Alexandra Daddario is there for her looks and certainly succeeds in that respect. The rest of the cast don't fare so well, with Ioan Gruffudd virtually reprising his role from SANCTUM and Paul Giamatti on autopilot, although at least we get to find out what happened to Art Parkinson (the disappearing Rickon Stark from TV's GAME OF THRONES). SAN ANDREAS is certainly undemanding entertainment, and not a film I'm in any hurry to sit through again, but compared to other offerings in this packed sub-genre, it's not THAT bad.
Sure, the movie has a lot of clichés, inaccuracies, common mistakes in destruction scenes (a suspension bridge's towers not bending outwards when the span is broken, for example), and a predictable plot, but these things go hand in hand with the disaster movie genre. If you expect those going in, then the movie is pretty entertaining. You're not supposed to take these films too seriously, you're just intended to go along with the ride of destruction--and what a ride it is! This movie has some excellent destruction scenes; although they aren't exactly realistic and don't always make sense, they're a lot of fun to watch, and that's the whole point.
Sure, if you compare this with all other films, it's not great; but in the disaster movie genre, with other such films as 2012, the Day After Tomorrow, and Greenland, it's actually pretty decent. Remember: the whole point of these movies is to show awesome scenes of destruction, and San Andreas does that beautifully, so don't take the movie too seriously and just go along with the ride.
Sure, if you compare this with all other films, it's not great; but in the disaster movie genre, with other such films as 2012, the Day After Tomorrow, and Greenland, it's actually pretty decent. Remember: the whole point of these movies is to show awesome scenes of destruction, and San Andreas does that beautifully, so don't take the movie too seriously and just go along with the ride.
Story: Man uses taxpayers' rescue service chopper to pick up his ex-wife and daughter while thousands die beneath them.
In every sense of its existence this is the prototypical disaster movie, right down to the use of the Rock as the lead character. With that being said I would say it's on the better side of average in terms of his performance.
The movie starts off by allocating a decent amount of time to a couple scientists who discover a new way of predicting earthquakes (which isn't ever really explained how). It's then said that nobody had really listened to them in the past but we don't really observe that part as viewers. The lead scientist is also credited with saving many lives even though his advice to run away was communicated as the disaster was already unfolding. Furthermore we really don't see many who survived at all except the one family.
Overall it is very corny , but in the same light it is highly entertaining . The action sequences transition smoothly and keep your attention the entire time which is mostly what you are looking for with this type of movie.
Sort of like a theme Park ride in a sense. Don't expect an outstanding backstory but enjoy everything it throws at you.
The movie starts off by allocating a decent amount of time to a couple scientists who discover a new way of predicting earthquakes (which isn't ever really explained how). It's then said that nobody had really listened to them in the past but we don't really observe that part as viewers. The lead scientist is also credited with saving many lives even though his advice to run away was communicated as the disaster was already unfolding. Furthermore we really don't see many who survived at all except the one family.
Overall it is very corny , but in the same light it is highly entertaining . The action sequences transition smoothly and keep your attention the entire time which is mostly what you are looking for with this type of movie.
Sort of like a theme Park ride in a sense. Don't expect an outstanding backstory but enjoy everything it throws at you.
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Take a look back at The Rock's career in photos.
Le saviez-vous
- AnecdotesDirector Brad Peyton brought in Thomas Jordan, USC professor and director of the Southern California Earthquake Center to fact check the script for plausibility. Though both Peyton and lead actor Dwayne Johnson contend that the science portrayed in the film is accurate, Thomas Jordan was quoted as saying "I gave them free advice, some of which they took... but much of which they didn't - magnitude 9's are too big for the San Andreas, and it can't produce a big tsunami."
- GaffesWhen Ray steals the truck, he has to hot-wire it to start, but when he gets to the crack, he turns off the engine using the key.
- Citations
Raymond Gaines: [upon landing with Emma in a baseball stadium by parachute] It's been a while since I got you to second base.
- Crédits fousThe end credits scroll with a bend at the top and bottom of the screen, as though they are on a rotating seismograph drum. Seismic lines, increasing in intensity, can be seen on the left side of the frame.
- ConnexionsEdited into The Green Fog (2017)
- Bandes originalesStyle
Written by Ali Payami, Shellback (as Johan Schuster), Max Martin and Taylor Swift
Performed by Taylor Swift
Courtesy of Big Machine Records, LLC
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- How long is San Andreas?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Terremoto: La falla de San Andrés
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 155 190 832 $US
- Week-end de sortie aux États-Unis et au Canada
- 54 588 173 $US
- 31 mai 2015
- Montant brut mondial
- 474 609 154 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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