San Andreas
- 2015
- Tous publics
- 1h 54min
À la suite d'un important tremblement de terre en Californie, le pilote d'un hélicoptère de sauvetage effectue un dangereux voyage avec son ex-femme afin de sauver sa fille.À la suite d'un important tremblement de terre en Californie, le pilote d'un hélicoptère de sauvetage effectue un dangereux voyage avec son ex-femme afin de sauver sa fille.À la suite d'un important tremblement de terre en Californie, le pilote d'un hélicoptère de sauvetage effectue un dangereux voyage avec son ex-femme afin de sauver sa fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 10 nominations au total
Avis à la une
May contain spoilers!!!
The Script was AWFUL!
The film starts with the introduction of The Rock and his job. He's a search and rescue pilot and he's attempting to rescue a girl trapped in a car on the side of a cliff. He and his buddies find this amusing as they jokingly begin with the routine rescue. There is a reporter who has tagged along for an interview and now she's asking questions about the rescue and they're are answering like there's no emergency to begin with. They fly the helicopter into the ravine. Really? I guess the basket rescue line was not long enough. Anyway we'll leave it at that.
Cut to a class in session at a University where a professor is lecturing about seismic activity and that the west coast is due for a biggie. Of course the cliché "not a matter of IF but WHEN", spits out.
Cut to Hoover Dam where same professor and assistant are doing seismic field tests when.. guess what...yup. The entire dam, gone in a matter of seconds. Like a sand castle at the beach. No repercussions, cause and effect. No small local towns obliterated, washed away. This news never makes it to the local media nor the citizens of LA. Only a mere throw- away line to the professor at a later date; "sorry about what happened to your friend"
I swear this script was written in the back of a limo on the way to the studio.
Now, it's soap opera time.The Rock and his wife are finalizing a divorce. This drama goes on throughout the movie. It's like I am watching "As The World Turns" with an earthquake in the BG.
Rock's wife is dating an architect; not just any architect; he's got his own building named after him. The daughter, sat in the waiting area of the skyscraper, meets a dude who is there for a job interview. They hit it off. She pens him her cell number and he exits the scene.
Later, "WHEN" happens and the buildings are crumbling and shaking, people screaming and panicking. Remember the dude the daughter met, briefly? His No.1 priority is to find her. WHAT??? Yes, that's right. I just met you, and rather than seek shelter and escape this hell, I am going to try to find you. AND HE DOES!!!
You know it took 3 people to write this script??!!
How can the writers think we're all stupid. That we do not know what happens in an earthquake. We've seen the images and documentaries, and testimonials on You Tube. Including the notorious Tohoku Chihou Prefecture disaster a few years back. We know that making a trying to make a call on your cell after a major quake would be impossible. We know that bottles on the shelves at a restaurant would be the first victims in a quake. But not in this movie.
I broke out laughing at a scene where The Rock, riding a motorcycle through the disaster area, passes by an elderly couple who are stranded, roadside. They're waving for help. He passes them with no interest in stopping. This, from a trained search and rescue worker. Hilarious!!!
There are scenes where The Rock and his wife are the only people in LA. wandering through the rubble. Or boating through the floating debris.
MINIMAL VIOLENCE!
That all being said, I think the most disappointing aspect of the film is that you rarely see people die. It sounds morbid but it's what you come to expect in a disaster movie. Would the "Titanic" be just as good without "Propeller Guy" and the countless screaming bodies falling off the ship? The death count in SA is really low. There's 3 dudes that fall to their death and another engulfed in flames. It's suggestive violence and not like you would find in a Final Destination movie. I think because The Rock attracts a younger audience, they wanted a PG 13 rating, minimizing violence, therefore, a bigger box office demographic.
Anyway, that's my opinion. There are pages of wonderful reviews from people who praise this movie. I will respect that. To each his own. Watch, and decide for yourself.
The Script was AWFUL!
The film starts with the introduction of The Rock and his job. He's a search and rescue pilot and he's attempting to rescue a girl trapped in a car on the side of a cliff. He and his buddies find this amusing as they jokingly begin with the routine rescue. There is a reporter who has tagged along for an interview and now she's asking questions about the rescue and they're are answering like there's no emergency to begin with. They fly the helicopter into the ravine. Really? I guess the basket rescue line was not long enough. Anyway we'll leave it at that.
Cut to a class in session at a University where a professor is lecturing about seismic activity and that the west coast is due for a biggie. Of course the cliché "not a matter of IF but WHEN", spits out.
Cut to Hoover Dam where same professor and assistant are doing seismic field tests when.. guess what...yup. The entire dam, gone in a matter of seconds. Like a sand castle at the beach. No repercussions, cause and effect. No small local towns obliterated, washed away. This news never makes it to the local media nor the citizens of LA. Only a mere throw- away line to the professor at a later date; "sorry about what happened to your friend"
I swear this script was written in the back of a limo on the way to the studio.
Now, it's soap opera time.The Rock and his wife are finalizing a divorce. This drama goes on throughout the movie. It's like I am watching "As The World Turns" with an earthquake in the BG.
Rock's wife is dating an architect; not just any architect; he's got his own building named after him. The daughter, sat in the waiting area of the skyscraper, meets a dude who is there for a job interview. They hit it off. She pens him her cell number and he exits the scene.
Later, "WHEN" happens and the buildings are crumbling and shaking, people screaming and panicking. Remember the dude the daughter met, briefly? His No.1 priority is to find her. WHAT??? Yes, that's right. I just met you, and rather than seek shelter and escape this hell, I am going to try to find you. AND HE DOES!!!
You know it took 3 people to write this script??!!
How can the writers think we're all stupid. That we do not know what happens in an earthquake. We've seen the images and documentaries, and testimonials on You Tube. Including the notorious Tohoku Chihou Prefecture disaster a few years back. We know that making a trying to make a call on your cell after a major quake would be impossible. We know that bottles on the shelves at a restaurant would be the first victims in a quake. But not in this movie.
I broke out laughing at a scene where The Rock, riding a motorcycle through the disaster area, passes by an elderly couple who are stranded, roadside. They're waving for help. He passes them with no interest in stopping. This, from a trained search and rescue worker. Hilarious!!!
There are scenes where The Rock and his wife are the only people in LA. wandering through the rubble. Or boating through the floating debris.
MINIMAL VIOLENCE!
That all being said, I think the most disappointing aspect of the film is that you rarely see people die. It sounds morbid but it's what you come to expect in a disaster movie. Would the "Titanic" be just as good without "Propeller Guy" and the countless screaming bodies falling off the ship? The death count in SA is really low. There's 3 dudes that fall to their death and another engulfed in flames. It's suggestive violence and not like you would find in a Final Destination movie. I think because The Rock attracts a younger audience, they wanted a PG 13 rating, minimizing violence, therefore, a bigger box office demographic.
Anyway, that's my opinion. There are pages of wonderful reviews from people who praise this movie. I will respect that. To each his own. Watch, and decide for yourself.
I'm a sucker for a disaster film, I pretty much love all of them but I do have 'some' limitations.
This one does enough to stay on the good side of the ledger.
What works, the effects (mostly) and The Rock. What doesn't, The Rock and the Disney-fying of anyone dying.
What do I mean? The Rock is hit and miss in this one, he pulls of some great scenes whereas others are just a bridge too far (he may have caught this from Fast Furious). The effects are excellent. The deaths are sanitised for perhaps younger viewers, the cost of this is tension and any real concern you may have had for the family. They are obviously going to come out ok so we don't have to explain anything to the kiddies!
But a disaster movie is a disaster movie so thumbs up from me!
This one does enough to stay on the good side of the ledger.
What works, the effects (mostly) and The Rock. What doesn't, The Rock and the Disney-fying of anyone dying.
What do I mean? The Rock is hit and miss in this one, he pulls of some great scenes whereas others are just a bridge too far (he may have caught this from Fast Furious). The effects are excellent. The deaths are sanitised for perhaps younger viewers, the cost of this is tension and any real concern you may have had for the family. They are obviously going to come out ok so we don't have to explain anything to the kiddies!
But a disaster movie is a disaster movie so thumbs up from me!
Going into this film I knew it wasn't going to be one of the best films I've ever seen I just knew I would like the visual effects and the action, although there were some parts that wouldn't have happened in real life but that's standard Hollywood, it's expected. The story line and plot wasn't anything spectacular. It wasn't anything you haven't seen before, very clichéd and predictable. The Rock's performance in this film did give it that extra kick that was needed to make this film a bit more tolerable. If you're planning on seeing this film enjoy the ride for the visual effects and the action, don't expect very much more. I'm not going to say it's bad and I'm not going to say it's good. It's just a clichéd Hollywood work of art. You be the judge.
Story: Man uses taxpayers' rescue service chopper to pick up his ex-wife and daughter while thousands die beneath them.
If you understand what a disaster movie is about and how it works you will go and have a nice experience just as I did, certainly superior to the "2012" or "Day After Tomorrow" dullness.
The usual cheesiness in disaster movie is there, the characters are so stereotypical it's hardly believable and worst of all it commits the usual, stupid mistake of having characters make it out of a situation just in time before everything collapses. This mistakes really annoys me firstly because it repeats itself a dozen times in the film but most of all because it's worthless: it does not add stakes or tension, they would be exactly the same, but except for maybe twice in the film situations get resolved just in time and the uselessness of it really annoyed me. The film tries too hard to give it's characters depth and barely succeeds in it. I cannot deny I was rooting for them, that maybe being due to the fact that the actors involved are honestly all doing a good enough job, but the fact that it tries to achieve character empathy through clichés that have been present in cinema since the beginning of time is ridiculous.
That being said, it does deliver the goods of a disaster movie and delivers them much more competently than the recent disaster films we have seen on the big screen. With the exception of the finale where things are unnecessarily blown up to eleven, there isn't exaggeration. The set pieces are for the major part breath-taking and original enough. I counted actually two times where my mouth totally dropped in genuine amazement. I was riveted by many scenes and this is probably due to the fact that the director never overuses CGI. It is used in the perfect dose, there is enough practicality involved and the fact that the set pieces aren't always the biggest most blown up ones made it better, it gave the film more stakes. Moreover there is a great use of long takes in certain parts of the film, one in particular is very long and threw me right into the action like no other disaster movie ever had done before.
If you know what you are in for you will have a good time and you will be given back your money's worth, you won't want to be re-watching this movie anytime, but that is perfectly fine and fits the film in what it is trying to achieve.
The usual cheesiness in disaster movie is there, the characters are so stereotypical it's hardly believable and worst of all it commits the usual, stupid mistake of having characters make it out of a situation just in time before everything collapses. This mistakes really annoys me firstly because it repeats itself a dozen times in the film but most of all because it's worthless: it does not add stakes or tension, they would be exactly the same, but except for maybe twice in the film situations get resolved just in time and the uselessness of it really annoyed me. The film tries too hard to give it's characters depth and barely succeeds in it. I cannot deny I was rooting for them, that maybe being due to the fact that the actors involved are honestly all doing a good enough job, but the fact that it tries to achieve character empathy through clichés that have been present in cinema since the beginning of time is ridiculous.
That being said, it does deliver the goods of a disaster movie and delivers them much more competently than the recent disaster films we have seen on the big screen. With the exception of the finale where things are unnecessarily blown up to eleven, there isn't exaggeration. The set pieces are for the major part breath-taking and original enough. I counted actually two times where my mouth totally dropped in genuine amazement. I was riveted by many scenes and this is probably due to the fact that the director never overuses CGI. It is used in the perfect dose, there is enough practicality involved and the fact that the set pieces aren't always the biggest most blown up ones made it better, it gave the film more stakes. Moreover there is a great use of long takes in certain parts of the film, one in particular is very long and threw me right into the action like no other disaster movie ever had done before.
If you know what you are in for you will have a good time and you will be given back your money's worth, you won't want to be re-watching this movie anytime, but that is perfectly fine and fits the film in what it is trying to achieve.
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Take a look back at The Rock's career in photos.
Le saviez-vous
- AnecdotesDirector Brad Peyton brought in Thomas Jordan, USC professor and director of the Southern California Earthquake Center to fact check the script for plausibility. Though both Peyton and lead actor Dwayne Johnson contend that the science portrayed in the film is accurate, Thomas Jordan was quoted as saying "I gave them free advice, some of which they took... but much of which they didn't - magnitude 9's are too big for the San Andreas, and it can't produce a big tsunami."
- GaffesWhen Ray steals the truck, he has to hot-wire it to start, but when he gets to the crack, he turns off the engine using the key.
- Citations
Raymond Gaines: [upon landing with Emma in a baseball stadium by parachute] It's been a while since I got you to second base.
- Crédits fousThe end credits scroll with a bend at the top and bottom of the screen, as though they are on a rotating seismograph drum. Seismic lines, increasing in intensity, can be seen on the left side of the frame.
- ConnexionsEdited into The Green Fog (2017)
- Bandes originalesStyle
Written by Ali Payami, Shellback (as Johan Schuster), Max Martin and Taylor Swift
Performed by Taylor Swift
Courtesy of Big Machine Records, LLC
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- How long is San Andreas?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Terremoto: La falla de San Andrés
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 155 190 832 $US
- Week-end de sortie aux États-Unis et au Canada
- 54 588 173 $US
- 31 mai 2015
- Montant brut mondial
- 474 609 154 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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