Sugar Man

This movie is a MUST SEE. If you are a musician or songwriter and you have ever questioned the importance of what it is that you do, you need to see this film. This was the most inspiring thing I have ever seen. Aside from the unbelievable story, the cinematography had some very great moments and not to mention a stellar sound track. I am recommending this film to everyone I know. The only drawback is that because it is an indie film, it is very hard to find. It is only playing in one theater in my area (DC), and that's West End. I really hope this films picks up and begins showing in more theaters. Until then, I will continue to promote this film via word of mouth because I believe in it so much. ...Amazing things happen.

The Landmark Theatre in West LA is a tough crowd but they were laughing and crying and when it was over they were applauding. This is what movie magic is all about. I wandered in and was blown away. Where can I get the soundtrack?? Holy! Crap!!

Sixto is what Dylan could have been. That's right he's better than Bob. Better writer, better vocalist by tenfold. Unlike The Jester this guy never sold out and walked the talk until the bitter end.

I've always believed the world's best talent goes unrecognized most of the time but the story of Sixto Rodriguez puts that theory into the "true" category once and for all and I will never doubt it again. Please recognize this man's work! Hopefully his daughters will continue to work toward that end both in the USA and South Africa.

Rodriguez (Sugarman), is one of the greatest men I have ever known.

This isn't a review, at least I don't consider it one; I don't review on IMDb, and there's a good chance I never will; but I feel compelled to leave my experience and thoughts, though briefly, here.

I saw this movie today knowing nothing about the subject material or the man himself; after leaving the theatre into a dimming sunset I texted my friend "I have a new hero."

That is probably the greatest praise I have ever gave a film.

Soulful, touching, heartrending and uplifting, this film------ you cannot write this, you cannot make this up, it is a story of true brilliance and daunting inspiration. There is so much to commend, praise, remark about this movie... but honestly I don't want to cite any one thing because it would spoil the experience of watching the story unfold and the mystery of Sugarman being shaped weakened. The bottom line is: It is a story that is too real, poignant, and far-fetched to exist anywhere on a writer's board or in a screenplay; this is why documentaries will never die, and they will always have a reserved place in the realm of cinema, films of fiction and artistry just cannot pierce the depth that this one finds. It is one of the greatest documentaries I have ever seen, possibly the greatest.

I cried throughout the picture. A must-see.

I write this review with the intention that I hope to encourage others to go see this movie: If you do you won't regret it and if you see it years later on television, you'll regret you didn't take the chance when you had it.

This is one of the best music docs ever made! The story about Sixto Rodriguez misfortunes and fortunes is almost to good to be true. It's like a fairy tale, only that this is real life. Swedish film maker Malik Bendjelloul treats the story with great respect and construct the film in a way almost like a thriller without a dead second and the end will not leave a single eye dry. Cinematographer Camilla Skagerstrom made an excellent job in creating a beautiful movie and the music (all by Rodriguez)makes a great soundtrack and it is hard to believe that this musical treasure was forgotten for so many years. Not only is this a strong personal portrait of a grate musician but it also makes you wonder about the mechanics of fame, success and the music industry.

This film was by far our favorite at the True/False Film Festival in Columbia Missouri this past spring.

The delights of "Searching for Sugar Man" are revealed along the way, as the story unspools over decades and continents. I BEG YOU to cover your eyes and ears if you happen to see a trailer at your local indie theater - the art of the trailer is apparently a lost one, and most of the surprises are spoiled in the promotion prepared for this film.

The director received a well-earned standing ovation at True/False, and wept - he and other directors said that T/F was the first audience of "real people" to see their respective films, apparently Sundance is peopled with "not real people"?

And be prepared to have the music playing in your head for some time to come.