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5 Caméras Brisées

Titre original : Five Broken Cameras
  • 2011
  • Not Rated
  • 1h 34min
NOTE IMDb
7,9/10
7 k
MA NOTE
5 Caméras Brisées (2011)
A documentary on a Palestinian farmer's chronicle of his nonviolent resistance to the actions of the Israeli army.
Lire trailer1:56
1 Video
9 photos
GuerreDocumentaire

Israël élève un mur entre un village Palestinien et une colonie juive, expropriant les fermiers de leurs terres. Les Palestiniens engagent une résistance non-violente pour garder leurs terre... Tout lireIsraël élève un mur entre un village Palestinien et une colonie juive, expropriant les fermiers de leurs terres. Les Palestiniens engagent une résistance non-violente pour garder leurs terres et co-exister pacifiquement avec les IsraéliensIsraël élève un mur entre un village Palestinien et une colonie juive, expropriant les fermiers de leurs terres. Les Palestiniens engagent une résistance non-violente pour garder leurs terres et co-exister pacifiquement avec les Israéliens

  • Réalisation
    • Emad Burnat
    • Guy Davidi
  • Scénario
    • Guy Davidi
  • Casting principal
    • Emad Burnat
    • Soraya Burnat
    • Mohammed Burnat
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    7 k
    MA NOTE
    • Réalisation
      • Emad Burnat
      • Guy Davidi
    • Scénario
      • Guy Davidi
    • Casting principal
      • Emad Burnat
      • Soraya Burnat
      • Mohammed Burnat
    • 44avis d'utilisateurs
    • 41avis des critiques
    • 78Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 18 victoires et 10 nominations au total

    Vidéos1

    Theatrical Version
    Trailer 1:56
    Theatrical Version

    Photos8

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 4
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    Rôles principaux16

    Modifier
    Emad Burnat
    Emad Burnat
    • Self - Narrator
    Soraya Burnat
    • Self - Wife of Emad
    Mohammed Burnat
    • Self - Son of Emad
    Yasin Burnat
    • Self - Son of Emad
    Taky-Adin Burnat
    • Self - Son of Emad
    Gibreel Burnat
    • Self - Son of Emad
    Muhammad Burnat
    • Self - Father of Emad
    Bassem Abu-Rahma
    • Self - Protester
    • (as Phil)
    Adeeb Abu-Rahma
    • Self - Protester
    Ashraf Abu-Rahma
    • Self - Protester
    • (as Daba)
    Intisar Burnat
    • Self - Mother of Emad
    Eyad Burnat
    • Self - Brother of Emad
    Riyad Burnat
    • Self - Brother of Emad
    Khaled Burnat
    • Self - Brother of Emad
    Jafar Burnat
    • Self - Brother of Emad
    Yisrael Puterman
    • Self - Friend of Emad
    • Réalisation
      • Emad Burnat
      • Guy Davidi
    • Scénario
      • Guy Davidi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs44

    7,97K
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    Avis à la une

    E-Magda

    Why there is no info about AWARDS ????? where is AWARD section here?

    This document received so many Awards From Sundance festival to others, Can someone explain me why the hell every other movie on IMDb has Award section popping out immediately on a website but this movie NOT????

    "5 Broken Cameras won the World Cinema Directing Award at the 2012 Sundance Film Festival. it won the 2013 International Emmy Award.The film also received the Special Broadcaster IDFA Audience Award and the Special Jury Award at the International Documentary Film Festival Amsterdam in 2011. In addition, the film won the Golden Apricot at the 2012 Yerevan International Film Festival, for Best Documentary Film, the Van Leer Group Foundation Award for Best Israeli Documentary at the Jerusalem Film Festival in 2012, and the Busan Cinephile Award at the 17th Busan International Film Festival in 2012. 5 Broken Cameras was nominated for Best Documentary Feature at the 85th Academy Awards Nominated for Best Documentary Feature in the 85th Academy Awards, and for the Asia Pacific Screen Award for Best Documentary of 2012...
    8tetrafunk

    A compelling perspective of the conflict.

    Naturally this movie will be a minefield to review without people bringing their personal, national, or religious beliefs into the equation. As can be seen in the handful of incredibly low ratings here, this is sadly already occurring.

    This is the conflict viewed through the eyes of a Palestinian villager, warts and all and as such does not shy away from recording the trials and tribulations that the cameraman and his village (and subsequently country) are confronted with on a daily basis. The argument that this movie is one sided is somewhat valid, although how anybody could expect anything else is beyond me due to the method utilized in gaining the footage. There is no secret agenda, no propaganda, it is simply the conflict as viewed by somebody who is currently living it.

    Regardless of your beliefs, sympathies or country of origin this movie is worth your time for the rare insight, at ground level, that it provides. Whether you agree with either sides position in the conflict is a different debate entirely and should not be included in any kind of review. All I can say is if you are unfamiliar with what is occurring or unaware entirely this film will give you food for thought.
    bassammaelborno

    Power and Innocence

    Retributive Justice...Oh How Sweet It Is !!

    Today, Sunday, February 24, 2013, the Oscars will be hosting this first ever Oscar nominated Palestinian documentary, whose content, we all know full well, will never be shared with the estimated one billion worldwide viewing audience, nor will it ever be permitted to win.

    Nevertheless, it just happens to fall on the Jewish Holiday of Purim, which commemorates the deliverance of the Jewish people in ancient Persia, in the wake of a plot by Haman. It is a story recorded in the Biblical Book of Esther. Understandably, this day of deliverance has become a day of Jewish feasting and rejoicing. It is celebrated by the giving of mutual gifts of food and drink, the offering of charity to the poor, the consumption of a celebratory meal, and in addition to the prayers and the grace after the meals, there is often a public recitation of the Scroll of Esther. Other customs include the drinking of wine, the wearing of masks and costumes, as well as the exuberant display of celebrations in public. Like Hanukkah, Purim has more of a 'national' (Israel) than a 'religious' (Judaic) character, and its status as a holiday is on a lesser stature than those days ordained by the Torah. Accordingly, business transactions (including the Oscars), and even manual labor are allowed on Purim.

    As early as the 5th century, there was a custom to "BURN AN EFFIGY" of Haman on Purim.

    However, the first religious ceremony ordained in the celebration of Purim, is the reading of the Book of Esther (Megillah) in Synagogues. The Megillah is read with a scintillation (a traditional chant) differing from that used in the customary reading of the Torah. When Haman's name is read out during the public chanting of the Megillah in the Synagogues, which by the way occurs 54 times, the congregation engages in boisterous noise-making to "BLOT OUT THE NAME".

    Over time, a custom developed of writing the name of Haman on two smooth stones, thereafter knocking them together until the name was blotted out. Others write the name of Haman on the soles of their shoes, and then at the mention of the name, loudly and repeatedly stomp their feet as a sign of contempt. Most though, employ the use a loud and noisy ratchet, called a ra'ashan, or in Yiddish a grager. Although some rabbis have protested against these uproarious excesses (raucous stomping and deafening ratcheting), considering them to be a disturbance of public worship, nevertheless, these two customs in particular, have continued to be universally carried out in almost all Synagogues on Purim.

    Just a thought ?!

    I wonder if during the Oscars, the Zionists of Hollywood plan to conduct an 'L.A. Festival of Burning', wherein all copies of the "Un-Israeli" film '5 Broken Cameras' will be incinerated, not unlike that conducted by the Nazis in May of 1933, during which upwards of 25,000 volumes of "Un-German" books (predominantly Jewish) were burned ?!

    Or worse yet, publicly humiliate themselves during the announcement of the film's nomination for an Oscar award, by stomping their feet and twirling permitted Ra'ashans, in a feeble attempt to 'Blot It Out'?!

    After all, just the other day, they did attempt to prevent the film-maker Emad Burnat, together with his wife and 8 year old son, from attending, by way of harassment and intimidation at the hands of Immigration Officials at L.A.X.

    Perhaps, it was because a 'Film' or even a 'Broken Camera' in the hands of a Palestinian now constitutes a potential 'Terrorist Threat' ?!
    9ahua1980

    Implications of Documentaries like 5 Broken Cameras

    In much of American culture, there is an invisible cultural pressure to be part of trends. These examples can be seen by the long lines whenever any new Apple product is released, by the people who run out to buy the latest designer clothing that is solely offered by Target, and by the what is means to be seen with Apple's white ear buds. Although there is a place and value for being part of the mainstream culture, each person carries with them a unique perspective into this world. And in the noise of all the marketing campaigns that try to target the greater population to adopt the next best product or service, it is becoming more difficult to be influenced by perspectives that are not mainstream but at the same time important in helping people see what it means to be human, in its challenges and struggles of life. Emad Burnat possesses a passion in capturing his Palestinian community in battling to retain their village land. His documentary 5 Broken Cameras brings about a view of his life that is rarely ever made conscious in the mainstream lives of the western world. One that gives us a glimpse of what it means to be part of the modern history of the Israeli-Palestinian conflict. Although many people have heard about the long withstanding history of Israeli-Palistenian conflict over the West Bank, the documentary brings about a quality of humanity to the conflict through a first person perspective of using non-violence protest strategies to prevent Israeli developer's from building onto the land of their village of Bil'in. Through six years worth of film, Emad is able to show a personable and affective-filled battle of many people in his village that risk their lives in protecting the land of their people. An important aspect that may often be lost to viewers of documentaries is that many of them are acting as a voice to those who have no voice. People of the western world are well-educated compared to the rest of the world and it is important that people learn to use their education and power to improve the lives of others. I have to admit that it is difficult in a world that constantly promotes the improvement of the individual and need to achieve individual success. There is an important significance that documentaries bring to the world. They pave a way for helping those with no voice gain attention and obtain a voice that is necessary. Emad has used his five broken cameras to give a voice to the village people of Bil'in and is helping people understand that not everyone in this world has stability even in the basic needs of food and shelter. Being able to see even this one perspective, is likely to help people realize that there are more important issues at hand in the world other than obtaining the latest gadget or wearing the latest fashion trend. It is therefore critical that people understand the power they possess living in the western world and how they can use it to give a voice to those who need help and do not have a voice.
    10lee_eisenberg

    lives of occupied people

    Emad Burnat's documentary about the on-the-ground reality for the people inside the West Bank is a very disturbing portrait of life under military occupation. In fact, when Burnat got detained at the LA airport on his way to the Academy Awards, he noted that it is what the Palestinians go through on a daily basis. Indeed, the settlers and army do some absolutely evil things, such as burning an olive tree.

    "5 Broken Cameras" (whose title refers to the different cameras that Burnat had to use after the army kept breaking them) is a documentary that everyone should see. It's a real look at what life is like for the Palestinians under Israeli occupation, a complete contrast to the nonstop depictions of Palestinians as terrorists.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Emad Burnat is the first Palestinian nominated for the Academy Award for Best Documentary Feature.
    • Citations

      Emad Burnat - Narrator: Healing is a challenge in life. It's a victim sole obligation. By healing, you resist oppression. But when I'm hurt over and over again, I forget the wounds that rule my life. Forgotten wounds can't be healed. So I film to heal. I know they may knock at my door at any moment. But I'll just keep filming. It helps me confront life. And survive.

    • Connexions
      Edited into P.O.V.: 5 Broken Cameras (2013)
    • Bandes originales
      Music from the albums: Randana, Majâz, As far
      Music composed and performed by Samir Joubran, Wissam Joubran, Adnan Joubran

      Interpreted by Le Trio Joubran

      Percussions by Yousef Hbeisch

      (p) & (c) Randana - 2007

      Courtesy of Randana

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    FAQ17

    • How long is 5 Broken Cameras?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 février 2013 (France)
    • Pays d’origine
      • Israël
      • Territoires palestiniens occupés
      • France
      • Pays-Bas
    • Sites officiels
      • Official site
      • Official site (Japan)
    • Langues
      • Hébreu
      • Arabe
    • Aussi connu sous le nom de
      • Cinq caméras brisées
    • Lieux de tournage
      • Bil'in, Ramallah and al-Bireh, Palestine
    • Sociétés de production
      • Alegria Productions
      • Burnat Films
      • Guy DVD Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 109 983 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 674 $US
      • 3 juin 2012
    • Montant brut mondial
      • 146 475 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 34min(94 min)
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.78 : 1

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