Ajouter une intrigue dans votre langueIndifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.Indifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.Indifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
- Male nurse
- (as Seth Koen)
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The film is circles around an unlikable and practically lifeless hipster (played by comedian Tim Heidecker) and follows him around as he lives his boring, useless life. He hangs out with friends, goes to parties, goes into taxi cabs and basically tortures the drivers (not literally, but figuratively), and visits his father in the hospital.
Whenever he does anything, he does it pretty obnoxiously. The movie is just him being a truly despicable person for 90 minutes, and it is really fascinating.
At times, it's really hilarious (in a twisted way), and at others it's just downright disturbing and unsettling. Watch it at your own risk!
There is nothing like this film, and it's amazing that it is fronted primarily by two guys who did weird postmodern TV shows on Cartoon Network and a indie singer who did not become "famous" until he and his band retired (of course they made an eventual comeback, for people actually wanted to hear LCD Soundsystem for some reason). The story on the surface seems like a stunning indictment on trust fund hipsters, but it ultimately is a deconstruction of what happens to people when they lack ambition, desire and heart due to the mundanity of their comforting and unsatisfied lives.
Eric Heidecker is Swanson, an overbearing hipster who is on the verge of inheriting his dying father's fortune. While he grapples with the situation, it is clear he has no clue what to do with his life. He provokes and taunts people to ferry reactions out of them, with one might surmising he is doing it in hopes of getting seriously injured or even killed. Anything to feel something beyond apathy. At least that is what it seems like when he enters the African American bar and openly talks about gentrifying the neighborhood and insulting the other patrons. Of course, it could be ignorance considering Swanson might believe that since he likes hip-hop music and other forms of minority culture, that he somehow has the right to speak in such generalities. Trust me, I wanted the men at the bar to pummel him but then again, it would have been dishonest.
I think this is what makes this film so unsettling. While we hope Swanson and his friends eventually grow up and continue their life journey, they just continue to be awful human beings. Before the social media world gave such bad behavior a monetary feed, being this type of person was unexpected. Now it has sadly grown into a norm.
Like I said before, I hated Swanson and ultimately wished he had an end like Harvey Keitel in Bad Lieutenant, but that would not have been a sincere outcome. You can't feel any sympathy for the characters and this is what is so provocative about this film. Considering Heidecker's career this is a wild subversion on his filmography, and it seemed perfectly tailored for someone like him. It will be years before I want to see this again, but damn this is provocative.
We watch a bunch of genuinely unpleasant people go from place to place, and in a nutshell that's it. At least on the surface that is.
This is could be a commentary on what freedom can do to someone. Our main character seems to have no real connection with people outside of his small group of friends. He has the possibility to inherit his father's fortune, instead goes from place to place and seems to exists.
The protagonist is a deplorable person, don't get me wrong, but you can connect with him in his longing to have something meaningful to happen. I can see some people not liking the fact that nothing seems to really happen in the film, but because our main character doesn't have anything purposeful happen to him, the film reflects that.
The cinematography in the film has a lot of up close shots allowing us to really read into the emotions of the main character.
One thing I haven't really mentioned is that the dialog is very interesting. It can go from something funny and seemingly lighthearted, but then does a complete 180. There we're several scenes where the humor is really there.
Overall, this film is not for really a wide crowd, but if any of this sounds interesting, I wholly recommend it.
Le saviez-vous
- AnecdotesThe black males Swanson (Tim Heidecker) encounters at a Brooklyn bar were not actors but participants. Their reactions from Heidecker stereotyping them were genuine.
- Citations
Swanson: [affecting a southern accent while talking to his sister-in-law, who remains silent] Oh Liza, Liza. Them slaves be workin' hawd out heah. Dyin' out there in, in the thousands. In de sun. Just keelin' over from de heat. From de HEAT-UH. Come on, now. Ain't it good, ain't it right, to see them die? How hawd dey work? For dis fam'ly? Poppa use dem skin for makin' nice furniture. He tans 'em out dere, and makes a nice - that couch you on, in dere is all slave meat. Slave skin. As it should be. Lawd bless 'em. Slave penis and vagina. Come on, that's funny. I know you think that's funny. You ain't-your sense of humor ain't died. It's a good crop of slaves we have this year, innit? Real nice, nice bunch. I got to know 'em personally. Some of 'em, I know 'em by their first name! Old man be dead by now, I 'spect. Ain't breathin' too good. I 'spect he won't, he won't, shine too, too kindly on our family. He got one son out dere on a boat. He got another boy up dere, inna looneybin. Married to some whore. Who sh-who, who rubs, uh, who, who rubs, rubs sh-rubs shit on her vagina! Some whore, got, you-you are, you the kind of whore that, you the kind of whore that swallows cum. You are my only cum-swallowing sister-in-law, and I appreciate it. Cum swallower. That's the proudest thing to be, in this family.
- ConnexionsFeatured in Half in the Bag: Django Unchained and 2012 Recap (2012)
- Bandes originalesBaby
Written by Donnie Emerson
Performed by Donnie & Joe Emerson
Meilleurs choix
- How long is The Comedy?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Комедія
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 41 113 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 000 $US
- 11 nov. 2012
- Montant brut mondial
- 41 113 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Rapport de forme
- 1.85 : 1