Ajouter une intrigue dans votre langueIndifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.Indifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.Indifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
- Male nurse
- (as Seth Koen)
Avis à la une
The film is circles around an unlikable and practically lifeless hipster (played by comedian Tim Heidecker) and follows him around as he lives his boring, useless life. He hangs out with friends, goes to parties, goes into taxi cabs and basically tortures the drivers (not literally, but figuratively), and visits his father in the hospital.
Whenever he does anything, he does it pretty obnoxiously. The movie is just him being a truly despicable person for 90 minutes, and it is really fascinating.
At times, it's really hilarious (in a twisted way), and at others it's just downright disturbing and unsettling. Watch it at your own risk!
The most striking and obvious theme of the movie is hit dead on, as no matter how much "fun" the characters are portrayed as having a deep seeded loneliness constantly lingers on the screen. Even as Heidecker's character forms relationship or merely interacts with a stranger you can feel the unhappiness he extrudes.
One thing about The Comedy that is for sure, is that while it may make you chuckle and even get a gut laugh is far from a comedy. No, The Comedy is ironic portrait of how ironic it is that a life fueled by irony is without a doubt sincerely unfulfilled.
If you are looking for the laugh riot of the year I suggest you pass on The Comedy. If you are looking for a serious film on flippant lives it might be the best of 2012.
The movie is trolling you with it's seriousness, it makes some actual poignant statements but there's no vast message being made here. Even the end of the film, which makes a beautiful point about the importance of relationships over the vast heartless intellectualism and cynicism of nihilistic "hipsters", only actually serves to make you think there's some moral statement, when actually all this is is classic Tim and Eric humour taken to it's art house-y extreme. It's a meta- comedy of anti-comedy. If you're not laughing, you lose!
We watch a bunch of genuinely unpleasant people go from place to place, and in a nutshell that's it. At least on the surface that is.
This is could be a commentary on what freedom can do to someone. Our main character seems to have no real connection with people outside of his small group of friends. He has the possibility to inherit his father's fortune, instead goes from place to place and seems to exists.
The protagonist is a deplorable person, don't get me wrong, but you can connect with him in his longing to have something meaningful to happen. I can see some people not liking the fact that nothing seems to really happen in the film, but because our main character doesn't have anything purposeful happen to him, the film reflects that.
The cinematography in the film has a lot of up close shots allowing us to really read into the emotions of the main character.
One thing I haven't really mentioned is that the dialog is very interesting. It can go from something funny and seemingly lighthearted, but then does a complete 180. There we're several scenes where the humor is really there.
Overall, this film is not for really a wide crowd, but if any of this sounds interesting, I wholly recommend it.
Le saviez-vous
- AnecdotesThe black males Swanson (Tim Heidecker) encounters at a Brooklyn bar were not actors but participants. Their reactions from Heidecker stereotyping them were genuine.
- Citations
Swanson: [affecting a southern accent while talking to his sister-in-law, who remains silent] Oh Liza, Liza. Them slaves be workin' hawd out heah. Dyin' out there in, in the thousands. In de sun. Just keelin' over from de heat. From de HEAT-UH. Come on, now. Ain't it good, ain't it right, to see them die? How hawd dey work? For dis fam'ly? Poppa use dem skin for makin' nice furniture. He tans 'em out dere, and makes a nice - that couch you on, in dere is all slave meat. Slave skin. As it should be. Lawd bless 'em. Slave penis and vagina. Come on, that's funny. I know you think that's funny. You ain't-your sense of humor ain't died. It's a good crop of slaves we have this year, innit? Real nice, nice bunch. I got to know 'em personally. Some of 'em, I know 'em by their first name! Old man be dead by now, I 'spect. Ain't breathin' too good. I 'spect he won't, he won't, shine too, too kindly on our family. He got one son out dere on a boat. He got another boy up dere, inna looneybin. Married to some whore. Who sh-who, who rubs, uh, who, who rubs, rubs sh-rubs shit on her vagina! Some whore, got, you-you are, you the kind of whore that, you the kind of whore that swallows cum. You are my only cum-swallowing sister-in-law, and I appreciate it. Cum swallower. That's the proudest thing to be, in this family.
- ConnexionsFeatured in Half in the Bag: Django Unchained and 2012 Recap (2012)
- Bandes originalesBaby
Written by Donnie Emerson
Performed by Donnie & Joe Emerson
Meilleurs choix
- How long is The Comedy?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Комедія
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 41 113 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 000 $US
- 11 nov. 2012
- Montant brut mondial
- 41 113 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Rapport de forme
- 1.85 : 1