Hansan: La bataille du dragon

I am not from Korea and I know and study a little about the story of Yin Sun Shing, even the film that came out in 2014 I haven't watched it, honestly when I watched the film Hansan Rising Dragon, I didn't really understand the storyline, all I could understand was that they had a turtle boat and only the Japanese dialogues I could understand where it was going, for the Koreans I had a little difficulty understanding their conversations, I am also not Japanese.

The rest I will start watching Korean films to understand how they make their storylines, many Korean films are interesting to my friends but for me it is very difficult to understand how it looks interesting, moreover the shooting of Korean films is always bad, where the camera is close to the character so that the aesthetic impression is lacking I really hope that in the future Korean films will be better than before.

While it's not Yi Sun Shin's greatest naval victory, it is nevertheless a significant event in Korean history. The sea battle is beautifully depicted, though conflating details from his other naval battles, it still gets some key facts right, and about the famous turtle ships and Korean and Japanese fighting tactics. More importantly, you get a different look than the western navies that relied on sail and wind.

The movie feels a bit rushed at the start to set the stage. When you have a movie about a naval battle, I can understand that you can't spend a lot time on the buildup of events leading up to it, but it could be confusing for non-Koreans who did not grow up learning about it in school. There are of course also lots of manufactured drama, but that's to be expected--this is not a historical documentary.

This is the prequel to "The Admiral: Roaring Currents" (2014), which depicts Yi Sun Shin's most famous victory at Myeongryang Strait some five years after the events in this film.

Rising Dragon is a sequel done perfect. A well made movie with hardly any flaws in the re-enactment process. Great work by the whole cast not missing a single beat. Excellent character insight and story build up no plot holes at all every bit of the story ia relevant to the final victory at battle. It's one of the very few movies of the genre that really is exciting without straight up war and bloody. Rising Dragon has a quietening effect to it which results it's action sequences to be fully effective. Mind-blowing special effects, simply fun to watch. Sound effects supplements well too. Worth the watch without a doubt.

This is undoubtedly one of the most interesting movies from south Korea. Unfortunately the narrative is a little bit biased. My objections might be far fetched but as a history enthusiast I knew that admiral Yi Soon-Shin was obviously asking the Chinese emperor to aid them but in the battles they showed Koreans fought alone, anything about Ming China didn't really have significant appearances here. It's also noticeable that the samurai army's Japanese obviously spoken in THICK KOREAN accent (why the director didn't hire any Japanese actors? That's bizarre!). I can't understand if they insisted to hire only Koreans, why didn't they hire some dialect/accent coaches to dub spoken Japanese like native speakers? Honestly I'm a bit annoyed by this. My brain interpreted it roughly as the battles between 2 Korean forces, one force is deserters versus the other force is patriots of homeland. I appreciated this movie a lot but my criticism is obvious, this movie is self-centered about Korean narrative of their historical battles. As someone who diagnosed with ADHD and I paid almost $ 7 to watch this movie in the cinema, I can only lament the historical distortion of this movie. Typical anti-Japanese propaganda...sigh (I'm sorry you failed to amaze me! Hansan : rising dragon is not better than Admiral: roaring currents). I rated this movie, 7.2 out of 10.

Unabashedly Korean blockbuster had arguable historical accuracy but Kim Han-min surely treated audience with impressive production values and 'geokbukseon' final battle. That's how weak interrelated subplots and underutilized characters are forgiven.