Le médecin américain Desmond T. Doss de la Seconde Guerre mondiale servit pendant la bataille d'Okinawa, refusant de tuer des gens et devint le premier homme de l'histoire américaine à recev... Tout lireLe médecin américain Desmond T. Doss de la Seconde Guerre mondiale servit pendant la bataille d'Okinawa, refusant de tuer des gens et devint le premier homme de l'histoire américaine à recevoir la médaille d'honneur sans tirer un seul coup de feu.Le médecin américain Desmond T. Doss de la Seconde Guerre mondiale servit pendant la bataille d'Okinawa, refusant de tuer des gens et devint le premier homme de l'histoire américaine à recevoir la médaille d'honneur sans tirer un seul coup de feu.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 57 victoires et 115 nominations au total
Résumé
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It has been said about 'Hacksaw Ridge' that the second half is better than the first half, something that is agreed with by me. Not that the family/character study stuff is bad, far from it, it's beautifully filmed, even better acted and paints Doss as a very fascinating character that it's easy from the get go to identify with his wants to succeed against all catastrophic odds.
Just that the first third does take time to get going with a pedestrian pace, the dialogue is corny (in fact, to me the dialogue is the least good thing about 'Hacksaw Ridge' in general and the element that rings true the least) and the sentimentality is laid too thick (this is also particularly true in the slightly underdeveloped romance).
However this is made up for by the entertaining yet hard-hitting training scenes and in particular the truly jaw-droppingly brutal war/battle scenes that soar in nerve-shredding intensity and raw emotion, giving the first 30 minutes of 'Saving Private Ryan' a run for its money and perhaps making it tame in comparison (high praise for a film with one of the most gut-wrenching first 30 minutes on film, though to me the rest of the film isn't quite as good).
Throughout 'Hacksaw Ridge' has exceptional production values, in particular the cinematography in the battle scenes, and Gibson directs like his life was depending on it. Rupert Gregson-Williams' score has the right amount of pulsating energy and nuance, and the sound effects in the war/battle scenes have a terrifying authenticity.
For a vast majority of the time, the story is very compelling and makes the most of mature and very easy to relate with themes. It has a wide range of emotional impact, being for the second half intensely powerful, much of the film being poignant, some of it sardonically amusing (without it being out of place) and also all of it inspirational. Rather than straying from the facts for dramatic license, Gibson is surprisingly respectful this time round.
Andrew Garfield has yet to give a better performance than his astonishing turn here (though he is splendid too in Martin Scorsese's 'Silence'), and Gibson similarly brings the best out of Sam Worthington (often a charisma-free actor but here doubts were cast aside) and Vince Vaughn (at his sardonic best while also touchingly subdued, proof that he can be good if the material serves him all which too often in his career it hasn't but it does brilliantly here). Hugo Weaving is terrific, also giving some of his best work in some time. Teresa Palmer makes the most of her role.
In conclusion, a near-triumphant come-back. 8/10 Bethany Cox
Love from kerala, india.
**** (out of 4)
The incredible true story of Desmond Doss (Andrew Garfield), a simple man from Virginia who grows up with a strong religious nature, which means that he can not kill anyone. WWII breaks out and Doss believes it's his duty to sign up but he's soon butting heads with the people in his troop as he refuses to pick up a gun. They believe him to be a coward and can't understand his feelings but soon he's going to have to prove his worth during the battle of Okinawa.
Mel Gibson's HACKSAW RIDGE is a story that probably would have been laughed off the page had it not been based on a true story. Obviously I'm not going to spoil the various plot points in the film but it's quite remarkable what this young man did. Not only the courage he showed but also the guts it took for him to stand up and do what he believed in. Gibson's direction is perfect and technically speaking there's not a single flaw to be found. There's no question that the film is one of the greatest war movies out there.
What makes the film work so wonderfully well is that the drama off the battle field is just as intense as what is on the battle field once we get there. The battle scenes themselves are downright horrific and there about as tense as you're ever going to witness on a screen. Gibson's direction through these scenes was terrific and I must say that he managed to put some of the most graphic war scenes that you're ever going to witness. There's also a jump scare that happens towards the end, which has to be one of the greatest of any film I've seen. There's no question that you feel the horror that these men felt and it's just amazing that anyone could go through that and survive.
Many people say SAVING PRIVATE RYAN has the greatest battle scenes and they're perfect but so are the ones here. What makes this film even greater for me is the fact that the story outside the battle is wonderful. I thought the training sequences were terrific and I thought the abuse that Doss goes through was terrific. Yes, we've seen this stuff in countless war movies but the story here is just so great and Gibson does such a wonderful job that you can't help but feel as if they're fresh and original. It also helps that the entire cast is so wonderful with Garfield leading the way. He's simply terrific here and not once do you ever feel as if you're watching an actor doing a part. You really do feel as if you're watching a real man battle with his beliefs. Sam Worthington, Vince Vaughn, Hugo Weaving and Teresa Palmer are all terrific as well.
I usually hate when a new movie opens and it gets labeled "the greatest" this or "the greatest" that. I honestly think films need time to grow and time to become a classic but I honestly have no reservation calling this film something truly special. It works on every level and it's really a masterful piece of filmmaking and it shows once again that Gibson is one of the greatest director's working.
Le saviez-vous
- AnecdotesAccording to director Mel Gibson, Desmond T. Doss's son, Desmond Jr, attended the screening and was moved to tears by Andrew Garfield's accurate portrayal of his dad.
- GaffesHarold Doss wears an Army uniform at the kitchen table when in fact he enlisted in the Navy and served aboard the USS Lindsey.
- Citations
Desmond Doss: Maybe I am prideful... but I don't know how I'm going to live with myself if I don't stay true to what I believe... much less how you could live with me. I'd never be the man that I wanna be in YOUR eyes.
- Crédits fousThe real Desmond T. Doss is interviewed during the end credits and briefly describes his experiences during World War II, some of which have already been dramatized in the film.
- Versions alternativesA&E and History Channel versions mute the curse words with background noise or cut away from it. They also remove most of the graphic violence by either digitally editing or cutting out. When includes but is not limited to:
- Vito being shot twice in the chest.
- The screaming soldier's face being shot off is cut, it cuts to the blood hitting the other soldier's face. Then the other soldier being shot is cut out.
- The man in the beginning who injured his leg, his leg bleeding is sped up, only shown on screen for a part second.
- The Japanese ritual suicide scene is cut to remove the man who was decapitated's head being cut off.
- ConnexionsEdited from 1945: End of War (2011)
- Bandes originalesTo God be the Glory
(Traditional Song)
Written by Fanny Crosby
Music by Howard Doane (as William Doane)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Hasta el último hombre
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 67 209 615 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 190 758 $US
- 6 nov. 2016
- Montant brut mondial
- 180 563 636 $US
- Durée2 heures 19 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1