Tu ne tueras point

I guess that Hacksaw Ridge could probably best be compared to the great Gary Cooper film Sergeant York which hewed pretty close to the truth about Alvin C. York, his background in Eastern Tennessee and his exploits in World War I.

Like our protagonist Desmond Doss here, York had a rural background and joined a pacifist religious sect. Unlike Doss, York grew up as a hunter and was a dead shot. He wasn't sure what he would do if a combat situation arose. But he did what he did and got every decoration imaginable including the Congressional Medal Of Honor.

Doss had a tougher row to hoe. He would not touch a weapon and the film will show you why. He felt it his patriotic duty to join, but as a combat medic, save lives rather than kill. With no weapon to defend his own person, this medic saved a lot of people at an engagement at a place dubbed Hacksaw Ridge in the Battle of Okinawa.

In Sergeant York, Walter Brennan's country preacher character says that Gary Cooper has the 'using kind of religion'. That might well be said of Andrew Garfield as Desmond Doss who got a Best Actor Oscar nomination as Doss. Cooper won one of his two Oscars for Sergeant York and Garfield really suggests his character in what he does with Doss.

The battle scenes are suggestive of Saving Private Ryan, director Mel Gibson staged them well. Hacksaw Ridge did win a pair of Oscars for its Sound. Gibson got nominated for Best Director and the film itself for Best Picture.

Hacksaw Ridge shows the horrors of war and from it the beauty of heroism when people have to summon their personal best and become more than themselves. The Doss story is one that deserves telling and retelling. Thanks to Mel Gibson it will be permanently retold.

I was fortunate enough to see an advanced screening of HACKSAW RIDGE in Hollywood and was impressed. The screenplay is authentically-driven to the last detail and portrays the horrors (and prejudices) of wartime conduct. I knew we were watching an epic film when at the conclusion, the audience was stunned so much so that the applause was delayed.

If you consider yourself a true patriot of America, this movie portrays YOUR values in a blessed light. For ONE gentlemen, amidst extremely adverse treatment by his own comrades and even more deadly hated by his enemy to have save SO many men... is simply epic.

I watched the advanced screening with members of the military and faith community alike. At no time did anyone retract from the horrors of war or add asinine political commentary. We all understood that soldiers fight for one another before they fight for a cause and that hatred of war is universal; even among soldiers.

I was lucky enough to sneak into a cast & crew screening at the Newtown Dendy cinema. I thought 10.30AM on a Sunday was too early for a Mel Gibson movie, that I might be in for something along the lines of the heavy-handedness of THE PASSION OF THE Christ, and the adrenaline pumped brilliance of APOCALYPTO.

I was proved wrong because after the first thirty minutes I wasn't sure if this was a Mel Gibson film when I was placed into a comfort zone, with its melodrama set in a small Virginia town during the Forties, a schmaltzy romance, and the cliché violent drunken father who survived a brutal war. The performances were maybe a little let down by the clumsy dialogue, but all directed safely with a natural sense of storytelling.

By the 2nd act, I was put on high alert in the military training with our protagonist, Desmond Doss (Andrew Garfield who I at first felt was wrongly cast, but he really came through in the end). It was here when the true purpose of the story began to evolve, that of Doss' moral and internal conflict with using a gun! What he had to endure and stand-up for was a courage I greatly admired. It was also in this phase of the film that the dialogue and characters began to shine. Maybe it was the introduction of Vince Vaughn's character. We all know how Vaughn is notorious in ad-libbing, and it seemed to help because the other actors bounced off it well.

Now the story had me in their pocket because by the 3rd act I was with our protagonist and his platoon when they got to the battlefield graveyard of Hacksaw Ridge. You thought the horrific situation in WE WERE SOLDIERS was brutal, well this was captured so vividly that you felt you were there. It was almost on par with the brilliance of GAME OF THRONES; BATTLE OF THE BASTARDS.

Now I felt I was in a Mel Gibson film. As with Braveheart, the battle scenes in Hacksaw Ridge didn't hold back. Maybe a notch better because of today's CGI (and I didn't even notice the effects!). The scenes were unflinching, haunting and in your face. Possibly showing you the true horror of war. Definitely not for the squeamish.

The religious aspect of the film was relevant to the story, so as a non-believer I thought it was an integral part of the protagonist and had to be told, so it didn't bother me as much.

Overall the technical aspect of the film was brilliant, but then again I didn't really notice it because I was too distracted by the story and the characters, and when that occurs, I know the film has succeeded.

Just watched this movie at the pre-screening and feel like I owe it to the creators to write a review. Having read other reviews, it is hard to stay original, so first are few thoughts that I shared with the others. Great to have Mel Gibson back in the directors seat. I will be surprised if we don't see this film in a few Oscars categories. Now, few thoughts of my own. The movie depicts brutality of war in gory details, so much so, that I had to turn my eyes away from screen couple of times. However, I do understand why this was important to the story line. It was done so that we could truly appreciate Doss's act of bravery, feel it like we were there and witnessed it firsthand - nothing was left out. The story grabs you from beginning and does not let you off until very end - after the movie I turned back and half of the girls in the theater were still wiping tears. Bottom line - instant classic that will find it's place on the shelf next to the likes of Saving Private Ryan and Band of Brothers.

We knew already that Mel Gibson is a filmmaker with a powerful vision and the craftsmanship to go with it. Extraordinary battle scenes. Violence, Gibson style, which means Peckinpah plus, because here there is such a personal intention that makes every frame, utterly compelling. The only drawback and I have to say it, Vince Vaughn. Why? In the moment he appears, this extraordinary film becomes a movie. It took me completely out of it. When you look at him you see an actor, acting. On the other hand, Andrew Garfield. Sublime. He makes totally believable a character that could be fictional. The humanity in Andrew Garfield's eyes makes everything real. It tells us, in no uncertain terms, that at the very center of it all, there is love. Love!