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Had the privilege of catching this film early as it screened at the London Film Festival. I had high hopes after seeing the critics reviews and it did not disappoint.

The story follows Adam and his neighbour Harry, with whom he develops a romantic relationship with, as he deals with the grief from his parents tragic death when he was child.

The film cuts across genres. At times it is funny, sad, romantic, and even horrifying. It is a damning depiction of the loneliness epidemic among younger men while also dealing with the added challenges faced by those within the lgbt community in trying to fit in.

The chemistry between Scott and Mescal is brilliant, while Foy and Bell really hit the right note in their roles. The film is also beautifully shot and has a lovely palette of colours within.

It's a tough watch and left me with a lump in my throat for the entire final third, but it thoroughly deserves all the praise it has received so far.

9/10.

There are certain movies that are too heavy to objectively rate and look back on. For me, All of Us Strangers is that kind of film.

The story follows Adam, played by terrific Andrew Scott, who's in his forties, living alone in a freshly-built block in London, indulging himself in his loneliness. One night, he's visited by Harry, played by brilliant Paul Mescal, and the two start a relationship, in which both open up about their insecurities. It turns out, Adam's main source of anxiety is not being able to get over grief after his parents' death 30 years earlier.

Adam writes screenplays for movies, and it turns out, All of Us Strangers seems like one of his screenplays, because he regularly visits his parents. He talks with them about his everyday life, struggles, and what has changed in these 30 years.

Now, I'm lucky enough to have both parents alive and well. Still, due to how excellent the dialogue, narration, and acting is in All of Us Strangers, I was still devastated. I can't recall when was the last time I shed so many tears during a film.

Imagine a person so lost in grief and loneliness they talk to their dead family members and acting as if their fantasies were true. All of Us Strangers brings these kinds of images alive to a great effect. Fortunately, the movie is also more than only an emotional blow. It hardly loses its narration, even when the tempo accelerates in certain moments, and the border between what's real and fiction seems to vanish.

And the acting. I won't ever understand how Andrew Scott wasn't nominated for an award for his depiction of Adam. His range in this movie is just unmatched. A lot of positives can also be said about Paul Mescal, or Adam's parents, who are played by Claire Foy and Jamie Bell, but they're a background to Scott's brilliance on the screen.

It's tough to think of a story about grief and loneliness without emotional baggage. All of Us Strangers, despite its emotional overload, delivers a solid, stunning, and tough story about people who are lost. More importantly, it's a story about a lot of us, too afraid to talk about our inner battles, running away to imaginary scenarios. A truly superb film.

I've been wanting to watch "All of Us Strangers" ever since I found out about this movie, and let me tell you, it didn't disappoint. This subtle masterpiece weaves a poignant tale of grief, loneliness, and love, leaving an indelible mark on the heart. The brilliant performances from the two main actors elevate the film to a level of emotional depth rarely seen.

The story unfolds as a masterclass in tragedy, exploring the intricate web of human connections and the profound impact of loss. The movie broke my heart into a million pieces tonight, evoking a range of emotions that lingered long after the credits rolled.

"All of Us Strangers" is more than a film; it's an experience that resonates with the rawness of life's complexities. The nuanced storytelling, coupled with stellar acting, makes it a must-watch. Highly recommended for those who appreciate films that delve into the intricacies of the human soul.

I saw this at the Cork International Film Festival, so seeing 2 Irish leads like Andrew Scott and Paul Mescal performing as they did was a tantalizing factor for me and those watching.

The film brilliantly captures one man's complex processing of grief and loss, with the protagonists particular story holding different factors for viewers to latch on to. It is a raw watch, which touches on the themes of loss, pain, and love.

The 2024 awards season should look favourably on Andrew Scott's performance in this film. His portrayal of this mans intriguing, yet sensitive approach of coming to terms with such tragic events in his life could not have been played better by any other actor. An enormous amount of credit must to go Andrew Haigh's directing and writing, who produced a flawless ensemble to play off of a script where every scene and word was situated perfectly.

In a movie awards season that has had more misses than hits, it's gratifying to see one that not only lives up to, but exceeds, its potential. Such is the case with writer-director Andrew Haigh's latest offering, a heartwarming and heartbreaking story of love, reflection and healing all rolled into one. To say too much about the film would invariably lead to a plethora of spoilers, but suffice it to say that it tells a genuinely moving and touching tale of a 30-something gay Londoner (Andrew Scott) and his budding relationship with a mysterious new beau (Paul Mescal), an involvement very much influenced by the protagonist's relationship with his own past, most notably his involvement with his parents (Jamie Bell, Claire Foy). This is one of those pictures that's just about perfect in virtually every regard thanks to its stringent adherence to authenticity in the writing and the portrayals of its positively stellar cast, especially the highly underrated performance by Foy, whose role has puzzlingly been flying under the radar thus far. It's also a production that will likely surprise viewers in myriad ways, defying expectations and telling a story that's anything but apparent from what's in its promotional trailer. Moreover, I'm impressed by the fact that this is an offering featuring gay characters in which their sexuality is not the principal focus of the narrative, something that truly distinguishes this feature from so many others in this genre. Add to these attributes a sensitively chosen soundtrack and some surprisingly innovative cinematography, and you've got one helluva fine movie. To be sure, this is one of those releases that, if it doesn't touch you profoundly, you'd better check to see if you have ice water coursing through your veins. "All of Us Strangers" richly deserves whatever accolades it receives. It's one of the year's best, bar none.