Lisa Frankenstein

Lisa Frankenstein is one of those films that I don't like as much as I had hoped I would upon the first viewing, but I like it more and more every time that I see it. In that respect it is similar to Beetlejuice for me personally. A totally campy film with a lot of things that don't make sense or aren't fully explained; it feels like there are some deleted scenes that should have been left in, but maybe they were concerned about the film running too long and kept it short and simple.

Kathryn Newton gives an excellent performance as the main character, and her dad reminds me so much of the dad in Coraline.

It's simply entertaining dark humor in a teen angst storyline! I totally recommend it for a fun night out.

"They say 'Time heals wounds' but actually, 'Time is the wound.'"

In the year 1989, one's life is about to change forever because of a storm. This is a strange take on Frankenstein's story with something special about it. A film that is entertaining enough and if you do love the 80s, that "Sweeney Todd" vibes, if you love Kathryn Newton, Jughead Jones / Cole Sprouse, this film is for you. Kudos to Liza Soberano's first appearance in a Hollywood film. She did an amazing job and deserves to have more.

Cole Sprouse and Kathryn Newton did deliver a good performance here too.

A film that I could recommend watching. It was fun to watch!

Loved that they still used When in Rome's The Promise in the film (not just in the trailer).

Essentially a blind watch, I must say I surprisingly enjoyed this film.

Lisa Frankenstein was surprisingly enjoyable. It was completely ridiculous and completely stupid, but I found its quirkiness oddly endearing and sweet.

Great performances from the supporting cast and Lisa played fantastically by the beautifully talented Kathryn Newton. She is quickly becoming a favorite actress of mine.

Overall, while I most certainly enjoyed the film, there were certain elements that didn't completely work for me that I'm sure would work for others.

Charming, endearing, and darkly humorous makes Lisa Frankenstein a worthwhile watch that I, for one, did not see myself enjoying.

PS. Still a better love story than Twilight.

IMDb: 6/10 Letterboxd: 3/5

Watched in Theaters.

I liked this movie just fine.

It's a dark comedy and a good watch just before the Halloween holiday.

A nice alternative to anything super dark or scary that you may also be viewing as the days add up to trick or treat time.

Kathryn Newton as the title character is a bold and fiery actress who is quickly rising as maybe her generation's greatest.

Sydney Sweeney may be getting all the hype but Newton's making the interesting choices among her peers.

I just saw and reviewed the excellent Freaky with Newton and Vince Vaughn for the above titled list that I have composed.

The knock on this movie written by a fave, Diablo Cody, for me is that it just tries to hard to be all 80's, and in doing so, drops the ball in complete accuracy I was in high school in the late 80's and a senior in 1989 and I can tell you for certain people weren't dressing like Lucky Star Madonna at that time.

There are other props and product placements but other than that, it's your typical kid with a monster movie.

And that's all right for this Halloween.

My wife and I attended a screening of Lisa Frankenstein (2024) this evening. The storyline follows a young lady whose mother was recently killed by an ax murderer. Her father remarries, and they move to a new home with her new mom and stepsister. A nearby haunted graveyard becomes her fascination, especially a young man's tombstone. One day, her prayer and lightening revive him, but he needs new body parts.

Directed by Zelda Williams in her major motion picture debut, the film stars Kathryn Newton (Ant-Man and the Wasp: Quantumania), Cole Sprouse (Riverdale), Liza Soberano (Trese), Carla Gugino (The Fall of the House of Usher), and Joe Chrest (Stranger Things).

The film is unfortunately uneven and has a solid beginning reminiscent of Edward Scissorhands, capturing an early Tim Burton feel with its 1989 setting. The attire, soundtrack, sets, and cinematography contribute to this atmosphere. The opening credits' animation and creative sets are praiseworthy, and the dialogue exudes cleverness with a perfect dark comedy feel. While horror elements and kills are hit or miss, the film showcases elite slow-motion blood splatter (making me wonder why more films don't leverage that special effect). However, certain scenes, like the awkward backing away and police interrogation, feel forced and out of place. The hunched-over walk scenes also detract from the overall tone. The ending, however, is a positive note.

In conclusion, Lisa Frankenstein has worthwhile elements but falls short of its potential. I would score this a 5/10 but recommend watching it once. This does have a target audience that will love it.