Special ID

bad casting, directing and worst of all, the careless decision by using the every actor's original voice. how could it possible that the mother's tone and accent is pure mandarin Chinese, a northern dialect accent, while the son speaking in cantonese accented Chinese? unless this so-called undercover son is adopted by a hongkongness foster parents and later reunited with his real mother, we could never get used to such big difference of accents between mother and son. and then, this guy's superior officer, my, is such a bad cast, who not in the least like a pencil pusher high ranking police office but an accounting clerk. then, the other two gang-bangers' stereo types are so lame and so formulaic, no big difference from their other roles in so many similar genre movies. i just wish donnie yen and all the cast in this movie speaking pure cantonese that at least the whole movie might look more convincing. but the stupid production people decided to cast a fragile Chinese doll to be the case officer from the mainland china and forced a awkward and embarrassing romance between the hongkongness undercover and her, their scenes just looked so contrite and unnatural. the mother role was also a cast of totally unnecessary. the dialog is also so stupid and contrite. this movie in general is a disaster from the very beginning to the end, simply ruined by a stupid screenplay, wrong cast, wrong accents, wrong arrangements almost every thing. to me, giving this movie 3 stars is already over-rated.

Oh dear, this is really sad. Following something of a career revival with the outstanding Sha Po Lang, Ip Man and Wu Xia, Donnie Yen has really been unable to maintain the quality of his efforts. I fear he is slowly falling back to the ranks of cheesy unrespected action movies with which he had been associated for most of his career. With The Last Bladesman, The Return of Chen Zhen, 14 Blades and now Special ID, he's been having more misses than hits.

When teasers for Special ID started to appear, Internet excitement started to mount that this could be the sequel to SPL that we had all hoped Flash Point would have been. Alas, that is not the case.

Yen plays undercover cop Dragon Chan, doing the usual bad guy routine to get into the good books of the triad bosses. When trouble starts to brew in China with connections to one of his former underlings, his boss, Captain Cheung (Ronald Cheng), sends Yen out to work with Mainland Chinese police to crack the case. One last case before he can return to being a normal beat cop. Sounds good on paper but the execution is a sad state of affairs.

In China, Yen uses his usual unorthodox methods to meet up and reacquaint with his old buddy turned crime boss, Sunny (Andy On). Yen, predictable for a movie, is an unpredictable and reckless cop, which rubs his China police partner Fang Jing (Tian Jing) the wrong way. This is intended to introduce some spark and chemistry between the two but sadly falls flat, mostly due to the fact that Tian Jing looks like she's about 12 years old besides Donnie.

Of course while out in China, some rather unnecessary twists are introduced to keep things exciting, but they just didn't work and really didn't make a lot of sense.

In the end, what we have is an extremely forgettable action movie and another strike out for Yen.

What I liked about this movie was Tian Jing, with some of the best stunts in the movie and a memorable car chase sequence; she stole the best scene in the movie. Agreed she appears too small and frail to pose any real danger. She is, however, surprisingly quite convincing as a martial artist, exhibiting some pretty fancy and gutsy moves.

I look forward to seeing her in Jackie Chan's upcoming Police Story 2013.

What I didn't like was Donnie Yen's character. It is repeatedly reiterated that Yen's character is stupid but he can fight. We're no longer in the 80s where an action hero can get by just on brawn. No one wants to root for a stupid character but unfortunately that's how Yen's character is written. This is a far cry from Yen's character in SPL, a smart, super cool detective who wasn't afraid to get his hands dirty. Yen's character in this is just a silly caricature, like something out of a kid's movie. Also worthy of note is the criminal underuse of Collin Chou. Nope, no Donnie vs Collin this time.

Andy On is pretty good as the bad guy and did a decent job of making his fights against Yen believable. Though what was not believable was why he would be doing all the dirty work himself if he was such an up and coming big-time crime boss, surely he would have sent some of his lackeys to take care of business.

Agreed, no one comes to a Donnie Yen movie expecting Shakespeare, they want to see some ass kicking. So how are the action scenes? Again, mediocre at best. The earlier fights were sloppy, likely in an attempt to make our protagonist appear human and vulnerable. Later fights improve somewhat but could have been cut and pasted from so many other generic action movies. The final fight is good but a lot of us would have already seen it in the most recent extended trailer.

Special ID is a pretty solid disappointment on all levels. What I loved about both SPL and Wu Xia is that they were both powerful dramas, the fighting was restrained and there were actually only a few fight sequences. This served to make the movies more believable and actually made the action sequences more memorable and impactful.

I can't bring myself to recommend this. Rather I recommend, if you haven't seen SPL – go and get it now!

Rating 5 out of 10.

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You really have to wonder how a film like "Special ID" (2013) gets an average IMDb rating of 5.3 out of 10 while something like "The Hobbit" (2012) gets an 8.0. People have truly lost their sense of priorities while watching action films. Read some reviews of "Special ID" and you'll see all kinds of petty criticisms, from language dialects to overly decorated restaurants! Here's a newsflash for you. For an action film to satisfy, it needs a minimum of two things: good action and brisk pacing. Guess what. "Special ID" easily meets this standard and in fact surpasses it with some truly memorable action sequences. Sure, the script is boilerplate and basic (even a bit clumsy in spots), but that doesn't automatically tank the enjoyability of a film that focuses first and foremost on the action anyways.

A cop (Donnie Yen) and his team of comrades go undercover in one of China's most ruthless underworld organizations to stop a gang leader. Andy On plays a good villain, while Tian Jing is a likable female lead. The action in this film is spaced out nicely, which assists the pacing quite well. The fight choreography is less "showy", opting to reflect a realistic, scrappy form of fist-fighting with some mixed martial arts peppered in. The finale lasts a whopping 15 minutes and showcases a suspenseful car chase. This actioner definitely satisfies.

The director here is Clarence Fok, who has a hit or miss filmography but has given us some fun movies in the past – "The Iceman Cometh" (1989) and "Black Panther Warriors" (1994) being two fairly brainless crowd-pleasers that stand out. He has also contributed some truly riveting dramas. For example, his crime drama "Century of the Dragon" (1999) is one of the best triad films of the past 15 years. Overall, the direction in "Special ID" is solid during the action, with some very cool sweeping shots during the lengthy car chase.

Unfortunately, Clarence should have vetoed some of the scoring choices in "Special ID" because the background music got intrusive at times. The sound design of this film feels amateurish and cheap early on, but get better as it progresses. This shouldn't be too much of a problem for fans of old school Hong Kong action flicks from the 80s and 90s, which many times had consistently poor production values but nevertheless succeeded at providing pure entertainment value. At the very least, "Special ID" looks nice while it gives the viewers its fist-to-face goodies.

The six years since 'Ip Man', Donnie Yen has not looked back on the kind of contemporary action that fuelled his latest career resurgence, preferring instead historical epics like 'Bodyguards and Assassins', 'Legend of the Fist: The Return of Chen Zhen' and 'Wu Xia'. No wonder then fans of 'S.P.L.' and 'Flash Point' have been waiting in eager anticipation for his return to MMA-type action that this latest 'Special ID' promises, in particular since Donnie himself has promised this to be the epitome of the techniques he had used in his earlier two movies.

Good news is that Donnie doesn't disappoint - as the action director and of course his own choreographer, he makes great use of the tight enclosed quarters of the sets to stage some thrilling MMA fights. Right from an invigorating opening that pits him against veteran Jackie Chan stunt team member Ken Lo in an old-school mah-jong parlour, it's clear Donnie is going for the jugular when it comes to his blows, kicks and head-locks. This is none of that poetic grace we saw in 'Wu Xia' or restraint in the 'Ip Man' movies; rather, this is no holds barred Donnie, and boy is it awesome to watch him in full macho mode.

And throughout the 100-minute run time, Donnie gets to go ballistic twice more - once in the middle when he first confronts his protégé turned arch-nemesis Sunny (Andy On) and again right at the end where the two go mano-a-mano against each other. Both are unique in themselves; whereas the first sees Donnie take on dozens of Sunny's lackeys on his own (think Donnie's one against many in 'Ip Man 2') within the narrow confines of a two-storey restaurant and its kitchens, the second gives Donnie more latitude to brawl with a well-matched opponent both in attitude as well as in ferocity.

Impressive though they may be, we do have a few caveats to make. One, much as Donnie had wanted to top what he accomplished in 'S.P.L.' and 'Flash Point', the truth of the matter is that you're probably not going to be wowed to the same extent as watching Donnie go up against Wu Jing in 'S.P.L.' or against Collin Chou in 'Flash Point'. Despite packing bare-knuckled brutality, it lacks the 'oomph' to make it a contender amongst Donnie's best fights. Two, despite adding Collin to the cast as the head of the mafia clan Donnie's Zhilong is infiltrated into, there is no match-up between Donnie and Collin - which in itself is already a disappointment. And lastly, even though Donnie had wanted a female Michelle Yeoh in Mainland star Tian Jing, the actress is largely unremarkable in the few scenes she gets to show off her moves.

Now that we've covered the failings in the action department, it's probably opportune to talk about the rest of the movie, which can be summed up in a single word - dreadful. Let's start with the script by the late veteran Hong Kong screenwriter Szeto Kam Yuen, who had also penned Donnie's 'S.P.L.' and 'Flash Point' - while the former two shrewdly chose a simple but tightly wound narrative around the action, 'Special ID' sees Yuen channelling 'Infernal Affairs' into its story of an undercover cop who wants out but is forced to take on one last mission by his superior (played here with comic but unconvincing effect by Ronald Cheng). Not only is Zilong's character arc of a tortured cop clichéd, it is tacked on with an equally hackneyed pseudo-romance between Zilong and his Mainland partner Fang Jing (Tian Jing) from which he is supposed to find a sense of composure to his brash aggressive self.

It might have been better if a stronger director was at the helm; unfortunately, the person behind the camera was also behind Donnie's most atrocious movie in recent years 'Together'. We're talking of Clarence Fok, best known for his work on the 1992 Wong Jing scripted film 'Naked Killer'; here, Fok literally 'f**ks' up the direction with poor continuity between scenes, annoying fadeouts and most of all, a utter lack of coherence in the tone of the movie - the latter in fact is particularly ingratiating, as Fok reveals yet again how he has utterly no clue how to build a credible romantic arc, in this case between Zilong and Fang Jing.

But Fok's shortcomings don't stop there - there is absolutely no subtlety in the entire movie, so much so Donnie ends up embarrassing himself by overacting in every single dramatic scene. Fok even manages to screw up Donnie's transformation from impulsive to out-of-control, a supposed crucial turning point in the story where Zilong's dual identity catches up with him and exacts a punishing toll on the one sole family member he has left - his mother (Paw Hee Ching); as it is, the ending that sees Donnie chasing Sunny down the roads of Shenzhen is rushed and jarring, another frustrating sign of incompetence by a director who should have stayed in retirement.

No thanks to multiple shortcomings, 'Special ID' ranks as a queer disappointment. Sure, one goes to a Donnie Yen film for the action, which he does deliver to good - though not great - effect; but there need at least be a competent story to form the narrative glue in between the fights, which in this case is sorely lacking. If Donnie is listening, we'd also advise him to simply stick with dubbing or with his native Cantonese tongue for his next movies - let's just say that his Cantonese-accented Mandarin is quite the unintentional cringer here.

I am not really a big martial arts movie fan, but I enjoy watching a good one when I get the chance. "Special ID" is the only other Donnie Yen film I have seen after the phenomenal "Ip Man" and its lesser sequel. I was curious to watch Donnie fight in the modern setting. This film definitely confirms his excellence in martial arts choreography and execution -- from the quiet discipline of wuxia before to rough and rugged mixed martial arts this time.

The story is common and predictable, Chan Chi-lung (Donnie Yen) is an undercover Hongkong cop who gets sent to China to help corner an up-and- coming crime boss, Sunny (Andy On), with whom he was close to in his previous assignment. There were no really big surprises or twists. But of course, we do not typically watch these types of films expecting a profound story, but it is mostly for the exhilarating action scenes. And in this aspect, I thought "Special ID" delivers big time.

It was cool to see a different Donnie Yen as a brash and reckless cop, which was totally in contrast with his subdued character in "Ip Man." His range of fighting skills were all very elegant to watch in those incredibly and impossibly choreographed fight and car chase scenes. Be they in enclosed spaces or in wide-open areas, Donnie Yen is exhilarating to watch.

Andy On plays a very convincing new debonair crime lord from the US. He figures in a very long climactic scenes of car chase with fighting, followed by an intense scene of bloody hand-to-hand combat. He was able to match the grace and flow of Yen's movements yet their scenes come across as gritty and realistic.

As Yen's Chinese female police partner Fang Jing, pretty actress Tian Jing was made to mouth some pretty cheesy lines. But when it comes to her action scenes, her awkwardness disappears. She was unexpectedly awesome in her parkour scenes jumping and running across rooftops, and of course, her major fight scene set unbelievably inside the confines of a Land Rover!

Reviews from many die-hard martial arts film fanatics have been harsh, calling this film a miss in Donnie Yen's filmography because of its sloppiness. However, for the casual viewer who only watches martial arts films occasionally, I do not see anything wrong with the action sequences I saw here in "Special ID". While they may miss the mark for bonafide MMA connoisseurs, for an ordinary guy like me, those action scenes and stunts were quite exciting and very entertaining. 6/10.