Un Youtuber publie une vidéo dans laquelle il s'en prend au pasteur d'une méga-église pour défendre son frère jumeau gay. Il est vilipendé par la société, jugé au tribunal et confronté à une... Tout lireUn Youtuber publie une vidéo dans laquelle il s'en prend au pasteur d'une méga-église pour défendre son frère jumeau gay. Il est vilipendé par la société, jugé au tribunal et confronté à une culture qui menace de détruire sa famille.Un Youtuber publie une vidéo dans laquelle il s'en prend au pasteur d'une méga-église pour défendre son frère jumeau gay. Il est vilipendé par la société, jugé au tribunal et confronté à une culture qui menace de détruire sa famille.
- Récompenses
- 5 victoires et 2 nominations au total
Muhammad Fadzri
- Dol
- (as Fakkah Fuzz)
Avis à la une
Apart from the LGBT theme, #lookatme reveals the danger and power of words in the internet age whereby words can as much elevate a person as it can destroy one. An impulsive vlog by the protagonist Sean has caused the whole family to suffer in extreme ways. Loosely based on events that happened in Singapore, Ken Kwek's #lookatme dealing with themes of LGBT, religion, effects of social media - is really not just about Singapore as these issues can happen anywhere in the world. Teetering between facts and fiction, #lookstme that is heartwarming, funny, and thought-provoking; it's a movie worth watching for Singaporeans and global audience alike!
This film is far more important than a piece of entertainment.
Set in and coming out of Singapore, a place where as of the time of this review, the LGBTQIA+ community still does not enjoy anywhere close to the same amount of rights as "straight/cis" people, this film joins the ranks of pieces of art that is brave enough to do the important work of amplifying stories and issues that DO exist in clean & green Singapore, but are always shoved under the rug.
The film is thoroughly engaging from start to end, and as a great and important note, lots of the cast members are part of SG's LGBTQIA+ community of members and allies and thus an integral part of this piece of work.
My only criticism is that, for a film marketed towards that community, it still places the "straight/cis" character front and center as the hero of the story.
That being said, I am grateful to every person involved for being some of the many daring artists willing to put their careers and names on the line to produce content like this that is still largely unwelcome in Singapore and has a very real potential to affect their working options in some way.
I hope one day we will all look back on this and other similar works of art as signs of an outdated era, rather than a continuing situation in Singapore.
Set in and coming out of Singapore, a place where as of the time of this review, the LGBTQIA+ community still does not enjoy anywhere close to the same amount of rights as "straight/cis" people, this film joins the ranks of pieces of art that is brave enough to do the important work of amplifying stories and issues that DO exist in clean & green Singapore, but are always shoved under the rug.
The film is thoroughly engaging from start to end, and as a great and important note, lots of the cast members are part of SG's LGBTQIA+ community of members and allies and thus an integral part of this piece of work.
My only criticism is that, for a film marketed towards that community, it still places the "straight/cis" character front and center as the hero of the story.
That being said, I am grateful to every person involved for being some of the many daring artists willing to put their careers and names on the line to produce content like this that is still largely unwelcome in Singapore and has a very real potential to affect their working options in some way.
I hope one day we will all look back on this and other similar works of art as signs of an outdated era, rather than a continuing situation in Singapore.
If you need to get on an emotional rollercoaster for the kicks, there's no better way than to watch this film. Ken Kwek manages to rile you up first with righteous indignation, then lull you into complacency with impeccably timed comic spells, then shock you into gritting your teeth and gripping your seat.
#LookAtMe is storytelling mastery par excellence. Don't let the fact that it's been banned in its country of origin distract you from thoroughly enjoying this film. That meta fact acts as a teaser for some of the weirder things depicted in the film, which, if you live in Singapore with your eyes and ears open, you'd know to be fairly accurate.
Catch it or regret it!
#LookAtMe is storytelling mastery par excellence. Don't let the fact that it's been banned in its country of origin distract you from thoroughly enjoying this film. That meta fact acts as a teaser for some of the weirder things depicted in the film, which, if you live in Singapore with your eyes and ears open, you'd know to be fairly accurate.
Catch it or regret it!
Gripping account on how it feels to be at odds with some of your community whilst supported by others. Loyalties are tested in this story where the power of a viral video can have major consequences.
Really meaningful work from Ken Kwek and supporting team. It really brings to light how just being yourself, and speaking up is immeasurably harder when you or your sibling is part of the LGBTQ+ community.
The poignancy of parts combined with the dark humour of others made for a compelling watch.
Some notable performances. Yao plays two brothers with great effect. Touching and guenuine performance. My best actor goes to Pam Oei for a caring, devoted, loyal yet pragmatic Mother figure. If you were in this situation you'd want Pam's character rooting for you too. Highly recommended watch.
Really meaningful work from Ken Kwek and supporting team. It really brings to light how just being yourself, and speaking up is immeasurably harder when you or your sibling is part of the LGBTQ+ community.
The poignancy of parts combined with the dark humour of others made for a compelling watch.
Some notable performances. Yao plays two brothers with great effect. Touching and guenuine performance. My best actor goes to Pam Oei for a caring, devoted, loyal yet pragmatic Mother figure. If you were in this situation you'd want Pam's character rooting for you too. Highly recommended watch.
How often do we get a Singaporean film that dares to take on religion, gay rights, privilege, prison conditions? No need to answer me. The censorship board already has. (Thanks, guys! Love you too.)
#LookAtMe is a necessary film for this age of crazy. I love how it tackles so many uncomfortable things about Singapore and Singaporeans, how it growls at all the rampant hypocrisy, how it weeps for it. Made me laugh and cry and hiss and want to throw rocks at people and people at rocks. Excellent cast wrung emotions from me I wasn't aware I still had.
I wish more people could see it! Yes, that deserved an exclamation point.
#LookAtMe is a necessary film for this age of crazy. I love how it tackles so many uncomfortable things about Singapore and Singaporeans, how it growls at all the rampant hypocrisy, how it weeps for it. Made me laugh and cry and hiss and want to throw rocks at people and people at rocks. Excellent cast wrung emotions from me I wasn't aware I still had.
I wish more people could see it! Yes, that deserved an exclamation point.
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Détails
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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