NOTE IMDb
5,3/10
4,7 k
MA NOTE
Par une chaude journée d'été à Oslo, les morts se réveillent mystérieusement et trois familles sont plongées dans le chaos lorsque leurs proches décédés reviennent à eux. Qui sont-ils et que... Tout lirePar une chaude journée d'été à Oslo, les morts se réveillent mystérieusement et trois familles sont plongées dans le chaos lorsque leurs proches décédés reviennent à eux. Qui sont-ils et que veulent-ils ?Par une chaude journée d'été à Oslo, les morts se réveillent mystérieusement et trois familles sont plongées dans le chaos lorsque leurs proches décédés reviennent à eux. Qui sont-ils et que veulent-ils ?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 10 nominations au total
Avis à la une
Disappointed by many of the reviews that don't give enough credit for the inventive twist in the zombie genre, and the subsequent emotional heft of Handing the Undead. Granted, the film does move at a glacial pace, and the entire screenplay was probably under 3 pages. A very quiet and somber drama, and other than a couple of forays into common zombie territory towards the end, this is a study in grief, loss, loneliness and hope. The story - as the rest of the film - unfolds slowly, but it reveals emotional depth I wasn't expecting. Expectations are tricky and in this case, I think the movie will be enjoyed by those approaching with an open mind and patience.
I had the chance to see this for the Sundance film festival. I wish I had chosen something else. Anything else. This was almost the slowest thing I'd ever seen, and I just followed it up by watching "The Stalker" by Tarkovsky, so when I say slow--I mean sloooooooow. At least Tarkovsky had a meaning and philosophy being told as part of the story for you to ponder during slow scenes. This movie left you wishing everyone in it would die a horrible interesting death because their lives were so monotonous. There wasn't a single likeable character besides the innocent Kian, and he had essentially no lines! In fact there was hardly any dialogue of any kind in the entire movie. Hardly anything happened at all, then when something sorta kinda does, it ends abruptly. I've got the book, and "Let the Right One In" is one of my favorite movies and books, so it's not as if I'm not the right demographic here. This just has nothing going for it. I regret the time spent on it, the money spent, and the hours of backlash I had to hear afterward from my husband who was equally upset by the time he so rarely gets being wasted watching nothing happen. Boring doesn't even begin to describe it. More like mind numbing. Don't say I didn't warn you.
Eerie and somber example of Scandinavian elevated horror, that adapts a novel by the author of "Let the Right One In" and marks Thea Hvistendahl's debut as a feature film director. The movie offers a unique take on zombies, focusing more on grief and the human connection between the living and the undead rather than the familiar horror evoked by these creatures. Unfortunately, it moves at an excessively slow and contemplative pace, and eventually becomes exhausting in its tedium. To make matters worse, when events unfold exactly as expected, they do so without scares or surprises, failing to generate any genuine horror. The one highlight is the beautiful and melancholic score by composer Peter Raeburn, which lingers even after the film ends.
I basically cheer for European film. This movie got a lot of attention when it was released in Norway. Mostly because Renate Reinsve plays one of the lead roles, but also for the theme; What happens when the dead come back? In the many positive reviews of the film, the main characters' feelings of loss and grief were highlighted as the film's strengths.
The film is based on an interesting perspective; How would we react and listed if our dear deceased came back to us?
Since the film's focus is primarily about the main characters' behavior and reactions, this is to a small extent a "zombie movie". Fair enough.
But for me, the movie doesn't quite work. The film's lack of dialogue and storytelling deprives us of viewers the mility to get to know those involved in the film. It all gets too stagnant for me. And I lost interest in the movie while I saw it. When the movie towards the end finally takes some dramatic twists, it's too late.
But one case has the director succeeded; The creepy mood of the film persists from beginning to end.
The film is based on an interesting perspective; How would we react and listed if our dear deceased came back to us?
Since the film's focus is primarily about the main characters' behavior and reactions, this is to a small extent a "zombie movie". Fair enough.
But for me, the movie doesn't quite work. The film's lack of dialogue and storytelling deprives us of viewers the mility to get to know those involved in the film. It all gets too stagnant for me. And I lost interest in the movie while I saw it. When the movie towards the end finally takes some dramatic twists, it's too late.
But one case has the director succeeded; The creepy mood of the film persists from beginning to end.
The film discusses the idea of death and how we deal with it as humans
How pain largely lies in the loss and absence of the feelings we need
Death is likened in the film to the absence of feelings
How the absence of feelings in humans is extremely terrifying and sometimes even harmful
How this makes a person feel dead and unwanted
What distinguishes life are feelings and the ability to express them, such as love, joy, fear and pain...and losing them is like death
What connects us as humans are mutual feelings
How a person is willing to abandon the people closest to him if he lacks certain feelings towards him and we reviewed this concept in the film on three different levels childhood, maturity, and old age, and I think that this gave greater depth to the message that the film wanted to convey
The pace of the film is slow but very poetic and the soundtrack is beautiful.
Le saviez-vous
- AnecdotesFor years Kristian Petri was attached to direct the film, being John Ajvide Lindqvist's preferred director. Ajvide Lindqvist wrote on his now defunct old official forum that the film was in development hell due to the production company he signed the rights to wanting to sell them to an American company rather than making the film themselves. Petri eventually gave up on the project and when the rights reverted to Ajvide Lindqvist he sold them to Einar Film.
- Bandes originalesThe Moon is Awake
- "Mah Bidareh"
Written by Matin Peymani and Patricio Pock-Steen Fraile
Performed by Soho Rezanejad
Courtesy of Orange Blue Publishing
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- How long is Handling the Undead?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Справи із нежиттю
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 500 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 26 208 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 470 $US
- 2 juin 2024
- Montant brut mondial
- 260 627 $US
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the Canadian French language plot outline for Handling the Undead (2024)?
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